Asesinato.com

That is the question posed before you? This movie is a blatant rip off two movies, one good and one just as awful as this one. The one really good movie Copycat with Sigourney Weaver and Holly Hunter and other right down at the bottom of the scrap heap, Fear Dot Com with Stephen Dorff and Nastcha McElhone. If you're going to rip off a movie you have to do it in such a way that you'd find inconceivable to think about which movies that you are copying. To compare both this film and Fear Dot Com is very easy to do with the major exception that FDC was backed by a bigger studio and slightly bigger production values unlike this one which is definitely a low budget choppier. As side from that, you wonder as to why the once upon a star, Natasssja Kinski would be involved in this mess and that goes for both Huey Lewis and Nicolette Sheridan, who's gotten far far away from this junk without looking back at it. However, if you're in a mood for a late night insomniac time waster or just simply out of boredom (which is how i encountered this movie), here's the movie for you. Just have a copy of Fear Dot Com handy in case you feel the urge to compare notes and more cheap thrills.

and boy did this movie test my resolve. This is a damn awful movie that is neither scary, creepy, or suspenseful. The dialogue is terrible and the acting is even worse. No one in this movie ever has the appropiate reaction to any situation. And the villian is just so bad he's not scary, he's laughable. You know you are in trouble when the best acting performance in your movie is by Huey Lewis. And is it just me or is it odd hearing Huey Lewis say the F* word. I guess it's not hip to be square anymore.

- halderic

(i imported this from the newsboard, since i think anyone ever looks over there)

What more do you need to say about this movie that the dvd case on the back already says..."This movie has famous and talented people "

To date, Nico Mastorakis's last non-documentary feature and a return to the horror genre, this time focusing on the perils of the internet. Its positioning in time is an odd one, making it partly forward-thinking in terms of certain dangers widely available internet might pose, while in terms of specific technologies (or just a lack of knowledge in the writers) make it a curio of that early era of message boards and "You've Got Mail." There was a bit of a cheap, low-rent visual style that I didn't exactly care for. And while things never quite got boiling the way they did in the Hitchcock films Mastorakis was clearly paying homage to, it was still interesting. I liked this better than the farces that came before it, even if it never really reached the heights of absurdity that characterized what I liked about his earliest work.

Roger Daltrey of The Who, has to leave town. So he lets his snoop untrusting wheelchair-bound wife alone with her sister. Of course the wife acts like a pre-teen girl & starts a fight with a psycho hacker who wants to kill them. It's up to Huey Lewis of Huey Lewis fame to save her before it's too late. When one watches a Nico Mastorakis film one doesn't expect a logical story or likable characters or any semblance of a good movie. Those that watch Mastorakis's films are pretty much sexists who like to test their endurance of crap. This film is no different in that respect.

My Grade: D-

Where i saw it: Showtime on demand