PUNTUACIÓN EN IMDb
4,7/10
3,1 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaWhen a rogue vampire kills his partner, an NSA special agent reluctantly teams with another officer who is a "good" vampire in an attempt to track down the evil vampire killer.When a rogue vampire kills his partner, an NSA special agent reluctantly teams with another officer who is a "good" vampire in an attempt to track down the evil vampire killer.When a rogue vampire kills his partner, an NSA special agent reluctantly teams with another officer who is a "good" vampire in an attempt to track down the evil vampire killer.
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Like the curate's egg' this film was good in parts, but they weren't very big parts.
I have always enjoyed the twist associated with 'good vampires' and I guess I am still waiting for a film to properly use it.
This film was too outré and grotesque (in the original meaning of the word) for it to have worked as anything other than an over-the-top dance-macabre of a film; a sort of Grand Guinol of the film world. Unfortunately it never really achieved this distinction and instead we are left with a mishmash of themes and failed attempts at being something that it never quite achieved.
The script and the acting were pretty deplorable and the direction was anything but tight, though still one can sort of envisage what was intended; and those stolen fleeting glimpses serve to supply enough motive to keep watching. In the end this continued attention is utterly frustrating, since the ending manages to further let one down and, indeed, the rest of the film.
I don't say 'Don't watch this film!' I would, however, warn you to keep you expectation low, and not to be too surprised if it fails to live up to them.
I have always enjoyed the twist associated with 'good vampires' and I guess I am still waiting for a film to properly use it.
This film was too outré and grotesque (in the original meaning of the word) for it to have worked as anything other than an over-the-top dance-macabre of a film; a sort of Grand Guinol of the film world. Unfortunately it never really achieved this distinction and instead we are left with a mishmash of themes and failed attempts at being something that it never quite achieved.
The script and the acting were pretty deplorable and the direction was anything but tight, though still one can sort of envisage what was intended; and those stolen fleeting glimpses serve to supply enough motive to keep watching. In the end this continued attention is utterly frustrating, since the ending manages to further let one down and, indeed, the rest of the film.
I don't say 'Don't watch this film!' I would, however, warn you to keep you expectation low, and not to be too surprised if it fails to live up to them.
Despite what other people wrote, this is a pretty decent movie. It has some damn cool ideas and scenes. Even though i'd call it more of a Vampire Scifi, people who like and appreciate horror movies should definatly watch this. 6.5/10 Compared to the crap that's out there, this is one of the better ones.
About movies in general; There's no such thing as ripping off The Matrix ,Tarantino, or any other "ripped off" movies. Just because it's popular, doesn't mean its original. Every movie ripps off every movie.
About movies in general; There's no such thing as ripping off The Matrix ,Tarantino, or any other "ripped off" movies. Just because it's popular, doesn't mean its original. Every movie ripps off every movie.
I don't quite know what to say about "The Breed". It has a serviceable plot compromised by an alternate reality setting. The plot is straightforward enough - vampires and humans attempting to peacefully coexist and a series of murders which may be either a rogue vampire or a more sinister political plot to derail the process. The players are all decent (OK, perhaps Adrian Paul lays it on a little thick), and there are sufficient twists and turns to provide some sense of mystery and/or suspense. To its credit, the characters are well developed and you actually come to care about some of them. It even features a surprisingly engaging romance subplot. How much you can enjoy it, though, depends on how you react to the setting.
The setting appears to be an alternate reality version of current-day America. Some scenes confuse the issue by suggesting a European setting, but that doesn't explain the presence of an obviously American black detective. The vibe is strongly influenced by Orwell's "1984". Although references are made to historical events such as race relations in the 60's, WWII, Nazis and the Holocaust, the sense of reality is severely compromised by the setting. TVs all appear to be B&W sets from the 50's and automotive design seems to have stopped evolving in the 40's. Stylistically, it's quite similar to "Sky Captain and the World of Tomorrow" - and that's not a compliment in this case since it's obviously not supposed to be a period piece as "Sky Captain" was. The scenes inside NSA headquarters especially were highly reminiscent of both the 1984 film adaptation of "1984" as well as several "Twilight Zone" episodes.
I should also add that I have only seen an edited for TV version broadcast on the SciFi channel. Some other reviews here suggest that the unedited version has some plot problems unrelated to the editing process.
Did I enjoy it? Not tremendously, although I did have a grudging appreciation for the audacity of how it was handled. Notably, it presents an interesting and unique version of the entire vampire mythos. Would I recommend it? Not necessarily. As I said, I feel somewhat conflicted about it. I rated it 6 out of 10 and have tried to explain that vote as much as possible. If what I've said hasn't put you off, then give it a try...
The setting appears to be an alternate reality version of current-day America. Some scenes confuse the issue by suggesting a European setting, but that doesn't explain the presence of an obviously American black detective. The vibe is strongly influenced by Orwell's "1984". Although references are made to historical events such as race relations in the 60's, WWII, Nazis and the Holocaust, the sense of reality is severely compromised by the setting. TVs all appear to be B&W sets from the 50's and automotive design seems to have stopped evolving in the 40's. Stylistically, it's quite similar to "Sky Captain and the World of Tomorrow" - and that's not a compliment in this case since it's obviously not supposed to be a period piece as "Sky Captain" was. The scenes inside NSA headquarters especially were highly reminiscent of both the 1984 film adaptation of "1984" as well as several "Twilight Zone" episodes.
I should also add that I have only seen an edited for TV version broadcast on the SciFi channel. Some other reviews here suggest that the unedited version has some plot problems unrelated to the editing process.
Did I enjoy it? Not tremendously, although I did have a grudging appreciation for the audacity of how it was handled. Notably, it presents an interesting and unique version of the entire vampire mythos. Would I recommend it? Not necessarily. As I said, I feel somewhat conflicted about it. I rated it 6 out of 10 and have tried to explain that vote as much as possible. If what I've said hasn't put you off, then give it a try...
i swear i did, i like ling bai (wild wild west) and adrian paul (highlander). but there are better vampire movies out there, go check out blade (its awesome) and the upcoming blade 2. if youre looking for another wierd vamp b-movie, check out "Modern Vampires" , it was alright, or even john carpenters' "Vampires" or even that eddie murphy "vampire in brooklyn" movie ;p
anyways, in this movie, a cop and a vampire cop team together to investigate some bad vampire's doings. includes a couple subplots involving a vampire virus, and flashbacks into the holocaust.
the sfx is not much more than people with wires, nothing new. filmed in buhdapest it has quite a nice scenery tho.
anyways, in this movie, a cop and a vampire cop team together to investigate some bad vampire's doings. includes a couple subplots involving a vampire virus, and flashbacks into the holocaust.
the sfx is not much more than people with wires, nothing new. filmed in buhdapest it has quite a nice scenery tho.
I've seen too many movies. I admit it. That's why I can tell where most movies are going most of the time. This is especially true of horror movies. I don't mean to imply that all horror movies are same and therefore easily predictable. Rather that there is a tendency towards sameness when it comes to quickly made B grade horror movies. This tendency is what makes me treasure those rare B grade horror movies that manage to surprise me. Movies like "The Breed."
The movie, set in "the near future," opens with our main character, named Steve Grant (Bokeem Woodbine), and his partner tracking down a kidnapped girl. Grant is an agent of the NSA (National Security Agency) and I am unsure as to why an NSA Agent would be tracking a kidnapped girl. Unfortunately, so is the script. Moving on. The partners quickly find the girl (too late) and confront her kidnapper. The kidnapper turns out to be a vampire and slaughters Grant's partner.
It was at this point that I figured I knew where the movie was going. I assumed that this incident would open Grant's eye's to the world of the occult and he would either A) be kicked off the police force and become an independent vampire hunter or that B) he would be inducted into the secret branch of the police force that specializes in demolishing creatures of the night. Just as the movie looked to be headed straight for path B, it took a left turn and regained my interest. When Grant insists on telling the truth in his official report he is told that the Government has known about vampires for nearly a year and are working on integrating them into normal society. He is then introduced to his new partner, one Aaron Grey (Adrian Paul), who is a vampire and told that they must work together to catch this dangerous rogue who threatens the peace of both races.
This is a good premise for a movie and, to "The Breed's" credit, it tries to live up to this premise. It fails more than it succeeds, but at least it fails in a watchable way. The movie spends a little too much time on a murder investigation that isn't as complicated or as interesting as it seems. It sets up an ending that isn't as surprising as the movie wants it to be. It gives action scenes that aren't as exciting as they should be.
In between the scenes mentioned above we get a love story that, properly handled, could have been the basis for an entire movie of it's own. We watch two partners learn to trust each other and deal with their differences. We see totalitarian overtones to the government that, if played up more, could have added a whole new layer of depth to the movie. We meet some cool vampires. We see some cool death scenes.
Generally, this is a lousy movie, but it is a movie that tries hard. Sometimes, I'd rather watch a failure with high ambitions than a success with that settled for ordinary.
The movie, set in "the near future," opens with our main character, named Steve Grant (Bokeem Woodbine), and his partner tracking down a kidnapped girl. Grant is an agent of the NSA (National Security Agency) and I am unsure as to why an NSA Agent would be tracking a kidnapped girl. Unfortunately, so is the script. Moving on. The partners quickly find the girl (too late) and confront her kidnapper. The kidnapper turns out to be a vampire and slaughters Grant's partner.
It was at this point that I figured I knew where the movie was going. I assumed that this incident would open Grant's eye's to the world of the occult and he would either A) be kicked off the police force and become an independent vampire hunter or that B) he would be inducted into the secret branch of the police force that specializes in demolishing creatures of the night. Just as the movie looked to be headed straight for path B, it took a left turn and regained my interest. When Grant insists on telling the truth in his official report he is told that the Government has known about vampires for nearly a year and are working on integrating them into normal society. He is then introduced to his new partner, one Aaron Grey (Adrian Paul), who is a vampire and told that they must work together to catch this dangerous rogue who threatens the peace of both races.
This is a good premise for a movie and, to "The Breed's" credit, it tries to live up to this premise. It fails more than it succeeds, but at least it fails in a watchable way. The movie spends a little too much time on a murder investigation that isn't as complicated or as interesting as it seems. It sets up an ending that isn't as surprising as the movie wants it to be. It gives action scenes that aren't as exciting as they should be.
In between the scenes mentioned above we get a love story that, properly handled, could have been the basis for an entire movie of it's own. We watch two partners learn to trust each other and deal with their differences. We see totalitarian overtones to the government that, if played up more, could have added a whole new layer of depth to the movie. We meet some cool vampires. We see some cool death scenes.
Generally, this is a lousy movie, but it is a movie that tries hard. Sometimes, I'd rather watch a failure with high ambitions than a success with that settled for ordinary.
¿Sabías que...?
- CuriosidadesMost of the vampires in the film are named after famous fictional vampires.
- PifiasIn the chase scene at the club, the human detective shoots at one of the bad vampires. While he shoots, the slide on the gun is all the way back, indicating that the gun is empty, yet he continues to shoot and bullets continue to fire from the gun.
- Citas
Boudreaux: Be gone! You tamper with forces far beyond your comprehension.
Aaron Gray: He didn't just say that.
Lucy Westenra: Spare us the Anne Rice routine. We are not amused.
- ConexionesReferenced in Assassin's Creed (2007)
- Banda sonoraEndless
Written by Casey Bowen, Cosmo Jones & Capsule
Performed by Casey Bowen & Capsule
Produced by Ryeland Allison, Lorenzo Chacci and Mike Wilson
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- How long is The Breed?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Duración1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Legado de sangre (2001) officially released in Canada in English?
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