PUNTUACIÓN EN IMDb
6,4/10
3,8 mil
TU PUNTUACIÓN
Un periodista trata de poner a prueba a su mujer, una bella actriz, cuando descubre que ésta rodará una película acompañada de un galán maduro.Un periodista trata de poner a prueba a su mujer, una bella actriz, cuando descubre que ésta rodará una película acompañada de un galán maduro.Un periodista trata de poner a prueba a su mujer, una bella actriz, cuando descubre que ésta rodará una película acompañada de un galán maduro.
- Premios
- 1 premio y 2 nominaciones en total
Jean-Rachid Kallouche
- Blaise
- (as Jean Rachid)
Céline Cuignet
- Lisette
- (as Cécine Cuignet)
Reseñas destacadas
I love this movie. it doesn't have special effects or anything. it is just a basic story about a husband and wife. The acting is superb!!! The jokes are actually funny. The only thing I didnot like was the DP's work. Some of the shots could have been better angle.
I'm not familiar with French films, but I purposely bought this film because I am a long-time fan of Terence Stamp. And as always I am never disappointed in his presence on the screen. Ivan Attal was hilarious as the jealous husband -a very talented, animated actor. Charlotte did a fine job, but seemed low energy or bored most of the time. The attraction between Charlotte and Terence was laughable. I caught that amusement in Terence's behavior whenever he was around her -he really couldn't care less, could he, but why not try? His lack of enthusiasm was evident when he approached Charlotte's assistant with: "Well, what are YOU doing tonight?"
At the end of the "I'm pregnant!" scene, I wanted to know: Whose baby?
At the end of the "I'm pregnant!" scene, I wanted to know: Whose baby?
This film had a real chance of success. The basic premise--How does a man feel when his wife is famous and he isn't?--holds lots of creative possibilities.
Unfortunately, these possibilities are never realized. We never understand why a famous actor would want this lout of a sportswriter as her husband. (Incidentally, he is the only sportswriter I know
who never appears to have a deadline.)
The movie is miscast. The wife, Charlotte Gainsbourg, is supposed to be drop-dead beautiful in the context of the film, and Ms. Gainsbourg is certainly attractive, but not at that level. Also, Terence Stamp, the third side of the triangle, is supposed to be miraculously attractive to young women, and I don't see that either. It is one thing to suspend disbelief, but another to throw disbelief out the window.
A subplot about the husband's sister, who is Jewish, and her pregnancy never works. In fact, as a physician, all I could do was cringe as the sister smoked throughout her pregnancy. I think that was supposed to be charming.
We get so few French movies in Upstate New York that I hate to criticize the ones we do get, but this movie is just not worth the price of admission, no matter how starved we are for French films.
Unfortunately, these possibilities are never realized. We never understand why a famous actor would want this lout of a sportswriter as her husband. (Incidentally, he is the only sportswriter I know
who never appears to have a deadline.)
The movie is miscast. The wife, Charlotte Gainsbourg, is supposed to be drop-dead beautiful in the context of the film, and Ms. Gainsbourg is certainly attractive, but not at that level. Also, Terence Stamp, the third side of the triangle, is supposed to be miraculously attractive to young women, and I don't see that either. It is one thing to suspend disbelief, but another to throw disbelief out the window.
A subplot about the husband's sister, who is Jewish, and her pregnancy never works. In fact, as a physician, all I could do was cringe as the sister smoked throughout her pregnancy. I think that was supposed to be charming.
We get so few French movies in Upstate New York that I hate to criticize the ones we do get, but this movie is just not worth the price of admission, no matter how starved we are for French films.
A French actress leaves home to shoot a film in London, her husband, a sports reporter gets jealous of her love scenes with co-star Terence Stamp, and the plot leaves a myriad standard devices open for an amiable French farce. Well-acted within modest aspirations, Ma Femme Est Une Actrice is a delightful little film that keeps your attention sufficiently to stay away and want to read the subtitles.
..here's an actor that takes everyday life roles and consistently makes them enjoyable watching.. it seems like it should be so easy but time and again most get it wrong.. she can be whatever the part needs from her, and that is the mark of a truly great actor.. she has been doing it for a pretty long time and there is no doubt she will continue well on into the future.. she is just so special... the last several minutes of this film showcase her ability to create natural raw emotion.. it is such a wonder to behold... she's fortunate for her looks allow her to morph into whatever is required for the part, but it is below the surface that her true talent lies, and it is timeless..
¿Sabías que...?
- ConexionesEdited from I Got a Woman (1997)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- My Wife Is an Actress
- Localizaciones del rodaje
- London, Greater London, Inglaterra, Reino Unido(on location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 FRF (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.121.233 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 49.204 US$
- 14 jul 2002
- Recaudación en todo el mundo
- 5.169.438 US$
- Duración1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the German language plot outline for Mi mujer es una actriz (2001)?
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