Murder with Music

This is a strange movie. The breaks in continuity, leaps of logic, robotic lines and random editing make it a surreal experience. Half a century later, bizarro director David Lynch would make a moderately successful career of it. Other aspiring filmmakers--like my 9- year-old nephew--would not be as lucky.

I genuinely found it engaging. All sarcasm aside, I had fun trying to piece together what was happening while at the same time counting the continuity missteps. It was a bit like that game in the Sunday funnies where you're supposed to find 10 things that are wrong with the picture. There's a shirt on a hanger... Now it's gone... Now there's a glass of milk... Now it has mutated into two empty glasses... At a certain point I became convinced that these "goofs" were deliberate, which is how Lynch fans defend such things. Maybe so. I also got a sense of a very "Airplane"-ish style of deadpan humour, as in the hilariously bizarre scene where a policeman is having a jolly time playing the piano whilst behind his back an escaped convict is pistolwhipping random strangers and forcing a few dozen people into a broom closet. The climactic scene (the titular "murder") is so fantastically contrived (and no less fantastically explained in one sentence) that you're left feeling like you just inhaled a mentholyptus cough drop ...up your nose and directly into your brain. What a trip!!

This film defies all ratings. You'll have to make up your own mind if it's a Lynchian masterpiece or a colossal turd (or both?). But I will say that the music is a real treat.

Murder with Music (1941)

** (out of 4)

Nellie Hill plays Lola, a wonderful singer who finds herself caught up with three very different men. Soon one of the men are murdered and we must determine who the guilty party is.

MURDER WITH MUSIC is another low-budget race film that suffers from various technical issues but all of them stems from the fact that the production just didn't have much money. With that said, if you're a fan of these movies then you'll find this one to be mildly entertaining thanks to everything going on except for the plot.

The actual plot dealing with the murder takes up very little of the running time. At just a hour there's not much of a running time to begin with but the majority of it is devoted to various nightclub acts where we see and hear some good musical numbers. There's obviously nothing here that you'd consider a classic but I still found the musical numbers to be entertaining in their own way.

The cinematography is a tad bit rough, the direction is soft and for the most part the performances are a bit rough. All of these things are to be expected but, as I said, the music makes the film somewhat entertaining.

This movie is very pleasant, it has a story and dialogue filled with wonderful Black entertainment. This movie is about a lady-killer played by the lovely Nellie Hill who has many man in love with her, one a escaped convict, two a piano player, and a newspaper man, one of her lovers get killed, and one of her men committed the crime. who? you have to watch and see, but during it all great singing and dancing speciality numbers. The incomparable Noble Sissle and his orchestra appears playing wonderful numbers, and other hot bands. The wonderful Bob Howard appears, also pretty Ruth Cobbs, very entertaining movie. I think anyone who sees it, will enjoy it.

To get it out of the way at the beginning, the film was made in either late 1946 or early 1947, not 1941. We know this for two reasons: (1) In the scene in the secretary's office, there's a poster on the wall for Stepin Fetchit's movie "Big Timers", which was a 1945 film, and (2) there was no "Nellie Hill" in 1941; Nellie Harrell didn't marry Charles Wesley Hill until 1942. The acting is horrendous; fortunately, the music is really good. Not a spoiler, but ask yourself this: "how, exactly, do you know the piano player is dead?"

The story is told with the wraparound gimmick of newspaper editor Bob Howard on the phone, trying to get the story of the murder in time for his edition. He appears occasionally to remind the audience that, yes, this is a murder, and not just the story of Nellie Hill, trying to break into show business, with men anxious to hellp her make connections/ The actual murder takes place a couple of minutes before the end credits, and is promptly solved.

It's an excuse for the second part of the title, with good performances by Noble Sissle and his band, ad a couple of good, energetic dancing acts. Like many race movies of the era, it's not much as cinema, but is a lot of fun showing off contemporary musical acts.