Cherish

"Cherish", directed by Finn Taylor, is worth a look because it's much better than some other more pretentious movies that fared much better, be it because hype, or wider distribution. The talent gathered here is young and wonderful and the great sound track, mostly from the 80s works extremely well.

We first meet Zoe, an insecure young person, as she comes to work in an office where she sticks out like a sore thumb. Zoe is an original in her own way, but she tries too hard to fit in. Her mostly sophisticated coworkers reject her on the basis of looks. Zoe is heavily into music. We see her dialing her local radio station to ask the D.J. to play favorites, which he always has ready. Her 'radio' name is Natasha!

Something horrible happens to Zoe after a party. A policeman is killed and all points out to Zoe being the culprit. Thus begins a house arrest in which Zoe is made to wear an ankle strap that will monitor her movements. Daly, the police department in charge of this operation, becomes fascinated by this young woman. Suddenly, this man will be seeing things differently as he falls for Zoe in a no-win situation.

The viewer is in for a treat because of the immensely winning performance of Robin Tunney. She is a fantastic presence as Zoe. We get a feeling of claustrophobia as we watch her confined to a seedy loft for a crime she has nothing to do with. Tim Blake Nelson, who we have seen on plays in the New York stage, makes an incredible contribution to this story that is set in the Bay area.

"Cherish" will win anyone with an open heart.

In San Francisco, Zoe (Robin Tunney) is a shy and outcast in her working place that adores the love songs she listens to the radio. Zoe goes to a bar with her coworkers and she spends the night talking to a colleague that also like mushy songs. She drinks with him and when she goes to her car to take her cellular to call a taxi, a stalker forces her to drive away. A police officer sees the intruder in her car and asks her to stop the car. However, the guy forces Zoe to run over the policeman that is hit and dies. Zoe has a car accident and the aggressor escapes.

Neither the police nor her defense lawyer believes on her words and Zoe is arrested for murdering the policeman. She is confined at home with an ankle bracelet under the surveillance of Daly (Tim Blake Nelson), a lonely man that falls in love with Zoe. She tries to find a way to leave the spot to chase the criminal and prove her innocence.

I bought "Cherish" on DVD a long time ago, and only today I have watched it. It was a pleasant surprise, since Robin Tunney and the music score with wonderful songs from the 60's, 70's and 80's make this good low- budget film also delightful. The conclusion is satisfactory but could be better and better. My vote is seven.

Title (Brazil): "No Lugar e na Hora Errada" ("In the Wrong Place and Time")

A fine exploration of love and obsession and a woman's journey for identity wrapped in an implausible plot, 'Cherish' is an admirable film full of well-rounded, comedic performances by a mostly unsung cast. Robin Tunney, who some of you may know from the remake of 'The In-Laws', stars as Zoe, a ditzy, confused young woman at the beginning of the film. She defines herself by her pitiful relationships with men, which through plot circumstances I won't reveal, result in her being confined to a seedy apartment somewhere in San Francisco, awaiting trial for a crime she didn't commit. Gradually, she discovers her strength as a woman, both physically and emotionally, through her relationships with her apartment mates, local neighbors, and most significantly with Tim Blake Daly, who portrays the cop who monitors her confinement. Great musical score that comments on the movie's themes, some great comic bits by the supporting cast and excellent direction by Finn Taylor. San Franciscans will snicker at the journey Zoe takes through the city to return to her apartment when she is allowed a day of escape, and some folks may scoff at the rather absurd plot, but I found this to be a very adorable film and recommend it to any film buffs who have grown bored by the usual Hollywood mush.

I thoroughly enjoyed this movie. It's the type of flick that you want to see again, and real soon, because you have the sense you missed a lot the first time around.

The use of music is huge in this movie. Although completely different, I am drawing up memories of High Fidelity. Both movies feature music as its own entity or major theme in the story, not just as a backdrop to help tell the story. As a music lover, I just dig this.

Robin Tunney was phenomenal as Zoe. I think even if I didn't enjoy the other characters and the plot so much, this movie would be worth seeing just for her performance. She did an excellent job of portraying Zoe's journey. Her performance never felt pushed or strained; she just WAS Zoe, from the first scene to the last. Of course, this is what actors are paid for! I just felt she did an extraordinary job of capturing the character.

I love the way this movie was presented. It didn't abuse, or rely on, special effects. Rather, they were used at just the right time to help tell the story.

This movie has just enough of everything you want in a movie to make it suitable for all the types of moods you might be in when you see it!

I liked this movie! A lot of problems with new indie films is that they try to be too artsy (with rapid cuts or industrial music) or too dark where you wind up loathing all of the characters. This movie was neither. The soundtrack was ecclectic and quirky. You were able to sympathize with all the characters.

Nelson and Tunney had great chemistry and were fun to watch together. The genres (comedy/drama/thriller) meshed very well together to make a cohesive, entertaining piece.

Good job :-)