Un equipo de salvamento descubre un barco de pasajeros perdido hace mucho tiempo, flotando sin vida en una región remota del mar de Bering, y pronto se da cuenta de que sus habitantes, muert... Leer todoUn equipo de salvamento descubre un barco de pasajeros perdido hace mucho tiempo, flotando sin vida en una región remota del mar de Bering, y pronto se da cuenta de que sus habitantes, muertos hace tiempo, pueden estar todavía a bordo.Un equipo de salvamento descubre un barco de pasajeros perdido hace mucho tiempo, flotando sin vida en una región remota del mar de Bering, y pronto se da cuenta de que sus habitantes, muertos hace tiempo, pueden estar todavía a bordo.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Bob Ruggiero
- Captain
- (as Robert Ruggiero)
Matthew Wollaston
- Steward Number 3
- (sin acreditar)
Reseñas destacadas
I'm rather pleasantly surprised after seeing Ghost Ship
I expected it to be a lot sillier, more dumb and inferior than it actually is. Still a long way from being a good horror film but a step in the right direction, to say the least. Cast and crew paid attention to building up a horrifying atmosphere instead of attacking the audience with lame and violent killing scenes. That's an effort that gets my appreciation. The vicious opening sequence is professional horror
a scene that grabs you by the throat and demands your complete attention and curiosity for the rest of the movie. The high quality level is held up a little while longer but unfortunately it loses his grip during the second half. For as long as the mysterious, deserted ship is portrayed as a complete riddle, the film is fascinating, interesting and beautifully shot. As soon as a few plot-aspects are clarified, Ghost Ship turns into a mediocre and predictable thriller
I'm convinced that, with a slightly more intelligent script, this could have become one of the better horror-thrillers since the new Millennium. Now, it's only regarded as a reasonable and decent effort that lacks a bit of talent. Nonetheless, the settings and decors make it worth watching. The graphic decorations aren't overused, so it remains a beautiful experience to observe at least once. Gabriel Byrne is acting far below his normal standards and yet he's still great! All the other cast-members are pretty uninspired and forgettable. I'd describe Ghost Ship as a nice waste of time. If you have the opportunity, I advise you to search for an 80's horror title called `Death Ship'
a terrific piece of trash of which Ghost Ship borrowed a lot of ideas.
With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
This films best bits are in the special effects and those moments when you jump out of your seat. The opening sequence lulls you into a false sense of calm, from then on its guess the scenario. The viewer is always two steps ahead of the actors but, for the most, grips you nevertheless. The special effects are especially good and the acting, although no top-notch stars are evident, is not bad. The end is a real twist. Better to watch this than many others I could mention, certainly worth the video rental and a pizza.
Now this I would call exactly an average film. For me, it landed precisely at the very center of imdb's 10 point scale, right at 5.5. This means that I found exactly as much to like as I did to dislike. There is a bit of inspiration here, but just as much that's stolen from other better horror movies. If it had opted for tone and real fear instead of cheap shocks, the movie could have been great. The story is good enough that it could have been great if handled well. But we do live in these times, and, although there are scholars of the modern era who would try to have us believe that the current generation consists of a bunch of kids who get everything instantly and process it on a billion levels at once, the truth is indeed the exact opposite. No, there is no subtlety here. It would go over your average teenager's head in a heartbeat. Nope, better play it safe and provide us with a gruesome scene up front where a couple of dozen people are sliced in half by a loose cable during a ball. Gore is not scary. I did however produce a dry heave during this sequence, which is more than I can say for any other gore scene that I've viewed lately. As the gore accumulates, I began to appreciate the artistry that was put into the enormous number of deaths. These are some sickeningly creative people, let me tell you. Unfortunately, the director (or screenwriters or whoever) ruins any real potential by revealing every detail about what happened on the titular boat in a fast-motion sequence accompanied by techno music! It's the kind of moment where you just slap your head for the lack of talent involved. And then there was more stuff I liked. For example, the art direction is very impressive. The revelation of one character's identity, while not particularly surprising, is at least somewhat new. I give this film a 5/10, rounding down because I felt the final moment was a bit groan-inducing.
The savage team of a tug is ready to rest after the transportation of a platform. When they are celebrating in a bar, the plane pilot Jack Ferriman (Desmond Harrington) offers them the chance of rescuing a passenger vessel vanished in the oceans in 1962. Captain Sean Murphy (Gabriel Byrne), Maureen Epps (Julianna Margulies) and the rest of the crew, tempted by the possibility of a great reward, decides to risk one more rescue operation before going home. Their greed leads them, of course, to a ghost ship, where they are spooked and threatened by ghosts. One of them, a little girl, shows Epps what happened to the passengers and crew during the voyage in 1962. A horrible unraveled secret will haunt the rest of the crew.
Ghost stories usually take place in a haunted house. This one is in a passenger ship. This movie is not in the same level of 'The Others', 'The Shining' or 'The Sixth Sense', but is also good film. The screenplay play has some clichés and is predictable, but the cast, direction and special effects work well. Probably, the fans of romances will not like it, but those who like a ghost story will appreciate this film. My vote is eight.
Title (Brazil): "Navio Fantasma" ("Ghost Ship")
Note: On 02 June 2017, I saw this film again.
Ghost stories usually take place in a haunted house. This one is in a passenger ship. This movie is not in the same level of 'The Others', 'The Shining' or 'The Sixth Sense', but is also good film. The screenplay play has some clichés and is predictable, but the cast, direction and special effects work well. Probably, the fans of romances will not like it, but those who like a ghost story will appreciate this film. My vote is eight.
Title (Brazil): "Navio Fantasma" ("Ghost Ship")
Note: On 02 June 2017, I saw this film again.
¿Sabías que...?
- CuriosidadesIn 2016, the media website ComingSoon named the film's opening scene one of the greatest in horror film history.
- Pifias(at around 24 mins) Captain Murphy's story of the Mary Celeste is largely inaccurate. According to him, it was a two-mast brigantine leaving Charleston, South Carolina, during the American Civil War. She carried a load of cotton for London, England. Fishermen off the coast of Tripoli found the ship under sail with no one on board; its last log entry was 59 days prior. Somehow an unmanned ship sailed through the Strait of Gibraltar and into the Mediterranean Sea.
In truth, the Mary Celeste left New York Harbor in late October 1872 with a cargo of 1,701 barrels of denatured alcohol bound for Genoa, Italy. She was found off the coast of Portugal, under sail yet abandoned, with its last log entry nine days before she was found.
- Créditos adicionalesThe opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening.
- Versiones alternativasThe version aired on Indian cable networks omitted a huge chunk of the opening mass-decapitation scene and most of the gore and graphic shots throughout the film. The scene where Francesca seduces Greer was also edited significantly in order to obscure any nudity.
- ConexionesFeatured in Around the bend - A la vuelta de la esquina (2004)
- Banda sonoraSenza Fine
Written by Gino Paoli
Produced by John Frizzell
Performed by Monica Mancini
Courtesy of Concord Records
[Francesca sings the song in the opening sequence; the salvage crew later hears her singing the song]
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Ghost ship: Vaixell fantasma
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 20.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 30.113.491 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.503.423 US$
- 27 oct 2002
- Recaudación en todo el mundo
- 68.349.884 US$
- Duración1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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