Una mujer adulta, que conserva sus instintos y comportamiento infantil, empieza a trabajar como niñera de una niña de 8 años que se comporta como una adulta.Una mujer adulta, que conserva sus instintos y comportamiento infantil, empieza a trabajar como niñera de una niña de 8 años que se comporta como una adulta.Una mujer adulta, que conserva sus instintos y comportamiento infantil, empieza a trabajar como niñera de una niña de 8 años que se comporta como una adulta.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 nominaciones en total
Reseñas destacadas
Just rewatched this classic. Brittany Murphy was so pretty. I miss her so much.
The plot to "Uptown Girls" is that it centers on Molly Gunn (Brittany Murphy), who is the spoiled, 22-year old daughter of a deceased rock legend. When the manager steals her money, she's left broke and for the first time in her life, has to actually work. So she gets a job being a nanny to Ray (Dakota Fanning), the neglected daughter of an overworked music executive. She doesn't really have much of a choice, since she has no "real" working skills or experience being employed. The two bond and become best friends and so on.
True this film's plot slightly resembles Adam Sandler's 1999 comedy "Big Daddy," another film where an irresponsible adult is given the daunting task of playing parent to a neglected child. Where the more serious moments of the story to "Big Daddy" took a back seat to silly toilet humor, "Uptown Girls" is able to soar high above the required material and become something truly unique. "Big Daddy" was great, too and got its message (if you can call it that) across without much trouble, and "Uptown Girls" does the same, and then something greater.
Part of the fun of watching "Uptown Girls" is simply Murphy's presence on screen. Watching this, I had to sometimes remember why she is one of today's youngest and most talented actresses. Another reason would be her relationship with Dakota Fanning in the movie. The two naturally start off not liking each other but as the film continues, they grow closer and closer together.
I'm a guy and I don't normally like these kinds of movies (girlie-girl films), but "Uptown Girls" seems to be an exception, largely because of star Brittany Murphy. She just has a kind of appeal that draws you in, whether you want to or not. I guess that's why when I first saw a poster for this film at the movie theater a few months ago, I was drawn in to it, despite any misgivings I already had.
Murphy has a magnetic charm, a kind of screen presence that's normally lacking with a lot of young actresses working in today's Hollywood. Roger Ebert stated in his review of the film that Murphy displays a kind of ineptitude that's reminiscent of the late Lucille Ball and plays it perfectly. In this film, she is kind of a ditz, but it's all part of her emotional complexity.
Another reason I wanted to see "Uptown Girls" is because Boaz Yakin, who helmed 1994's "Fresh" and 2000's "Remember the Titans," is behind the camera. He has a real eye for the characters in his films, in that he makes them do a lot more than what is expected of them. This is why his two earlier films were so successful in that they went above and beyond the material to become something really special.
I already know that a lot of people are not going to like this movie, but I think that we should at least give it a chance. It's not going to do well at the box office, but I think bad scheduling (the much-anticipated "Freddy vs. Jason" reigned supreme at the box office when "Girls" was released) may have had a serious effect on its overall performance.
True this film's plot slightly resembles Adam Sandler's 1999 comedy "Big Daddy," another film where an irresponsible adult is given the daunting task of playing parent to a neglected child. Where the more serious moments of the story to "Big Daddy" took a back seat to silly toilet humor, "Uptown Girls" is able to soar high above the required material and become something truly unique. "Big Daddy" was great, too and got its message (if you can call it that) across without much trouble, and "Uptown Girls" does the same, and then something greater.
Part of the fun of watching "Uptown Girls" is simply Murphy's presence on screen. Watching this, I had to sometimes remember why she is one of today's youngest and most talented actresses. Another reason would be her relationship with Dakota Fanning in the movie. The two naturally start off not liking each other but as the film continues, they grow closer and closer together.
I'm a guy and I don't normally like these kinds of movies (girlie-girl films), but "Uptown Girls" seems to be an exception, largely because of star Brittany Murphy. She just has a kind of appeal that draws you in, whether you want to or not. I guess that's why when I first saw a poster for this film at the movie theater a few months ago, I was drawn in to it, despite any misgivings I already had.
Murphy has a magnetic charm, a kind of screen presence that's normally lacking with a lot of young actresses working in today's Hollywood. Roger Ebert stated in his review of the film that Murphy displays a kind of ineptitude that's reminiscent of the late Lucille Ball and plays it perfectly. In this film, she is kind of a ditz, but it's all part of her emotional complexity.
Another reason I wanted to see "Uptown Girls" is because Boaz Yakin, who helmed 1994's "Fresh" and 2000's "Remember the Titans," is behind the camera. He has a real eye for the characters in his films, in that he makes them do a lot more than what is expected of them. This is why his two earlier films were so successful in that they went above and beyond the material to become something really special.
I already know that a lot of people are not going to like this movie, but I think that we should at least give it a chance. It's not going to do well at the box office, but I think bad scheduling (the much-anticipated "Freddy vs. Jason" reigned supreme at the box office when "Girls" was released) may have had a serious effect on its overall performance.
Rich girl loses all her money and has to be a nanny for an uptight brat; it certainly sounds like a bad movie in the making. But actually I quite enjoyed this one. The stars are appealing, a lot of the scenes are quite funny and even though the movie is predictable and maudlin it does have scenes with a genuine emotional impact. With a script that has some intelligence and nuance and actresses who bring sincerity and belief to rather clichéd characters (child-woman and woman-child, essentially), this movie winds up being far better than it has a right to be. I feel like I have to make excuses for liking it, because it is kind of dumb, but I really very much enjoyed it.
RELEASED IN 2003 and directed by Boaz Yakin, "Uptown Girls" is a dramedy with a little romance about Molly (Brittany Murphy), a fun-loving 22 year-old who suddenly loses her inherited riches and is forced to become a nanny to a stoical neat-freak girl, Ray (Dakota Fanning). Heather Locklear plays Ray's distant mother who's an exec in the music biz while Jesse Spencer plays a hunky musician who gets signed. Marley Shelton and Donald Faison are on hand as friends of Molly.
The first act didn't do much for me, but at the halfway point something made me bust out laughing and I busted out four more times before it was over. More importantly, the movie is rich with quality mind/spirit food. Both Molly and Ray are broken people who handle their grief in opposite ways. And each has what the other needs to heal and escape their disorder.
"Uptown Girls" boldly reveals that "meds" (drugs) cannot heal or deliver a person; the best they can do is help a person cope. In fact, they usually have negative side-effects, mentally and physically. Sadly, six years after the release of the film Murphy ironically died of cardiac arrest due to inadvertent overdoses of a mixture of over-the-counter & prescription drugs taken (they presume) for a respiratory infection. She was only 32.
The flick encourages growing up and achieving true success through (1.) recognizing "golden connections" and taking advantage of them (after all, no one makes it alone, no one; they had help); and (2.) discerning and cultivating one's special talent(s). I'd say more, but it's better to see the movie, enjoy it, and quarry the gems for oneself.
THE MOVIE RUNS 1 hour 32 minutes and was shot in New York City (Manhattan & Brooklyn with studio work done in Queens). WRITERS: Julia Dahl, Mo Ogrodnik & Lisa Davidowitz wrote the script based on Allison Jacobs' story.
GRADE: B+
The first act didn't do much for me, but at the halfway point something made me bust out laughing and I busted out four more times before it was over. More importantly, the movie is rich with quality mind/spirit food. Both Molly and Ray are broken people who handle their grief in opposite ways. And each has what the other needs to heal and escape their disorder.
"Uptown Girls" boldly reveals that "meds" (drugs) cannot heal or deliver a person; the best they can do is help a person cope. In fact, they usually have negative side-effects, mentally and physically. Sadly, six years after the release of the film Murphy ironically died of cardiac arrest due to inadvertent overdoses of a mixture of over-the-counter & prescription drugs taken (they presume) for a respiratory infection. She was only 32.
The flick encourages growing up and achieving true success through (1.) recognizing "golden connections" and taking advantage of them (after all, no one makes it alone, no one; they had help); and (2.) discerning and cultivating one's special talent(s). I'd say more, but it's better to see the movie, enjoy it, and quarry the gems for oneself.
THE MOVIE RUNS 1 hour 32 minutes and was shot in New York City (Manhattan & Brooklyn with studio work done in Queens). WRITERS: Julia Dahl, Mo Ogrodnik & Lisa Davidowitz wrote the script based on Allison Jacobs' story.
GRADE: B+
This film is about an uptight child who wants to play everything by the rules, and her interaction with her young caretaker who is playfully childish.
Dakota Fanning is an amazing child actress. The arrogant and cocky faces she managed to pull was in itself an achievement! No wonder she subsequently got so many major roles.
The backing music was good, I liked the songs a lot. The plot itself is quite predictable, but it is still fun to watch. It did bring a smile on my face and kept me interested in the film. This is a good brain-off film for the evening.
Dakota Fanning is an amazing child actress. The arrogant and cocky faces she managed to pull was in itself an achievement! No wonder she subsequently got so many major roles.
The backing music was good, I liked the songs a lot. The plot itself is quite predictable, but it is still fun to watch. It did bring a smile on my face and kept me interested in the film. This is a good brain-off film for the evening.
¿Sabías que...?
- CuriosidadesThe denim dress Molly wears when picking Ray up from school for the first time is a vintage dress from the seventies that belonged to the costumer designer's sister Kate when she was twelve and had been hand-customized by a babysitter. The name "Kate" was bedazzled on the back of the dress, but Brittany Murphy opted to wear a backpack to cover it up rather than ruin the history of the dress by removing the name. The name can still be seen briefly a few scenes later.
- PifiasAt the very end of the movie, Neal the musician is playing his guitar and singing, while the girls are dancing on the stage. Then we see him at the side of the stage, clapping, although we still hear him playing and singing.
- ConexionesFeatures En sus marcas, listos, ¡zoom! (1955)
- Banda sonoraCharmed Life
Written by Keith Brown and Steve Mandile
Performed by Leigh Nash of Sixpence None the Richer
Produced by Keith Brown and Steve Mandile
Leigh Nash appears courtesy of Squint Entertainment
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- How long is Uptown Girls?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Niñera por sorpresa
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 20.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 37.182.494 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.277.367 US$
- 17 ago 2003
- Recaudación en todo el mundo
- 44.617.342 US$
- Duración1 hora 32 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the French language plot outline for Niñera a la fuerza (2003)?
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