La ley de Brooklyn

From the dialogue to the soundtrack, I felt like this movie was grabbing from other classic mob movies.

There were even direct quotes! ex: a conversation between freddie prinze jr and scott cahn about whether or not it was better to be loved or feared... come on! ... It was like listening to fingernails going down a chalkboard to here these two guys butchering one of the great mob movie moments between Sonny & C in A Bronx Tale.

The dramatic role was clearly too much for Freddie to handle. Scott Cahn and Alec Baldwin were bright spots, but there were too many other awkward moments that seemed like a collision between your typical romantic comedy and a bad mob movie.

If you're going to use the Stones in a mob movie soundtrack... at least pick songs that have not been used in other mob movies.

Don't waste your money and pay to see this in the theater. Its a rental.

I have to say I was presently surprised by this little film, I expected way less then I got. That's not to say that this is a fantastic film but it's a good one. It does a great job of representing a believable friendship between it's three main characters. I once again have to gripe of the pointless and sub par acted female character who is injected for the point of having one and doesn't add much to the film. Alec Baldwin is great as he usually is, and the three main characters are both well acted and believable unlike their accents but that's not important here. The story may be filled with a few clichés but the friendship of the characters make it work well enough to pull you into the story, not immerse you in it but keep your interest. I don't want to say Freddie Prinze was amazing but he was rather good, I wish he would lean more into films like this and stay away from any romantic comedy/dramas for a little while, play a villain or something, I do believe he has the talent it's just that he gets type cast in those romantic roles. Anyway, the film was surprisingly good, as was the story and the acting. Don't expect the Sopranos, Goodfellas and definitely not The Godfather and you won't be disappointed.

This film was written by Terence Winter, one of the driving forces behind the Sopranos TV series and, given the reputation of that show (which I have to admit to never having seen), I was quite surprised by the routine nature of this film. Freddie Prinze Jr. finds himself out of his depth as Michael, a Brooklyn kid half-scamming his way through law school while trying to avoid becoming sucked into the mob life so adored by Carmine (Scott Caan), one of his closest friends.

Much of the problem lies with the fact that everything that happens here we have seen before in better, more original gangster flicks. The story is OK, but the script rarely rises above the pedestrian and, despite some rather clumsy attempts to insert a number of 80s pop culture references there is no real feeling for time or place. Alec Baldwin, who appears as the local mob ruler is by far the best thing about this film. In fact, Baldwin's pretty good in everything he does these days, having successfully negotiated the thorny transition from leading man to character actor without falling foul of the pitfalls encountered by some of his contemporaries. The best scenes in the film are the ones in which he appears and aren't just the most violent incidents. There is more insight into the workings of the mob in the scene in which Baldwin sits down with another gangster to iron out a few issues between Michael and the local mob psycho than there is in the beatings and shootings, etc.

Scott Caan is memorable, but it's difficult to be sure whether it is because he gives a good performance in his own right or because in a number of scenes he is so reminiscent of his father playing Sonny Corleone.

While there's nothing new here, the picture is entertaining enough and is a relatively painless experience.

Brooklyn Rules is a good story about the undying love and loyalty of three friends growing up in Brooklyn, under some very difficult circumstances. Some fine acting by Alec Baldwin and Scott Caan and very good dialog, so listen carefully. I think this movie has a minor flaw. Sometimes it moves a little slowly but the story line does keep you interested. There is some very funny dialog in this script that breaks up some of the serious moments in the movie, which I liked. This movie is also very violent at times but I believe it was a necessary part of the story.The script,written by Terence Winter was very good and superbly directed by Michael Corrente. I also liked the way this movie was filmed, the set decoration was good and so was the lighting. It made a lot of the scenes very easy on the eye. All in all, I came away from this movie feeling good. It reminded me of growing up with my friends, not under the same circumstances, mind you, but just the way good friends talk to each other with brutal honesty and oh yes, always a wisecrack.I recommend this movie because it is about all of us in some ways. I think people will identify with the characters, I think they will like the film.

OK, this isn't the best Brooklyn-coming-of-age-in-the-midst-of-wiseguys movie ever made, but all in all I think it was pretty good.

First off, I think all the acting was pretty good. A great turn from Jerry Ferrara, "entourage"s Turtle. One may think from watching that show that this kid was plucked off the streets of Bensonhurst (where's he's from... and I am too) to be on the show, and is a one-trick-pony, but, he gave a great, nuanced, sweet performance of a character that was nothing like his "entourage" alter ego. Kudos to him. I look forward to seeing him in more films, growing as an actor. He was likable, believable, and genuine.

Scott Cahn was excellent. He played his character, one that isn't new in mob-related films, with intensity, humor, and honesty. While his character Carmine may be bordering on a life of crime, he kept the character's heart in tact. I swear moments in this film reminded me of his dad... in a good way.

Freddie Prinze Jr, who'ds I've never seen in a "real movie", was pretty good in this too. Out of the three though, he seemed the most out of place, but, I felt he tried hard and played the role with conviction. His and Mena Suvari's (another actor who I felt didn't fit this film) romance plot line was one the movie could have done without. Upper crust girl falls for and inspires scrubby neighborhood guy to shoot for the stars. It's been done before, and it didn't need to be done again. ANyway, I think if this kid had more roles like this to beef him up, he'd become a pretty good actor. He's not BAD now... but he'd get better for sure doing character driven films like this.

Alec Baldwin, who I think is always entertaining, did a good job in this as the local neighborhood mob boss. He didn't ham it up or go over the top as he sometimes does. He did a nice understated job that suited the character. He was likable, but also had that sheen of danger about him. Good work for this kind of character.

The Brooklyn setting (basically the neighborhoods visited in this are Bensonhurst, Coney Island, Bay Ridge, and Dyker Heights) were genuine (Pastels was a nice touch... and if you're from this neighborhood, you'd agree). The backdrop plot line of the "rise of John Gotti" was a cool one to see everything eveolve around. It hasn't really been touched upon except for on those not-very-great TV movies about Gotti and Sammy "The Rat" Gravano. I thought it was a nice touch. Ss were the scenes with Bobby's family. Perfect! It had comedy, drama, believable characters, and while it may not be the greatest movie ... mob related or not... it had heart. I dug it. It's worth a view.

PS. Someone mentioned in their review that if you're gonna use The Stones in your mob movie soundtrack, you shouldn't use songs already used in other mob movies. Well, to correct them, the only Stones song in this flick is "Sympathy for the Devil"... which to my knowledge was never used in another mob movie. And anyway, Scorcsese used "Gimme Shelter" in not one but TWO of his films. I guess he should be chastised even more for ripping himself off, huh?