Una dramatización de la marcha de protesta por los derechos civiles irlandesa y la posterior masacre de las tropas británicas el 30 de enero de 1972.Una dramatización de la marcha de protesta por los derechos civiles irlandesa y la posterior masacre de las tropas británicas el 30 de enero de 1972.Una dramatización de la marcha de protesta por los derechos civiles irlandesa y la posterior masacre de las tropas británicas el 30 de enero de 1972.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio BAFTA
- 19 premios y 23 nominaciones en total
- Bridget Bond
- (as Carmel Mccallion)
- Maj. Steele
- (as Chris Villiers)
Reseñas destacadas
The acting, especially James Nesbit is excellent, the recreation of the mood is superb although it was obvious with the constant close ups that there was very little budget to recreate the scenery. The geography was never explained and therefore would leave a viewer without prior knowledge of the area disorientated.
The documentary suffered from not being able to set the scene, a lot had happened in the week prior to the Civil Rights march that put both the participants and the security forces on edge and made the advance more significant. The question of why the Paras were sent to Derry were never fully explored.
Overall it was flawless recreation of events from the point of view taken by the film makers on this particular incident. It is worth noting that this is based on the Irish Governments review of the Widgery report into Bloody Sunday. (NB the Widgery report is mostly considered by nationalists to be a white wash)
Now I learned about this in school for a while and as an Englishman I do feel a certain, oblique connection to the troubles. I didn't realise this kind of thing could happen among my compatriots (I'm not trying to belittle Irish Nationalism by calling the Northern Irish my compatriots, it's just how I have come to see them), and I hadn't realised I'd thought this way. It was a real consciousness raiser for me.
My biases notwithstanding, this movie is as a hypnotic account of a confusing episode of an even more confusing time. It has the task of representing the mindset of the times, the mindsets, I should say, while still making it into a spontaneous narrative.
I'm not an expert so I cannot vouch for the authenticity of any of this, but I feel I can believe all of it. There is a tendency for us to demarcate history from real life. A million deths is a statistic as Stalin said. But here I really feel history and the lives of regular people converge in a devastating way.
At its heart I suppose the movie is a mystery. Not so much who-done-it but a why-did-it. I really felt while I was watching, all the chaos and threat that leads to tragedy while still feeling baffled and disorientated throughout. It feels like a documentary. The dialogue is spontaneous but still rich with nuance. The cinematography is candid and even shaky, giving it an often hypnotic, Blair Witch quality.
A movie to never forget.
Dramatising the events that led to the tragic incident on January 30, 1972, Bloody Sunday follows a civil right activist named Ivan Cooper who was the central organiser of the peaceful rally against internment that ended when British army paratroopers began firing on the unarmed demonstrators in full view of the public & the press.
Written & directed by Paul Greengrass, the movie sets its foreboding tone right within the opening segment after which it takes a step back to put its pieces on the board but once the stage is set, it explodes & moves forward with stunning immediacy. Greengrass' direction is at its very best when things go south & the whole episode is extensively detailed in the script.
Cinematography employs the quasi-documentary-style to film the entire event as it unfolds, thus bringing the viewers right into the conflict, while the frenetic hand-held camera-work further reflects the chaotic nature of such circumstances. Editing is slick for the most part, music is nearly absent and its cast contributes with convincing performances, playing their given roles with utmost sincerity.
On an overall scale, Bloody Sunday is a fiercely directed, deftly scripted, viciously photographed, skilfully edited & brilliantly performed movie that brings the dreadful event to life with remarkable precision, brims with intense emotions from start to finish, and not only works as a riveting thriller but also as an unsettling documentary. Disturbing & disquieting but essential viewing nonetheless, Bloody Sunday is strongly recommended.
¿Sabías que...?
- CuriosidadesTo make this movie as authentic as possible, no lights were used in the movie and the camera work was entirely hand-held
- PifiasThe marchers carry homemade cardboard signs with slogans written on them. When shown from behind, some have modern printing ("Made in China") on them that are not appropriate for 1972.
- Citas
Ivan Cooper: I just want to say this to the British Government... You know what you've just done, don't you? You've destroyed the civil rights movement, and you've given the IRA the biggest victory it will ever have. All over this city tonight, young men... boys will be joining the IRA, and you will reap a whirlwind.
- Créditos adicionalesThe live rendition of U2's Sunday, Bloody Sunday continues to play for a full three minutes over a black screen after the credits finish rolling.
- ConexionesFeatured in The 2003 IFP Independent Spirit Awards (2003)
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Bloody Sunday
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.000.000 GBP (estimación)
- Recaudación en Estados Unidos y Canadá
- 773.228 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 29.419 US$
- 6 oct 2002
- Recaudación en todo el mundo
- 1.758.689 US$
- Duración
- 1h 51min(111 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1