Añade un argumento en tu idiomaDetective Jack Lucas, a harried, self-hating, Los Angeles police detective races against the clock to clear his name when he's framed for a series of killings committed by a crafty serial ki... Leer todoDetective Jack Lucas, a harried, self-hating, Los Angeles police detective races against the clock to clear his name when he's framed for a series of killings committed by a crafty serial killer, who targets him as his latest fall guy.Detective Jack Lucas, a harried, self-hating, Los Angeles police detective races against the clock to clear his name when he's framed for a series of killings committed by a crafty serial killer, who targets him as his latest fall guy.
- Dirección
- Guión
- Reparto principal
Whitney Dylan
- Julie
- (sin acreditar)
James Eckhouse
- Dorland, Polygraph Technician
- (sin acreditar)
Lee Lazarow
- Beer Delivery Man
- (sin acreditar)
Reseñas destacadas
Lou Diamond Phillips & an actor I never heard of turn in decent, but unremarkable performances in this routine thriller, Lots of car chases & crashes etc. nothing new or different, BUT it is acted & produced competently.
rating **1/2 72/100 IMDb 6
rating **1/2 72/100 IMDb 6
It always amuses me when bad editing results in cars magically having regrown hubcaps that clearly flew off in an earlier scene - just seconds earlier.
It struck me that the final car chase scene was very familiar, from the way the blue BMW zigzagged across the park and jumped the wall, followed closely by a beige Dodge Ram. I thought it was remarkably similar to a scene I remembered from a Steven Seagal movie, probably "Marked for Death" which I saw in the early Nineties. Then I noticed that the mag wheels had miraculously changed from alloy spokes to gold BBS honeycomb style wheels... and the shade of blue wasn't right, either. If you're observant, you can clearly see both Seagal and his co-star companion in the truck (supposedly now driven by Phillips, who elsewhere is shown to be alone in the vehicle) at various times, but most noticeably when it spins round and enters the sidewalk, and again as it gets back on the street.
If you watch closely, you can even see those nasty Jamaican drug dealers from the 1990 movie in the BMW... in one scene there is a black hand hanging out of the passenger side window (when there's supposed to be no passenger at all in either car)
You sort of feel cheated when they pull this kind of stunt on the audience. Did they manage to save so much money after paying royalties to the owners of the Seagal movie? Or did budget constraints prevent them from staging their own car chase and doing their own stunts..? I'm told that the opening car chase was similarly taken from another movie which I haven't yet seen.
Recycling in general may be sensible and politically correct - but this is taking the concept too far. Moviegoers should be entitled to a partial refund - or free copies of the movies from which these scenes were lifted.
Lou Diamond Phillips has done better work for decades. It does him no favors to be associated with a production which relies so heavily on disingeniously regurgitated material.
It struck me that the final car chase scene was very familiar, from the way the blue BMW zigzagged across the park and jumped the wall, followed closely by a beige Dodge Ram. I thought it was remarkably similar to a scene I remembered from a Steven Seagal movie, probably "Marked for Death" which I saw in the early Nineties. Then I noticed that the mag wheels had miraculously changed from alloy spokes to gold BBS honeycomb style wheels... and the shade of blue wasn't right, either. If you're observant, you can clearly see both Seagal and his co-star companion in the truck (supposedly now driven by Phillips, who elsewhere is shown to be alone in the vehicle) at various times, but most noticeably when it spins round and enters the sidewalk, and again as it gets back on the street.
If you watch closely, you can even see those nasty Jamaican drug dealers from the 1990 movie in the BMW... in one scene there is a black hand hanging out of the passenger side window (when there's supposed to be no passenger at all in either car)
You sort of feel cheated when they pull this kind of stunt on the audience. Did they manage to save so much money after paying royalties to the owners of the Seagal movie? Or did budget constraints prevent them from staging their own car chase and doing their own stunts..? I'm told that the opening car chase was similarly taken from another movie which I haven't yet seen.
Recycling in general may be sensible and politically correct - but this is taking the concept too far. Moviegoers should be entitled to a partial refund - or free copies of the movies from which these scenes were lifted.
Lou Diamond Phillips has done better work for decades. It does him no favors to be associated with a production which relies so heavily on disingeniously regurgitated material.
... I have to say, this picture really holds your interest. You really feel for the detective being framed.
The acting was great. I was at every turn and twist in the movie,
glued to my seat anticipating the next move of the murder suspect and the Detective.
You really want to kill this guy and get to the bottom of the crime.
Also haven't seen such great car chase scenes since " Bullitt" and "The French Connection" Maybe I'm dating myself, but I will leave it up to everyone else.
I would have given it a 10 rating ,but I missed a few minutes getting the "Popcorn"...
The acting was great. I was at every turn and twist in the movie,
glued to my seat anticipating the next move of the murder suspect and the Detective.
You really want to kill this guy and get to the bottom of the crime.
Also haven't seen such great car chase scenes since " Bullitt" and "The French Connection" Maybe I'm dating myself, but I will leave it up to everyone else.
I would have given it a 10 rating ,but I missed a few minutes getting the "Popcorn"...
Where to begin? This is one of the biggest pieces of crap that I have seen in a long time. Come on my four year old sister could make a better movie with a camcorder. This movie is extremely slow through the first hour, with little, to no sembalance of a plot or story. Lou Diamond Phillips acting was sub-par as usual. The editing was also very poorly done. At one moment you are on one side, the the other, over and over again. Then the ending leaves much to be desired. The story, if you can call it a story has no closure at all. The horrible ending is previewed by a car chase with a power ram and a bmw. The power ram bounces around like a ball, it is pretty funny. I strongly recommend not wasting your time on this movie. It isn't even one of those bad movies that are entertaining because it is bad. This movie just plain SUCKS
Although Lou Diamond Phillips is the star the Malevolent one in Malevolent is Edoardo Ballerini, a most diabolical serial killer who not only is good at his work, but pretty good at making cop Lou Diamond Phillips look like the guilty party.
It's a rather far-fetched yarn that Malevolent is spinning. Some of the premises of the story and the motivations of Ballerini are quite illogical as Mr. Spock would put it, even from the evil mind of a serial killer who doesn't think like the rest of us.
Kari Wuhrer who has done a couple of other films with Lou plays a topless dancer and someone that Ballerini is fixated on. She could provide the clues necessary to Lou to stop the freak.
While all this is going on, Phillips is under suspicion due to a shooting incident where his former partner was found to be dirty. His new partner, Gwen McGee isn't quite sure she can trust him and she's cutting him quite a bit of slack to get the job done.
Too many illogicalities keep Malevolent from being a top rate police drama thriller though the cast does its best.
It's a rather far-fetched yarn that Malevolent is spinning. Some of the premises of the story and the motivations of Ballerini are quite illogical as Mr. Spock would put it, even from the evil mind of a serial killer who doesn't think like the rest of us.
Kari Wuhrer who has done a couple of other films with Lou plays a topless dancer and someone that Ballerini is fixated on. She could provide the clues necessary to Lou to stop the freak.
While all this is going on, Phillips is under suspicion due to a shooting incident where his former partner was found to be dirty. His new partner, Gwen McGee isn't quite sure she can trust him and she's cutting him quite a bit of slack to get the job done.
Too many illogicalities keep Malevolent from being a top rate police drama thriller though the cast does its best.
¿Sabías que...?
- CuriosidadesStock footage used: The opening car chase are edited scenes from The Corruptor (1999), while the finale (another big car chase) was originally seen in Señalado por la muerte (1990).
- PifiasIn the car chase scene, a passenger can be seen in the Dodge riding along with Jack (Lou Diamond Phillips), even though he is supposed to be the only person in the car. This error is due to the fact that the car chase at the end of the film is stock footage from another movie.
- ConexionesEdited from Señalado por la muerte (1990)
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By what name was Malévolo (2002) officially released in Canada in English?
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