The Untold

One minute into THE UNTOLD and it`s already ripped off techniques from THE BLAIR WITCH PROJECT and PREDATOR . Does this mean we`ll be seeing lots of trees ? We sure will . Will we be seeing an Austrian bodybuilder blowing things up ? Well this film has the budget of a TVM so the answer is a resounding no . Does anyone like these soft porn shows like BEDTIME STORIES ? Good because there`s a scene in this that resembles these type of shows . Unfortunately the only thing you see is cellulite . Do you like it when the screen fades to black during a TVM ? Great because this happens between every scene in THE UNTOLD . In fact it happens during every scene too . Did you enjoy MILLIONAIRE - A MAJOR FRAUD ? Fantastic because one of the characters looks like a bearded Major Charles Ingram the contestant who tried to swindle the show out of one million pounds . Seriously one of the characters looks like Major Ingram . I kept expecting him to say " It`s bear. It could be a bear . But it might be a bigfoot < Cough , cough > , yes it`s a bigfoot < Cough > , it`s definately a bigfoot < Cough > Yes I`m going to shoot it . Final answer Chris "

Oh and have I mentioned that all the above are the good bits ?

THE UNTOLD isn`t the worst bigfoot movie I`ve ever seen , that accolade firmly goes to NIGHT OF THE DEMON which I saw over twenty years ago and I think I`ve only seen less than a dozen films that are worse in all of that time . But that said THE UNTOLD is still a very poor film in just about every aspect , especially editing . As some other reviewers have pointed out it feels like whole chunks of the film are missing while there`s other bits where scenes are spliced together in the wrong order . This is a really bad film that deserves far less than its rating of 5.1. I give it 3 out of ten and I`m being very kind

Good way to waste an evening, but nothing outstanding or exciting. The creature's outfit looked like it was from Goodwill. Typical modern day garbage film. I don't see what the rave is about. I guess these are people in their teens-25 age group who don't know what good horror is/was. Pass!

I love when people rag on a horror flick because it wasn't 'deep' or 'brilliant' or 'epic'. It's a monster movie. I wanted to see a monster kill some people in a cool landscape or environment. That's what I saw.

I thought it was a good flick, just what I wanted when I rented it.

I didn't want to be moved, or think a lot. I wasn't looking for stunning cinematography or amazing special effects. Sometimes a guy just wants a good old fashioned monster movie. A little gore, a little twist...that's it. Every film shouldn't be the 'Thin Red Line'. Entertainment isn't always rocket science.

Good performances by Lance Henrickson and Russell Ferrier.

Look, I'm not one who automatically looks down on low-budget genre movies. In fact, I watch them all the time. But there's little positive I can say about this movie. The cinematography is okay, the locations look nice, and... well, that's all for the positive.

Now the negative. Hoo boy. It mainly boils down to a terrible script and aggressively annoying directing. First, the script. To put it bluntly, almost NOTHING of real consequence happens up until near the end. Most of the movie just consists of the characters wandering around, sensing something is out there, and blurting out various theories. What's surprising is that even though there is a lot of nothing, often when there is some important explanation it it left unfinished (probably more due to the editing, which is unbelievably inept at times). Sometimes whole sequences are missing. In fact, these and other lapses suggest the shoot had problems and the production wasn't able to shoot everything that was planned.

And the directing... well, as others have said, there is the annoying fade-to-black that seems to happen every four minutes, the images being manipulated by unfocusing and other techniques that make you utter confused as to what's happening, badly chosen camera angles, no sense of tension, no feeling of struggle, etc. etc. I could go on, but you get the idea.

A number of people have claimed that no movie involving Sasquatch has been any good. While I can't claim to have seen every such movie, this movie certainly adds considerable fuel to the argument. If you want to see a low budget movie about people stranded in the wilderness who are attacked by hairy creatures, I strongly recommend you instead watch the vastly entertaining "Dog Soldiers".

A plane carrying employees of a large biotech firm--including the CEO's daughter--goes down in thick forest in the Pacific Northwest. When the search and rescue mission is called off, the CEO, Harlan Knowles (Lance Henriksen), puts together a small ragtag group to execute their own search and rescue mission. But just what is Knowles searching for and trying to rescue, and just what is following and watching them in the woods?

Oy, what a mess this film was! It was a shame, because for one, it stars Lance Henriksen, who is one of my favorite modern genre actors, and two, it could have easily been a decent film. It suffers from two major flaws, and they're probably both writer/director Jonas Quastel's fault--this film (which I'll be calling by its aka of Sasquatch) has just about the worst editing I've ever seen next to Alone in the Dark (2005), and Quastel's constant advice for the cast appears to have been, "Okay, let's try that again, but this time I want everyone to talk on top of each other, improvise non-sequiturs and generally try to be as annoying as possible".

The potential was there. Despite the rip-off aspects (any material related to the plane crash was obviously trying to crib The Blair Witch Project (1999) and any material related to the titular monster was cribbing Predator (1987)), Ed Wood-like exposition and ridiculous dialogue, the plot had promise and potential for subtler and far less saccharine subtexts. The monster costume, once we actually get to see it, was more than sufficient for my tastes. The mixture of character types trudging through the woods could have been great if Quastel and fellow writer Chris Lanning would have turned down the stereotype notch from 11 to at least 5 and spent more time exploring their relationships. The monster's "lair" had some nice production design, specifically the corpse decorations ala a more primitive Jeepers Creepers (2001). If it had been edited well, there were some scenes with decent dialogue that could have easily been effective.

But the most frightening thing about Sasquatch is the number of missteps made: For some reason, Quastel thinks it's a good idea to chop up dialogue scenes that occur within minutes of each other in real time so that instead we see a few lines of scene A, then a few lines of scene B, then back to A, back to B, and so on.

For some reason, he thinks it's a good idea to use frequently use black screens in between snippets of dialogue, whether we need the idea of an unspecified amount of time passing between irrelevant comments or whether the irrelevant comments seem to be occurring one after the other in time anyway.

For some reason, he doesn't care whether scenes were shot during the morning, afternoon, middle of the night, etc. He just cuts to them at random. For that matter, the scenes we're shown appear to be selected at random. Important events either never or barely appear, and we're stuck with far too many pointless scenes.

For some reason, he left a scene about cave art in the film when it either needs more exposition to justify getting there, or it needs to just be cut out, because it's not that important (the monster's intelligence and "humanity" could have easily been shown in another way).

For some reason, there is a whole character--Mary Mancini--left in the script even though she's superfluous.

For some reason we suddenly go to a extremely soft-core porno scene, even though the motif is never repeated again.

For some reason, characters keep calling Harlan Knowles "Mr. H", like they're stereotypes of Asian domestics.

For some reason, Quastel insists on using the "Blurry Cam" and "Distorto-Cam" for the monster attack scenes, even though the costume doesn't look that bad, and it would have been much more effective to put in some fog, a subtle filter, or anything else other than bad cinematography.

I could go on, but you get the idea.

I really wanted to like this film better than I did—I'm a Henriksen fan, I'm intrigued by the subject, I loved the setting, I love hiking and this is basically a hiking film on one level--but I just couldn't. Every time I thought it was "going to be better from this point until the end", Quastel made some other awful move. In the end, my score was a 3 out of 10.