Un capo de la droga encarcelado ofrece una enorme recompensa en metálico a quien pueda liberarlo de la custodia policial, y solo el equipo de armas y tácticas especiales de la policía de Los... Leer todoUn capo de la droga encarcelado ofrece una enorme recompensa en metálico a quien pueda liberarlo de la custodia policial, y solo el equipo de armas y tácticas especiales de la policía de Los Ángeles puede impedirlo.Un capo de la droga encarcelado ofrece una enorme recompensa en metálico a quien pueda liberarlo de la custodia policial, y solo el equipo de armas y tácticas especiales de la policía de Los Ángeles puede impedirlo.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 5 nominaciones en total
LL Cool J
- Deacon 'Deke' Kaye
- (as James Todd Smith aka LL Cool J)
Reg E. Cathey
- Lt. Greg Velasquez
- (as Reginald E. Cathey)
Reseñas destacadas
S.W.A.T. (2003) *** Colin Farrell, Samuel L. Jackson, Michelle Rodriguez, LL Cool J, Josh Charles, Jeremy Renner, Brian Van Holt, Olivier Martinez, Reg E. Cathey, Larry Poindexter, Ashley Scott, Denis Arndt, Reed Diamond, Lucinda Jenney. Better than anticipated big-screen adaptation of the 1970s cult classic police drama about the elite Special Weapons and Techniques division of the LAPD skillfully directed by tv veteran Clark Johnson (who cut his chops on 'Homicide: Life on The Street' and 'The Shield) with the focus on an oily French baddie (Martinez) making a routine prison transfer a dicey situation when he proclaims to give $100 M for his release from the cops custody ensuing all sorts of pitfalls and unexpected turns along the way. The screenplay by Ron Mita, Jim McClain and Davids Ayer and McKenna keep things lively but allow the action to occur gradually after each new member is incorporated into the fold, and (finally) Farrell proves his worth as a leading man in a big Hollywood film as the head-strong yet by-the-book disgraced member looking for redemption and Jackson as his no-nonsense leader of the pack. Expertly choreographed action sequences and some needed humor add to the mix of the been-there-done-that histrionics that naturally unfold
The Big Screen version of the small screen cult favorite is a pretty good thriller. No, its not the best movie in the world but a good way to spend two hours.
The plot concerns a wanted international criminal who offers 100 million to anyone who will spring him. The action is mostly realistic as are the characters. The real complaint is that the captain is too much of an ass and there are one or two bumps that don't ring true, especially at the end but its not anything that will spoil the fun. Best of all there are a couple of really good action sequences.
Recommended, especially on cable
The plot concerns a wanted international criminal who offers 100 million to anyone who will spring him. The action is mostly realistic as are the characters. The real complaint is that the captain is too much of an ass and there are one or two bumps that don't ring true, especially at the end but its not anything that will spoil the fun. Best of all there are a couple of really good action sequences.
Recommended, especially on cable
Good for what it is but some aspects are really let down by the fact it's aimed at twelve year olds.
People may dismiss S.W.A.T. as one of those films that stands there on its own as pure entertainment for the average film going Joe and overall, they'd be right to do so. You don't need me or anyone else to tell you that this film is indeed a bit of light-hearted fun that most people can enjoy but what struck me was that more popular 'fun' films such as Snakes on a Plane and Pirates of the Caribbean didn't do as much for me as S.W.A.T. did and this makes me think that S.W.A.T. is a tad underrated, albeit as a popcorn fest.
The films spends enough time early on hanging around the main character of Jim Street; a disgraced ex-S.W.A.T. member whose partner got them both into a little trouble a few years ago when he made a bit of a botch of a hostage situation. Although Street is played by Colin Farrell whose one of those actors most people have a love/hate relationship with (although it's probably mostly females who fit into the 'love' category) so it's always going to be a little tricky to associate with the fact Farrell is the focus of the film, character wise.
One scrap of 'cred.' the film has is its inclusion of Samuel L. Jackson as the boss of a newly formed S.W.A.T. team following his return to the force although he gets his own way far too easily during the forming of the team, in my opinion. His search takes control after the good opening and what was effective was that genuinely funny humour as well as decent action/chase scenes are both blended in to the search. We're also introduced to the dangers of law enforcement as Michelle Rodriguez's character tells us when she exclaims she was attacked by a guy three times her size and weight wielding several small sharp razor blades.
What makes S.W.A.T. the piece of fun, colloquial film-making it is; is its evidence of light heartedness all the way through. In the UK where I come from, the film was rated as a '12A' which means twelve year olds can see it; as long as there's a parent/guardian with them. The reason for this is its lack of violence and genuine, gritty police action. The chase and action scenes, although impressive, are done in a routine manner with fast talking, joke-style dialogue there to extinguish any threat of profanity or violence for the kids. Also, the music is a cause for concern. I have no idea of the bands nor the songs actually used but it's of that modern day rock/pop stuff that sounds so much like the previous song released in that genre, it's worrying. These songs that pop up at various intervals include montage sequences and the like, keeping the light hearted atmosphere and again, giving the kids something to relate to in the form of music. For me and probably anyone else over the age of 20, it was very disappointing.
The fact the villain of the film is French is awkward enough. I say French but really, he's European and him and his non-American cronies are another disappointing aspect of the film. It's just too typical of an American summer film to do this: including a Eurotrash villain. The fact he actually spends most of the film in custody and has to issue his threats to press camera crews is another thing that detracts from the film. The fact he's in custody and out of harms way as far as violence and challenging the heroes is concerned; means less of a threat to the kids thanks to the 12A tag. With other odd things cropping up such as the fact each gang just happens to try and rescue the baddie at the exact same time with no prior arrangement of a truce as they all strive for the reward money, was a sloppy piece of film-making.
Despite the good things S.W.A.T. has going for it, it never gets out of that, 'family' gear that it gets into and as a result, feels like a re-hash of that 1986 film Top Gun, only with guns and on the ground instead of jets and in the air. Still, at least you get to hear a couple of Jackson nods to his appearances in Pulp Fiction and Jackie Brown, respectively. That in itself, to some, is more than enough of a reason to give S.W.A.T. a go.
The films spends enough time early on hanging around the main character of Jim Street; a disgraced ex-S.W.A.T. member whose partner got them both into a little trouble a few years ago when he made a bit of a botch of a hostage situation. Although Street is played by Colin Farrell whose one of those actors most people have a love/hate relationship with (although it's probably mostly females who fit into the 'love' category) so it's always going to be a little tricky to associate with the fact Farrell is the focus of the film, character wise.
One scrap of 'cred.' the film has is its inclusion of Samuel L. Jackson as the boss of a newly formed S.W.A.T. team following his return to the force although he gets his own way far too easily during the forming of the team, in my opinion. His search takes control after the good opening and what was effective was that genuinely funny humour as well as decent action/chase scenes are both blended in to the search. We're also introduced to the dangers of law enforcement as Michelle Rodriguez's character tells us when she exclaims she was attacked by a guy three times her size and weight wielding several small sharp razor blades.
What makes S.W.A.T. the piece of fun, colloquial film-making it is; is its evidence of light heartedness all the way through. In the UK where I come from, the film was rated as a '12A' which means twelve year olds can see it; as long as there's a parent/guardian with them. The reason for this is its lack of violence and genuine, gritty police action. The chase and action scenes, although impressive, are done in a routine manner with fast talking, joke-style dialogue there to extinguish any threat of profanity or violence for the kids. Also, the music is a cause for concern. I have no idea of the bands nor the songs actually used but it's of that modern day rock/pop stuff that sounds so much like the previous song released in that genre, it's worrying. These songs that pop up at various intervals include montage sequences and the like, keeping the light hearted atmosphere and again, giving the kids something to relate to in the form of music. For me and probably anyone else over the age of 20, it was very disappointing.
The fact the villain of the film is French is awkward enough. I say French but really, he's European and him and his non-American cronies are another disappointing aspect of the film. It's just too typical of an American summer film to do this: including a Eurotrash villain. The fact he actually spends most of the film in custody and has to issue his threats to press camera crews is another thing that detracts from the film. The fact he's in custody and out of harms way as far as violence and challenging the heroes is concerned; means less of a threat to the kids thanks to the 12A tag. With other odd things cropping up such as the fact each gang just happens to try and rescue the baddie at the exact same time with no prior arrangement of a truce as they all strive for the reward money, was a sloppy piece of film-making.
Despite the good things S.W.A.T. has going for it, it never gets out of that, 'family' gear that it gets into and as a result, feels like a re-hash of that 1986 film Top Gun, only with guns and on the ground instead of jets and in the air. Still, at least you get to hear a couple of Jackson nods to his appearances in Pulp Fiction and Jackie Brown, respectively. That in itself, to some, is more than enough of a reason to give S.W.A.T. a go.
S.W.A.T. is a nothing more and nothing less than what you expect from it - god action film, the script is very predictable and full of clichees, but it has enough logic and good sense to avoid the ridicule. Acting is average good, effects are average good, and directing is average good - so what you get is an average good action film. Get your popcorn, biers as well if you are at home, sit back and relax. Nothing more, nor less 7 out of 10 on my personal scale.
I haven't read the comments of others, so I'm not sure why it's rated so low. This is a pretty decent yarn with some good action and suspense in it. The story is almost believable. A drug dealer is detained by the Police and offers $100 million to anyone who can spring him. The offer is taken up by several people and the Los Angeles Police Department finds itself outgunned. Their only hope is the newly formed SWAT team, headed by Samuel L. Jackson. The whole SWAT thing is new and no one likes it. While, today, many people still don't like the idea of SWAT teams, they are now a part of the law enforcement landscape. It's too "Military" for most people. The film shows the build up and some of the training of the SWAT team, and their duel with the bad guys in the end. It kept my attention and I found it entertaining. And isn't that what the industry is all about? I gave it a 7.
¿Sabías que...?
- CuriosidadesThe actors all received S.W.A.T. tactics, weapons, and live fire training for the film. Colin Farrell was also given L.A.P.D. driver training in the Ford Crown Victoria.
- PifiasWhen the jet on the 6th bridge is stationary as part of the pre-take off check the pilot selects gear down which obviously would have been done before the aircraft landed.
- Créditos adicionalesDirector Clark Johnson, who appears in the film briefly as Deke's beat partner, is credited as 'Deke's Handsome Partner'.
- Banda sonoraTheme from S.W.A.T.
Written by Barry De Vorzon
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Els homes de Harrelson
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 80.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 116.934.650 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 37.062.535 US$
- 10 ago 2003
- Recaudación en todo el mundo
- 207.725.639 US$
- Duración
- 1h 57min(117 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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