Desaparecidos: La resistencia

This movie fails on a number of levels. As it can be viewed on strictly religious terms or as an action thriller, I will address both.

First, let's just talk about it terms of an thriller film. It fails in this regard because it simply makes no sense. People don't act in any sort of real manner. It's simply not how people would act if this were a real situation of millions of people vanishing. You would think the Bible is some book that was only known to the people who vanished and no one else. Everyone else seems to be completely in the dark and don't even make the connection this might be the "Rapture," yet, millions of Christians vanish overnight as Christians have been saying they will. I don't know about you, but if that happens in real life, me and most of the planet would be rushing to Church the next morning. It seems implausible no one would. Also, everyone goes about their business as if some mugging happened in the neighborhood. The most ridiculous thing is that most people accept the disappearance as some sort of nuclear radiation when that is the most insane excuse that could be even offered. This film is incredibly outdated, a complete fabrication of how and what the U.N. is and how it works. Acting and dialogue are unintentionally hilarious, setting off streams and fits of laughter. In one Church scene, there is a bulletin board and six pictures of people on it with the caption, "OUR MISSING" A Church and there is only six missing people? How funny is that? What was it, The Church of Satan? There's no surprises and no tension, especially among the people who are not saved and whom you know will be calling out for Jesus by the end of the picture. There's a lot of talk about the "Wailing Wall," yet what is supposed to be the wailing wall, I guess, looks nothing like the real "wailing wall," as if producers have no clue about the "wailing wall" or don't think it's important enough to make a reasonable close simulation of it. The whole movie treats it's audience as simple-minded, uneducated couch potatoes.

Seeing this as a religious film, it is incredibly insulting. This lies the main offense. It's not powerful enough to convert anyone and not realistic enough to make anyone want to know more. It's most heinous crime, though, is how it uses the Jews. If the Jews made a big-budget multi-million dollar film and a huge media campaign about how the Pope came to his senses and announces to the world how he has come to the conclusion that Jesus Christ was not GOD after all and everyone should know that and see the truth, there would be an UPROAR in the Christian community. But they seem to have no problem committing that perfidious insult onto the Jews. Rabbi Ben Judah, the most learned and respected scholar in the world, announces to the planet that Jesus Christ is indeed God and he has been wrong and now knows the truth. This is terrible, terrible injustice to the Jewish faith. Besides the fact that it is simply ludicrous to think that a Rabbi could sit on a podium in Israel and the entire world of different religions is going to sit back and take his word for it just because he thinks so and these other religions be converted (What planet is this film on? Certainly not Earth), but to put words like that in the mouth of the head of another religion and have them say how wrong they were, well, it's just hateful and disrespectful, that's all. It's also disturbing that the whole conspiracy of trying to take over the world comes from INTERNATIONAL BANKERS, which has always been another word for Jews when it is in this context. It's just another example of the total disregard for the integrity of the Jews. It feigns respect for them while denigrating their beliefs. Coupled with a preposterous plot and representation, this film fails as both an action thriller and as a religious film.

I felt the first Left Behind film was such a corny lark (if people leave behind dentures and hip replacements, does that mean they also leave behind breast implants when they get Raptured?) that I had to see what Kirk Cameron and crew were up to for their second turn at bat.

I will state this as clearly as possible - nothing happens in this film, absolutely 100% nothing. There's no progression, no forward momentum, nothing. The only thing you could classify as character development is the believers patronizingly preaching to the uninformed. Does anyone want to get their religion from the kid from Growing Pains? The plot consists of our four left behind-ers forming a group (Tribulation force, unite!) that wants to warn the world that the leader of the UN is the, wait for it, Antichrist. This plan goes nowhere. Two of the Tribulation force members contribute nothing to the cause except wistful praying.

The crux of the film is on a learned Rabbi who is to reveal to the whole wide world that Jesus is actually the Messiah. In what universe would a single Rabbi saying something about religion have the world's eyes and ears? And why would everyone systematically accept one man's words as the divine truth? If this was the case couldn't we end this boring movie with Cameron yelling, "I loves me the Jesus" and be done with it? I enjoy the Rabbi's slow reveal in his speech. He starts talking about how he's proven who the Messiah is (though we see nothing of his findings) and says it's a man who was born in Bethlehem and betrayed for 30 pieces of silver. Then he says it's Jesus. And the audience literally gasps. This whole plot device couldn't be any more insulting.

Overall Left Behind 2 is far worse than the original film, and that is something of an accomplishment of itself. I challenge you to stay awake and interested into what's going on, because there may be more nothing going on in this film than in the entire history of cinema. Cameron is the best the world of journalism has to offer? And anyone else notice that if you're not Western European in ethnicity you're either evil or dead wrong with your religious beliefs. Take that 4/5 of the world!

There are so many laugh-out-loud moments (like the explanation for millions instantaneously vanishing as "nuclear radiation," are we in 1955 all over again?) but the largest drawback of Left Behind 2 is how horrifically boring it is. The Omega Codes were equally atrocious but campy and slightly entertaining in an I-Can't-Believe-People-Spent-Money-On-This kind of way. Left Behind 2 on the other hand has no sense of humor and no sense of style, let alone competent pacing, directing, and acting. I know sixth graders that could blow the socks off these Left Behind thespians.

I can think of no possible reason anyone should every view this film at any time. I have never been more bored, and I fell asleep during The Thin Red Line three separate times when I saw it in theaters. The only reason you would recommend this film is if you wanted that person to die of boredom.

For my money, the DVD menu screen is the funniest and most entertaining part of the film.

I'm amazed that someone would be so naive as to think that a movie trying to present the good news of the gospel to a world that is already saturated with the polluted wells of mass profanity, immorality and violence for violence's sake would criticize a film for NOT having these features in it.

In case the reviewer is interested, the Bible presents many accounts of people who sinned for our learning and instruction so that we wouldn't repeat the same errors without giving pornographic or explicit depictions that do more to encourage people to seek drinks from polluted wells of ignorance than direct them to the water of life, found only in Jesus Christ, who stated that once a person truly drank of the water of eternal life He gives will never thirst again.

I agree that not all the acting in these films is "A list Hollywood acting". Much of what is in Oscar winning movies these days is not "A list Hollywood acting" either.

People are entitled to their opinion that perhaps these filmmakers are relying too much on the message and not on the acting. I think many films rely too much on filthy language, big effects, and sensuality with much less plot and storyline than is shown in the "Left Behind" movies.

So if you want more raunchy supposedly 'realistic' language and sin depicted, there are plenty of other movies out there to choose from. There is less and less originality in film today and more and more depending on moving the emotions or visceral than on reaching the mind of someone.

I also wish the movies had stuck more to the original story. The same as I wished that the Lord of the Rings stuck more to the story and Oscar winners such as Chariots of Fire and Ghandi which also deviated from the stories. None of John Gresham's novels transferred to film stick to the story either. (Runaway Jury changed cigarette industry into the gun industry for example).

Show me a film that is entirely sticking to the story and I'll show you an author that wrote a screenplay and not a book. :-) They are two different mediums and very rarely is the screenplay also written by the book's author.

I rated this highly for what it attempted to do. I think the first part did not do very well in the first half and improved in the second half. This movie wasn't perfectly even either, but it did attempt to get a message that was in the book out in a way that was entertaining. Apparently even to those who thought it was funny.

For the one that found it funny: did you equally laugh and find funny Tom Hanks in "Castaway" for performing the longest known commercial for FedEx in it's history?

How about "Million Dollar Baby" for it's showing a 32 year old woman who can't box a lick and then supposedly becomes a one round wonder only to be taken out by a dirty boxer and left as a vegetable who no longer has an ounce of fight in her? She has the guts to tell her no good family to take a flying leap and then has no guts to live?

These were hit movies, perhaps with better acting, but equally funny because the message outshone any script or plot and many people came away with the impression of "That Fed Ex movie" or "that Right to Die" flick.

I guess these "Left Behind" films aren't alone in being funny or having script and other errors that for some can overwhelm the message, eh?

It is interesting to approach a dogmatic movie w/out allowing my own personal values system to intrude on my aesthetic judgement - and it was in this spirit of adventure that I decided to watch this appalling excuse for a TV movie.

It is ironic, but I find that - for some reason - many of these flawed attempts at grand Christian filmmaking have much in common with their cinematic-theological antithesis : the seventies cycle of cheap, rip-off Satanic Posession movies. Primarily, derivative pulp thriller scripts with religion awkwardly shoehorned in, poor production values, hollow rhetoric, Soap Opera standard actors and absolutely no love of the medium whatsoever.

It is strange that this cycle of films has now created a cliche so strong that christian filmmaking now has such a bad reputation amongst moviegoers (whatever their religion), that the genre is a byword for pictures to avoid. This should not necessarily be the case - look at the big budget biblical epics of the 50s and 60s or the thoughtful (and occassionally chilling) deconstruction of fundamentalism in Bill Paxtons "Frailty".

Nevertherless - this movie is possibly one of the worst films ever made, right up (down) there with "24 Hours in London" & "Camp Blood" (the latter I only saw by accident - honest). Perhaps I'm being a little bit harsh, but you've got to be cruel to be kind and I think its time for this cycle of movies to be put to sleep.

This was a good movie as it takes us further into the teachings of Revelations and what is to come. We see the Tribulation Force coming together and working to defy the Anti-Christ. Also, Buck and Chloe getting together is nice and in the books, they wind up staying together. I look forward to the 3rd movie in this series as it is also a good tool in making others aware of what is to come after these last days. Great movie!