Una niña hawaiana adopta a supuesto un perro, sin saber que es un peligroso experimento científico que se ha refugiado en la Tierra y que ahora se esconde de su creador y de quienes lo ven c... Leer todoUna niña hawaiana adopta a supuesto un perro, sin saber que es un peligroso experimento científico que se ha refugiado en la Tierra y que ahora se esconde de su creador y de quienes lo ven como una amenaza.Una niña hawaiana adopta a supuesto un perro, sin saber que es un peligroso experimento científico que se ha refugiado en la Tierra y que ahora se esconde de su creador y de quienes lo ven como una amenaza.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 12 premios y 28 nominaciones en total
Daveigh Chase
- Lilo
- (voz)
Chris Sanders
- Stitch
- (voz)
- (as Christopher Michael Sanders)
Tia Carrere
- Nani
- (voz)
Emily Anderson
- Woman
- (voz)
Bill Asing
- Man
- (voz)
Bob Bergen
- Officer
- (voz)
- (as Robert Bergen)
Steve Blum
- Hammerhead Guard
- (voz)
- (as Steven Jay Blum)
Resumen
Reviewers say 'Lilo & Stitch' explores themes of family, belonging, and love, emphasizing the concept of "ohana" and unconventional relationships. It addresses single-parent struggles and the challenges of raising a child post-loss. The film promotes tolerance, understanding, and acceptance of differences, highlighting that everyone can find a family. It also values cultural heritage and community, set against a Hawaiian backdrop. The movie balances heartfelt moments with humor, and the performances, particularly Lilo's, are praised for their authenticity and charm.
Reseñas destacadas
This is a personal favorite of mine, and I'm actually convinced it's Disney's most underrated animated movie. I guess the main reason I like this film so much is that it features the most sincere depiction of a relationship between siblings in any Disney film. For once, we get real, flawed (and therefore all the more lovable) people - not the usual perfect Disney princesses. But it's also incredibly funny and spectacularly entertaining throughout (not to mention that it has one of the most hilarious intros in any sci-fi film ever). I simply adore this movie, and I'm not ashamed to admit it makes me cry every time I watch it. This and Sanders' and DeBlois' other masterpiece, the first HOW TO TRAIN YOUR DRAGON, are the cinematic medicine that get me through my darkest days.
The look of the film is very distinct and refreshingly different from Disney's previous animated features. And the visuals are gorgeous; the backgrounds are painted in beautifully faded watercolors, and the 2-D animation is an example of artists at the peak of their craft. Every scene is jock-full of original ideas and a virtual demonstration of Chris Sanders' and Dean DeBlois' seemingly limitless imagination (the film also features a ton of clever references to sci-fi and monster films). Simply one of the best animated films - and one of the funniest sci-fi comedies - of the last 20 years.
P.S. (for new IMDb users): In case you don't know whether to trust this review or not, because you have no idea what my tastes in film are, just click on my username - gogoschka-1 - and you'll see a list what my 50 favorite movies are.
The look of the film is very distinct and refreshingly different from Disney's previous animated features. And the visuals are gorgeous; the backgrounds are painted in beautifully faded watercolors, and the 2-D animation is an example of artists at the peak of their craft. Every scene is jock-full of original ideas and a virtual demonstration of Chris Sanders' and Dean DeBlois' seemingly limitless imagination (the film also features a ton of clever references to sci-fi and monster films). Simply one of the best animated films - and one of the funniest sci-fi comedies - of the last 20 years.
P.S. (for new IMDb users): In case you don't know whether to trust this review or not, because you have no idea what my tastes in film are, just click on my username - gogoschka-1 - and you'll see a list what my 50 favorite movies are.
This was a pretty entertaining "kids" animated film. It was a little different in that there is some dramatic action you usually don't see in nice animated cartoons and you have heroes who aren't exactly good role models. However, as the film progresses, all those characters (small child, big sister and alien) all become nicer and more caring "people." There also is a good "no one is left behind" family message. You just have to be patient with the human kid and sister in the beginning.
I think the best feature of this film are the brilliant colors. This is a great visual movie. It's also nice to hear a kids movie these days with absolutely no profanity in it. (What a sad statement to have to make.)
In summary: one of the better modern-day animated films. Highly recommended.
I think the best feature of this film are the brilliant colors. This is a great visual movie. It's also nice to hear a kids movie these days with absolutely no profanity in it. (What a sad statement to have to make.)
In summary: one of the better modern-day animated films. Highly recommended.
"Lilo & Stitch" is unusual for a Disney animated movie in that it actually seems to take place in the real world (not to mention the present day), despite the latter half of the title being a genetic creation from another galaxy. Devoid of almost everything that people come to expect when the name "Walt Disney Pictures" appears on screen - which is not to say we're in "Golgo 13" territory here - this, as did "The Emperor's New Groove," suggests that though the box office takings may go down, the House of Mouse may yet pull another "Beauty and the Beast" on us one day.
The movie's a breath of fresh air not only in its setting - it's set on the Hawaiian island of Kauai - but also in its characters; Lilo is a little girl being brought up by her big sister Nani following their parents' death (offscreen), and the movie's not afraid to indicate that it's tough for both of them. They, along with their social worker Cobra Bubbles and friend David, constitute a rare sighting of proper human beings in Disney cartoons (see also, surprisingly, Lucky Piquel from "Bonkers"), the reward writer-directors Chris Sanders and Dean DeBlois get for putting the emphasis on the emotions rather than on the chase element of the plot (Stitch/Experiment 626 was created by a scientist in violation of the laws of his planet; when Stitch escaped, his creator and an "E-arth" expert were sent to bring him back) or on the potential for slapstick - though it's there and it's certainly used, the focus is purely on heart.
The realness of the movie means that "Lilo & Stitch" often feels like a live action movie that just happens to be drawn (at one point Stitch sees a 1950s SF movie on TV, and the movie in question is shown as a genuine film clip). Usually that's a bad thing if the 'toon in question strives to be realistic, but in this case there are so many elements that don't come naturally - seen any koala/dog hybrid-Elvis Presley wannabes on the beach lately? - that it still works. If there's a downside, it's that the scenes of the alien pursuers are for the most part almost a distraction... but even then the human element ups the involvement, with the added bonus of there being no real "bad guys" per se (yes, I said bonus - it's nice to see a Disney movie where there isn't a traditional black-hatted villain, just people doing their jobs).
And if all else fails, take into consideration the fact that it's also often genuinely funny; the fact that it never condescends to its audience; the fact that you actually have real Hawaiians (the voices of Tia Carrere and Jason Scott Lee) as key Hawaiian characters; and the fact that the songs used here actually have a purpose (to add dimension to our heroes - Lilo is a major fan of Elvis and tries to reach Stitch through the King), something many live-action movies often forget. "Lilo & Stitch" would be something worth seeing even if it wasn't a Disney film; seeing that it is... moving forward was always one of Walt's credos. It's encouraging to see that they're actually capable of following his ethos without the help of Pixar.
One major flaw though: in spite of the presence of Elvis, Wynonna and Alan Silvestri, the British release version has well-known song-murderer Gareth Gates slaughtering "Suspicious Minds" over the end credits. Thank heaven someone invented the "mute" button.
The movie's a breath of fresh air not only in its setting - it's set on the Hawaiian island of Kauai - but also in its characters; Lilo is a little girl being brought up by her big sister Nani following their parents' death (offscreen), and the movie's not afraid to indicate that it's tough for both of them. They, along with their social worker Cobra Bubbles and friend David, constitute a rare sighting of proper human beings in Disney cartoons (see also, surprisingly, Lucky Piquel from "Bonkers"), the reward writer-directors Chris Sanders and Dean DeBlois get for putting the emphasis on the emotions rather than on the chase element of the plot (Stitch/Experiment 626 was created by a scientist in violation of the laws of his planet; when Stitch escaped, his creator and an "E-arth" expert were sent to bring him back) or on the potential for slapstick - though it's there and it's certainly used, the focus is purely on heart.
The realness of the movie means that "Lilo & Stitch" often feels like a live action movie that just happens to be drawn (at one point Stitch sees a 1950s SF movie on TV, and the movie in question is shown as a genuine film clip). Usually that's a bad thing if the 'toon in question strives to be realistic, but in this case there are so many elements that don't come naturally - seen any koala/dog hybrid-Elvis Presley wannabes on the beach lately? - that it still works. If there's a downside, it's that the scenes of the alien pursuers are for the most part almost a distraction... but even then the human element ups the involvement, with the added bonus of there being no real "bad guys" per se (yes, I said bonus - it's nice to see a Disney movie where there isn't a traditional black-hatted villain, just people doing their jobs).
And if all else fails, take into consideration the fact that it's also often genuinely funny; the fact that it never condescends to its audience; the fact that you actually have real Hawaiians (the voices of Tia Carrere and Jason Scott Lee) as key Hawaiian characters; and the fact that the songs used here actually have a purpose (to add dimension to our heroes - Lilo is a major fan of Elvis and tries to reach Stitch through the King), something many live-action movies often forget. "Lilo & Stitch" would be something worth seeing even if it wasn't a Disney film; seeing that it is... moving forward was always one of Walt's credos. It's encouraging to see that they're actually capable of following his ethos without the help of Pixar.
One major flaw though: in spite of the presence of Elvis, Wynonna and Alan Silvestri, the British release version has well-known song-murderer Gareth Gates slaughtering "Suspicious Minds" over the end credits. Thank heaven someone invented the "mute" button.
I don't know why the animators decided to use the ballroom scene from Beauty and the Beast to advertise the film. It did put me off seeing it, but when I eventually decided to do so, I am glad I did. I thought Lilo and Stitch a warm and entertaining film, with beautiful animation with the Hawiian coast. The characters were engaging and funny, especially Jumbaa(wonderful voice work from David Ogden Stiers, in fact all the voice work was terrific, the other standout being Tia Carrere) and Pleakley. Their scenes were hilarious, like Pleakley getting bitten by mosquitoes. This is all helped by a superb script, that mixes hilarious and poignant brilliantly. The music is lovely and quite nostalgic. I thought I would never say that, but it honestly does add to the sense of fun. Both Lilo and Stitch are engaging, and there are plenty of bonding scenes with them together, that makes the film often moving(I was genuinely touched by Lilo telling Stitch about her parents and the significance of the Ugly Duckling story). I have two criticisms with the movie, and they are that at times it is a bit slow, and the climax is a tad rushed. But both flaws are redeemed by the film's good nature, emotional heart and spirit. I will award Lilo and Stitch an 8/10, for entertainment and warmth. Bethany Cox
There is a little Hawaiian girl named Lilo, she enjoys diving, surfing and folk dancing. And she desperately wants a friend, even not just a friend, she wants to have a soul mate. A flying saucer crashes near her house and a strange creature emerges. Actually it is a hostile alien whose the only aim is to destroy life on earth. Their paths cross. What happens when the little earth girl and the extra-terrestrial maniac meet? A funny, heart-warming story of friendship, love, family ties
To be frank I was not going to see this animated film considering it to be "little kids stuff". But when eventually I saw it I realized how wrong I was. Disney proves its reputation for making "family friendly" films because this is the film in which each family member, whether it be a child or a parent, can find something for him/herself to enjoy and think about. A couple of words about music. Since Lilo is a huge Elvis fan, the soundtrack contains a lot of his songs. It is a hard task to make songs written rather long ago fit in the modern film but the producers succeeded! Recommended to all!
¿Sabías que...?
- CuriosidadesHawaii-born cast members Jason Scott Lee and Tia Carrere helped the writers with dialog and accents.
- PifiasThroughout the final parts of the film, Jumba's head keeps switching from big to medium size to big again.
- Créditos adicionalesThe Disney logo features a green beam of light, and the logo gets beamed up.
- Versiones alternativasIn international versions, the headline of the newspaper Jumba is reading ("Idiot Scientist Under Arrest") is printed in an alien language.
- ConexionesEdited into Animazén: Water (2020)
- Banda sonoraCan't Help Falling In Love
Written by Luigi Creatore, Hugo Peretti, and George David Weiss
Performed by A*Teens (as the A*Teens)
Produced by Mark Hammond
A*Teens appears courtesy of Stockholm Records
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Lilo va Stich
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 80.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 145.794.338 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 35.260.212 US$
- 23 jun 2002
- Recaudación en todo el mundo
- 274.749.220 US$
- Duración1 hora 25 minutos
- Color
- Mezcla de sonido
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