Comedia dramática que sigue las hazañas del personal de la escuela, tanto dentro como fuera del aula.Comedia dramática que sigue las hazañas del personal de la escuela, tanto dentro como fuera del aula.Comedia dramática que sigue las hazañas del personal de la escuela, tanto dentro como fuera del aula.
- Nominado a 6 premios BAFTA
- 9 nominaciones en total
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Our television guide described this show as a British version of Ally McBeal, with the big difference that the setting isn't a fancy lawyers office but a rundown school. And that's the thing that is so great about this show; it doesn't glamorize anything. Its Protagonist, 26- year old Simon, is a shallow minded antihero, selfish to the core. He's using people to fulfill his own desperate needs, trying to avoid every responsibility if something goes wrong. Then there is Susan, his emotional female buddy, trying to be strict and decisive but with the tendency to have a turbulent inner life. Add Brian and Kurt, two teachers that behave as a pair of 13-year olds, to the mix and you have a very funny show. I also adored the at the surface ice cold Jenny Page. She has that kind of cool and distant beauty that some women have. I truly believe that a woman like her can make a man like Simon mad.
This is how I want to see a comedy show; realistic, filled with dark humor and, most importantly, having a good balance between seriousness and wackiness. You start to loved its flawed yet charismatic characters.
This is how I want to see a comedy show; realistic, filled with dark humor and, most importantly, having a good balance between seriousness and wackiness. You start to loved its flawed yet charismatic characters.
When I sat down to watch this show I did it with low expectations as (although I hate to admit it) British series of recent years have not been up to scratch. Instead I have enjoyed watching American series such as 'The West Wing', 'Ally McBeal' and 'ER'. However I was pleasantly surprised by 'Teachers'. As well as being incredibly funny, this show is realistic.
It shows the everyday life of a twenty -something secondary school teacher, Simon, who everyone would love as their teacher as he doesn't seem to want to grow up. We see how he copes with teaching his rowdy class and how he gets on with his workmates. There's Jenny, the teacher who has a reputation for being a bit of a dragon and shows obvious contempt for Simon, which he returns equally (although he has a secret crush on her). There's his two slobby mates who are also teachers and there's his friend Susan who is the head of year and who he consults for advice on his personal life. He also has an on-off relationship with policewoman Maggie (who smokes pot when she's off duty). In my opinion it's unmissable.
It shows the everyday life of a twenty -something secondary school teacher, Simon, who everyone would love as their teacher as he doesn't seem to want to grow up. We see how he copes with teaching his rowdy class and how he gets on with his workmates. There's Jenny, the teacher who has a reputation for being a bit of a dragon and shows obvious contempt for Simon, which he returns equally (although he has a secret crush on her). There's his two slobby mates who are also teachers and there's his friend Susan who is the head of year and who he consults for advice on his personal life. He also has an on-off relationship with policewoman Maggie (who smokes pot when she's off duty). In my opinion it's unmissable.
The First time Andrew Lincoln came to British Screens, was in the cult TV show "This Life" in which he played a quirky, neurotic and often confused lawyer. The reason the two series of "This life" were so good was due to the rich array of characters who played off one another so nicely, and a strong story line that was fast paced, witty and realistic.
Teacher's feels like it was written as a vehicle to show case the strongest characteristics of Lincoln's character in "This life". His character, Simon, in teachers is even more neurotic and confused about life than Egg was. On paper this sounds like it runs the risk of type-casting Lincoln and ruining the show from the out set. In reality Lincoln manages to pull it off; in fact he does so, so superbly that he avoids all the clichés and pitfalls and really shines.
While Andrew Lincoln twinkles his socks off, the rest of the cast refuse to be out done, Raquel Cassidy and nina Sosanya who play susan and jenny Respectively, do so subtly if not sublimely again avoiding the clichés, and Simon's two slobby mates (also teachers) Brian and Kurt played by Adrian Bower and Navin Chowdhry, provide the perfect foil for Simons ever growing neurosis.
At the end of the day, Teachers again has a strong storyline with a lot of fast paced humour and wit, while maintaining a degree of realism and showing teaching from both sides of the black board, teachers has all the potential and as I'm sure time will show has all the makings of a cult show in it's own right.
Teacher's feels like it was written as a vehicle to show case the strongest characteristics of Lincoln's character in "This life". His character, Simon, in teachers is even more neurotic and confused about life than Egg was. On paper this sounds like it runs the risk of type-casting Lincoln and ruining the show from the out set. In reality Lincoln manages to pull it off; in fact he does so, so superbly that he avoids all the clichés and pitfalls and really shines.
While Andrew Lincoln twinkles his socks off, the rest of the cast refuse to be out done, Raquel Cassidy and nina Sosanya who play susan and jenny Respectively, do so subtly if not sublimely again avoiding the clichés, and Simon's two slobby mates (also teachers) Brian and Kurt played by Adrian Bower and Navin Chowdhry, provide the perfect foil for Simons ever growing neurosis.
At the end of the day, Teachers again has a strong storyline with a lot of fast paced humour and wit, while maintaining a degree of realism and showing teaching from both sides of the black board, teachers has all the potential and as I'm sure time will show has all the makings of a cult show in it's own right.
The first couple of series of Teachers are wonderful. The third is so-so.
The fourth is dire, and I'm honestly surprised the cast agreed to many of the story lines.
Many other reviewers have commented on character changes being problematic in the later series. The loss of lead characters is a problem, but it's not the real reason that Series 4 is an unmitigated horror. Let's detail why:
1. Three new characters are introduced. The first is a "hot guy" to effectively replace Andrew Lincoln/James Lance. His character works okay, or would have done if they tried to establish more chemistry with established characters (as with Lindsay/Matt in Series 3). The other two characters are mystifyingly awful in how they are written. One (the "hypochondriac") is simply never funny. The other should be on TVTropes as the ultimate "token" hire. The poor actor is literally given no personality at all and nothing interesting to work with. Even straight men (in the comedy usage of the term) are supposed to be funny.
2. The themes and story lines are puerile, gross-out and frequently offensive, without being funny. In the earlier series the joke was having puerile characters in adult situations (teaching). In the last series, the situations are puerile. I feel particularly sorry for Vicky Hall (Lindsay) having to act the "fat episode". As for the "Ping" storyline, words simply fail. Little Britain handled the concept of a mail order bride more amusingly and more sensitively than this.
Teachers is definitely worth a watch. The final series is definitely worth a skip. It's amazing to realise that it was written by pretty much the same team of writers: what were they thinking?
The fourth is dire, and I'm honestly surprised the cast agreed to many of the story lines.
Many other reviewers have commented on character changes being problematic in the later series. The loss of lead characters is a problem, but it's not the real reason that Series 4 is an unmitigated horror. Let's detail why:
1. Three new characters are introduced. The first is a "hot guy" to effectively replace Andrew Lincoln/James Lance. His character works okay, or would have done if they tried to establish more chemistry with established characters (as with Lindsay/Matt in Series 3). The other two characters are mystifyingly awful in how they are written. One (the "hypochondriac") is simply never funny. The other should be on TVTropes as the ultimate "token" hire. The poor actor is literally given no personality at all and nothing interesting to work with. Even straight men (in the comedy usage of the term) are supposed to be funny.
2. The themes and story lines are puerile, gross-out and frequently offensive, without being funny. In the earlier series the joke was having puerile characters in adult situations (teaching). In the last series, the situations are puerile. I feel particularly sorry for Vicky Hall (Lindsay) having to act the "fat episode". As for the "Ping" storyline, words simply fail. Little Britain handled the concept of a mail order bride more amusingly and more sensitively than this.
Teachers is definitely worth a watch. The final series is definitely worth a skip. It's amazing to realise that it was written by pretty much the same team of writers: what were they thinking?
David Clayton is WRONG! I loved series 1 of Teachers, but by the end I did feel a little bit "Simon"-ed out, and was worried how the show would sustain itself. I shouldn't have worried - because what we got was an infinitely better Series 2. Where characters who we'd got to know in relationship to Simon, slowly through Series 1, really came into their own - and facets of their characters that were only touched on were really allowed to flourish.
I liked the way Andrew Lincoln left the series (not your usual cliched stuff, but nicely underplayed) - I found it moving, but not over-cooked. You were sad to see him go, but knew that the world (and the series) would survive without him. Contrary to what David said, I got the impression that it had been really well built to. And it seems much more true to life to me this way. People do drift in and out of our lives - and whilst the idea is always horrible, it's amazing how the gaps they leave heal up.
I thought series 2 was better, funnier and more real. And I thought the pupil stories were better. The kids seemed smarter, not quite so contrived (like adults imagining kids) - more kid like. Overall, for me, series 2 is where Teachers really took off.
I liked the way Andrew Lincoln left the series (not your usual cliched stuff, but nicely underplayed) - I found it moving, but not over-cooked. You were sad to see him go, but knew that the world (and the series) would survive without him. Contrary to what David said, I got the impression that it had been really well built to. And it seems much more true to life to me this way. People do drift in and out of our lives - and whilst the idea is always horrible, it's amazing how the gaps they leave heal up.
I thought series 2 was better, funnier and more real. And I thought the pupil stories were better. The kids seemed smarter, not quite so contrived (like adults imagining kids) - more kid like. Overall, for me, series 2 is where Teachers really took off.
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- CuriosidadesA donkey appears in every episode.
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Clare Hunter: A spastic is someone with cerebral palsy, not someone who misses an open goal on the football field, Mr Steadman.
- ConexionesFeatured in WatchMojoUK: Top 10 British Workplace Comedies (2018)
- Banda sonoraThe Boy With The Arab Strap
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By what name was Teachers (2001) officially released in India in English?
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