La desaparición de Risk

Great little made-for-tv murder mystery with a real shocker at the end... Good script, acting was solid, well shot and edited. By all means, this is not big Hollywood stuff, but it was excellent for what it is. I really enjoyed it overall and would recommend it as a good rainy-day popcorn flick.

Everyone is a suspect, everyone had a motive, everyone had plenty of reasons to kill that particularly beastly man who only made a nuisance of himself and destroyed everyone's lives, and yet the mystery of his death becomes unfathomable, everyone groping around in the dark for any clue without finding anything except loose ends, and yet it is all perfectly clear. The tempo is slow to begin with but gradually builds up into a tremendous pile of mysteries collapsing into nothingness, as actually everyone is more or less proved innocent or at least convincingly so. And yet there is still the final dot on the final i in the end.

The acting is gorgeous, everyone is absolutely convincing, Michele Greene almost takes the prize with hard competition from Veronica Hamel, not even Marc Singer is overacting, while I still would like to propose George Dzundza, the insurance agent with some experience, as the ultimate glory of the show. The dialog is terrific all the way, the music is excellent without being intruding, in brief, this is something of a perfect thriller.

This was both a mystery and a thriller. Marc Singer played a villain wife beater in this, scheming to get a ton load of cash by faking his death. It doesn't turn out like planned. It got me guessing all the way through. Besides the awesome acting, there is the beautiful scenery of the beach.

I actually enjoy mad for TV movies of this type, but even I admit some are better than others. This was among the better ones I have seen.

The story was engaging and well told, the acting wasn't bad, it had some good plot twists, and the solution to the "crime" was a complete surprise! It managed to keep you guessing about what had happened till the very end.

Because the main point of the movie wasn't the abuse that Michelle Greene's character suffered, but more what she did about it, it wasn't sickeningly violent, at least not after the first 15 minutes or so.

Not a bad way to spend a couple of hours.

It's a long way from Hill Street to this, but Veronica Hamel is still good to watch. In this case in an interesting situation wherein everybody would like to see her brother-in-law dead. And this seems to happen without anyone knowing how. Then a fat insurance policy turns up, the company sends in their investigators, but nobody finds out anything – except the spectator in the last five seconds. Ho, hum; good TV-style scripting, as may be guessed from the director's experience in producing these kinds of films. Of course Hamel is OK, and Michele Green is quite good, but Marc Singer as her husband has played this rôle so many times he did not have to try very much. The result is an entertaining TV-style film, with only a little violence at the beginning, and lightly humourous touches to keep things rolling. Nothing difficult: just to keep you amused trying to guess who did what to whom – and you won't get it right! Worth five out of ten, simply because it does not try to be pretentious and does not leave you with a headache afterwards.