2001 maniacos

I saw "2001 Manacs" last night at a midnight screening at the Fantasia Festival and I really enjoyed it ... so did the 300-400 other people in the theater with me. Tim Sullivan and Christa Campbell introduced the movie and held a Q&A session after (I had to leave, it was 2am) but I'm sure they were pleased with the audience response. It was great to see Robert Englund again, he always does a great psycho. The movie was funny and gory ... sure the plot wasn't Oscar caliber, but anyone looking for that is going to the wrong movie. If you want to see a good horror movie, the real 'guts & glory' kind, this is the movie for you. I feel confident in recommending this movie and plan on picking up the DVD (especially since the version that was screened hasn't gone to the ratings board yet, so the DVD will probably be the only place to see this exact version).

Three college students decide to travel to Florida for some fun at Spring Break. After seeing a detour sign, they take the dirt road in hoping to get to their destination a little quicker. Soon they discover a little town called Pleasant Valley. Five more people show up right after them and decide to stay the night for some celebration.

2001 Maniacs sounds promising for the old school B-horror movie fans. A bunch of young college kids, go to this town and the residents decide to kill them and eat them. Crazy isn't it? Well, what should have been and what could have been is missing in 2001 maniacs. Call it a sequel or a remake of the 1964 film Two Thousand Maniacs, 2001 maniacs suffers from trying to be over the top but failing to do so. The deaths are good to watch and with a little bit more blood, then the fun time that is suppose to be had by this film could have been achieved. You're suppose to laugh with this movie and in some cases you do, but in others you are wondering why am I watching this?

What could have, what should have, is exactly what 2001 maniacs is. With a premise such as this film has, you would expect over the top gory funny and unique deaths. You do get these qualities in the deaths, but they are not anything that one would expect. When you are about to see a women lose all their limbs from horses running in opposite directions, you get excited a little bit, if you're into that sort of thing, but in Maniacs it losses it touch.

The goal of this film is to be a throw back to the old cheesy bad horror movies, and it achieves this goal. The dialogue is cheesy, the deaths are gory (although you'd expect more), there's nudity from young hot chicks, and of course the villains are crazy as hell, so crazy that you may even root for them in their evil goals. Some things you may question in the film, such as why would such a young and hot woman, known as Kat, be attracted to a southern hillbilly with awkward teeth, or even why the one character arms wrestles another to see who will give or receive in some homosexual sex. This film definitely pokes fun at the south, having some characters chase after animals with that twinkle of love in their eye.

Maniacs has a good build up but the delivery is kind of weak. The ending horrible and tries to take the film in a whole other direction. If there were a different ending then this film would have been graded a bit higher. I can see a future for Tim Sullivan in the horror genre, if he had some better material.

So how can I give this flick a recommendation, well it lies in the over the top performance from Robert Englund, who is the highlight of Maniacs. His role is so juicy and fun to watch that every time he isn't on screen you feel bored by the flick. I recommend this flick for fans of Englund and fans of the genre. If you're into some cheesy dialogue and violence just for the sake of violence, then 2001 Maniacs is right up your alley.

The almighty Hershell Gordon-Lewis already promised us through a very catchy song that the South was going to rise again... and it did! Slightly more than forty years after the Godfather of Gore's terrific splatter-classic, energetic director Tim Sullivan gathered quite an impressive cast and updated Lewis' screenplay with new gory sickness and nowadays sleaze 'n swearing! I'm usually not this enthusiastic when it comes to remakes of classic horror films, but "2001 Maniacs" simply is a fun & unpretentious little movie that clearly intended to please horror fans first, rather than to hit big at the box office. The original story is preserved, as a whole bunch of young party animals on their way to the Southern beaches are detoured the peculiar little town of Pleasant Valley where they're given a warm reception as honoree guests to a local jubilee. The townsfolk, with one-eyed mayor Buckman in charge, all soon turn out to be deranged killers that are still very rancorous about the Southern Civil War casualties and, one by one, the Yankee tourists are butchered in very imaginative ways. Some of the killings are strangely similar to the ones in Lewis' original, some of them are completely new...but they ALL are utterly grotesque and exhilaratingly gross! Whenever there isn't any gore on display, we're treated to absurd dialogues, morbid jokes and – oh yeah – loads of naked flesh supplied by the most ravishing babes of nowadays horror flicks. Of course, purely talking cinema, this isn't much of good film because it totally lacks tension and it's tasteless, offensive and completely ridiculous. Personally I couldn't care less about this because A) you pretty much know what to expect here and B) it's a splendid throwback to the rancid 60's and 70's; the times when horror cinema didn't necessarily had to justify its exploitative tendencies. Robert Englund clearly hasn't had this much fun portraying a mad character than since the original "Nightmare on Elm Street" and Lin Shaye once again proves she's a sadly underrated but great actress that delivers no matter how silly her lines are. The younger cast members perform adequately and Sullivan's directing is fairly surefooted as well. Although the additional maniac in the title never really gets introduced, I suppose it relates to the little silent girl who dissects rats for fun. "2001 Maniacs" is one of the most entertaining horror films of the past couple of years and I recommend it highly!

I bet Herschell Gordon Lewis, having just completed work on his second gore epic Two Thousand Maniacs, never once imagined that in roughly forty years his brainchild would be re-filmed and remade again. Instead of "the South will rise again, " it should be Herschell Gordon Lewis will rise again. Anyway, this film, like the original, has the happy town of Pleasant Valley as its setting: a town that magically reappears every 100 years on the anniversary of its destruction by Union soldiers during the Civil War only to have its hillbilly celebration of maiming, garroting, shivving, castrating, squeezing, quartering, barbecuing, decapitating, and so on of Yankee motorists in the nearby vicinity. Just like in the original, though much more bloodier and believable, nothing here is really frightening. Every gory scene is more like a punchline to a distasteful joke. Also, just like in the original, the South comes off looking like some barbaric civilization that is ages behind the more industrial North. The Southern stereotypes fly in this one though seem not to have the edge in the original film. What this film does have that the original does not are way better actors, lots and lots and lots of sexy women in lots and lots and lots of sexual situations, generous doses of humour(almost all of which were INTENDED), and a tongue firmly planted in cheek mood. Robert Englund plays Mayor Buckman to the hilt, even wearing an eye patch with the Confederate flag on it no less. Englund shows me here, as he has in other non-Freddy roles, that he is a versatile actor with a wide range. His Buckman has charm, grace, and dementia. Lin Shaye does an equally credible job playing Granny Boone(not to my knowledge in original). Everyone else is more than adequate working with this stuff. Johnny Legend and Scott Spiegel had me rolling as two wandering minstrels singing atrocious blue grass tunes with the most inane lyrics. And let's not forget the girls. The film has a bevy of beauties with a free and easy approach to being in front of the camera. Standouts(knockouts might be more appropriate) include Gina Marie Heeken, Bianca Smith, Wendy Kremer, and sultry Christa Campbell as the milk maid. Director Tim Sullivan knows exactly what he wants and goes right for it in this film. No high art here, just an appreciative group of filmmakers remaking a film I too would never have dreamt of being remade. The odd thing is that this film is far more watchable then the original. It has so much more going for it than the original - which does have some charms - don't get me wrong. Sullivan knows his audience and goes with the proverbial flow. He doesn't stray away from the shocking nor the easy, distasteful laugh(like when the black Yankee is presented as "dark" meat as just one example).

In the 2000s, it seemed a fad to take old cult horror movies and remake them. Sometimes it worked, most of the time it didn't. This one at least went out of its way to expand on the mythos of its predecessor

Should anyone be given the role of Mayor Buford, one should devour the scenery. Robert Englund, bless his heart, does just that, and in the most delightfully cheesy manner. The victims, downgraded from rational adults to a bunch of obnoxious college students, deserve no sympathy to the point that in the first five minutes, you just want all of them to die.

The violence is admirable, only one of the death scenes is a callback to the original. Blood effects are standard 2005 slasher movie level but they're gruesome all the same. The writers got creative and they get props.

In this modernized version, minority victims are introduced, an African-American man and an Asian woman, both of whom are subject to racism. But this is expected as the antagonists, after all, are Civil War era Southerners. That said, this movie is in no short supply of Southern popular culture references, mostly to Gone with the Wind.

All in all, when comparing to the 1964 Herschell Gordon Lewis cult classic, 2001 Maniacs is simply a contemporary upgrade but watch it as a standalone, it's okay.