Baile a la luz de la luna

almost creepy. not the best option for Eric Mabius as John Flemming. one of many sweet stories about the young prince and not very young princess. it is only a comfortable story in Hallmark style. nothing new, nothing complicated, nothing interesting. only he and she and the people around theme. so, not good or bad. only another occasion for Jacqueline Bisset to act old role who defines her. only strange fact is the status of son of first boyfriend of Maggie Webber for the young Flemming. it is strange and unrealistic. and, sure, far to be real moral. but it could be only an insignificant detail. a film for the fans of genre. and that is all.

Jacqui Bisset even at 58 still projects a vixen quality that belies her obvious maturity, here she has the opportunity to showcase her age as her asset and integral to the storyline, but ultimately, the plot is thin, the characters and situations clichéd and un-involving. She plays a woman scorned by philandering husband (Mancuso) and elects to take a trip back through memory lane to a place in which she worked briefly some thirty years earlier, and where she had a brief but torrid liaison with a man named Patrick. Patrick has since both married and died, but his son (Mabius) is a tangible reminder of her brief encounter with Patrick (but not her progeny - it's not that kind of movie) and serves to vicariously rekindle the flame she shared with his late father.

It's a little disconcerting watching the two engage in the lovey-dovey dialogue and passionate embraces, the kisses looking anything but intimate. There's this whole 'Danielle Steele' quality to the movie that holds it back from the mature, poignant tale it aims to be, although Bisset at least gives an apparently sincere performance in a complex characterisation that exhibits conflicted emotions and motivations. Despite the fact her character is criticised, ostracised and made to feel 'trashy' by townsfolk concerned for Mabius' character's welfare, Bisset never becomes a tragic figure, retaining dignity even despite the lame dialogue and clichéd situations.

TV movie of mediocre quality, elevated marginally by the star presence of Bisset ought to appeal to those looking for the TV cousin (and predecessor) of "Under the Tuscan Sun", or just those who remain enamoured by the evergreen Bisset.

Unimpressive, dull and sometimes pretensious TV movie about a middle aged woman (Bisset) who discovered that his old time husband (Mancuso) is betraying her with a young secretary; after the discovery, the poor wife goes back to the city where she lives when she was a teenager justo to reopen an old and decayed ballroom. This movie could be a good chance to discuss with more sharpness the anguish, troubles and fantasies of a feminine soul - especially after a marriage breakup - but unfortunately misses the point and is just a routine and unconvincing love story, narrated like a classic and old-fashioned soap opera. I give this a 4 (four).

Quite an enjoyable film, showing that some young men are mature and smart enough to fall in love with an "older" woman. I really enjoyed the pretense, but felt that Jacqueline must have been as much uncomfortable with embracing and kissing Eric as her character, Maggie was. Eric, on the other hand, seemed to have no problems at all with the chemistry that he was portraying towards Maggie, as John. Some of you who think this type of story is fantasy should read what Andy Rooney has said about relationships with "older" women. ;-) Sure hope to see much more of Eric Mabius in the very near future!!!! Wouldn't mind seeing him at my front door either!

a pink movie like too many others. clichés, same rules of an impossible love story, links with the past and the second youth. few drops of drama and a good actress as axis of a mediocre story. so, the good thing is the conclusion after its end. because, obvious, it is not so bad. decent solutions of script for few confuse details and the desire of Jaquelline Bisset to use each possibility of credibility for her character are the good points. the bad thing could be Eric Mabius who is real uncomfortable in a role who pretend not very much from his actor. but the result is OK , in part because it is the expected one. nothing surprises. few beautiful scenes. and a nice film about the second chance and the true love.