Después de una ruptura cruel, un joven jura permanecer célibe durante los cuarenta días de Cuaresma, pero encuentra a la chica de sus sueños y no puede hacer nada al respecto.Después de una ruptura cruel, un joven jura permanecer célibe durante los cuarenta días de Cuaresma, pero encuentra a la chica de sus sueños y no puede hacer nada al respecto.Después de una ruptura cruel, un joven jura permanecer célibe durante los cuarenta días de Cuaresma, pero encuentra a la chica de sus sueños y no puede hacer nada al respecto.
- Premios
- 1 premio y 2 nominaciones en total
- Bagel Guy
- (as Michael Maronna)
- Girl in Chinatown
- (as Stefanie Von Pfetten)
Reseñas destacadas
I watched this film with two friends of mine, and despite the fact that we have fairly liberal views, all three of us (this includes both female and male) were rather appalled at what was shown, and found that there are some serious moral problems at hand. First and foremost, while some viewers might not realize it, Josh Hartnett's character is raped towards the end of this movie. His ex-girlfriend has sex with him, while he is tied to a bed, intoxicated, and only marginally aware of what is going on. In spite of this, the film does not seem to show the seriousness of the incident. The main character seems to be casual about what happened, albeit disappointed that his celibacy did not reach the 40 day mark; his current love interest, played by Shannyn Sossamon, chooses to be angry, instead of being supportive, and his ex-girlfriend revels in snide triumph. The rape of men by women does occur in real life; it is a horrific crime, as is any other form of rape, and this movie certainly doesn't help in making the society aware of its existence.
The film also paints an inaccurate and incomplete picture of human sexuality, since men are portrayed as sex fiends, who find it next to impossible to not be controlled by their desires, while women are depicted as manipulative whores. Shannyn Sossamon's aforementioned character is an exception, but she appears to be emotionally unstable, since she walks out whenever there is a problem, instead of making an attempt to communicate. When the main character ends up with her, this is treated as an "and they lived happily ever after" sort of ending, whereas realistically, what he probably has in store for him is another psychologically-damaging relationship.
The problem at hand is not in what happens in the film, but in the film's attitude towards what happens. I am not saying that a rape scene in a movie is always unacceptable. What I am saying, is that such a scene should be treated as a rape scene, and not as a casual sexual encounter. While I believe in artistic freedom, I also believe that film producers hold a level of responsibility for the sort of message that they carry across, and that is why I felt that something needed to be said. I would generally not recommend this movie, but to those who are planning on watching it - please be aware of what is going on.
The best thing this film has going for it, is the nice on-screen chemistry between the two leads. Both Josh Hartnett and newcomer Shannyn Sossamon do well with their characters - or at least as well as the juvenile script allows them. The funniest moments in the film were the condom scene at the beginning, dinner with the parents and the "examination" of Matt's sheets. It's also nice to see a Hollywood movie that doesn't drag on beyond the two hour point. "40 Days..." clocks in at a pleasant 94 minutes, which feels just about right.
All in all, it's a mildly enjoyable film, but nothing memorable. I'll rate it 3 out of 6 on my dice.
Things get very sticky (or, not) when women try to arouse Hartnett's interest. To complicate matters, he meets sexy Shannyn Sossamon (as Erica) at the Laundromat. Still, Hartnett perseveres. He gets Christian help, in the confessional, from priestly brother Adam Trese (as John); Mr. Trese is, secretly, struggling with the same vow. Of course, the real story is the discovery, by Hartnett, of "true love" (instead of just sex).
Other than a confusing, dream sequence climax; it's all fairly predictable. Director Michael Lehmann and team succeed in making the premise unrealistic, even for a silly movie. Sossamon and Costanzo are very likable with Hartnett. There are a few laughs. One cool scene features more topless women than "Electric Ladyland".
***** 40 Days and 40 Nights (3/1/02) Michael Lehmann ~ Josh Hartnett, Shannyn Sossamon, Paulo Costanzo, Adam Trese
I liked the idea, but the movie ended up being a disappointment.
Josh Hartnett is pretty bad in this movie. I can't think of any other movies with him, but considering that I know his name he did a few, so he might be a good actor. But this movie really doesn't show it. I wonder if he even knew it was a comedy, because he sure didn't act as if he did.
Actually besides having a more or less original idea for a romantic comedy the movie didn't go too far from it. The joke was pretty much the same all through 90 minutes. And it was also stupid. It was the kind of sentiment I would expect for a teen movie, but the characters in this one were in their 20's, the whole "omg the poor guy can't live without sex" thing is just dumb. And this is what the whole movie was about, exaggerated and annoying.
Also, while I think sex themed comedies can be very funny. Only this one was trying to be romantic, and this is what made her sexual theme fail. Some of the jokes were off, and seemed more vulgar than funny for the genre. Actually the only time I laughed was at the Bagel Boy.
The story was not well thought through. It makes no sense whatsoever to me why Erica was mad at Matt about the whole abstinence thing. It's not like he decided not to have sex ever again in his life, or that it was a personal insult to her or that he was supposed to tell everything about himself on one date only. Silly. Same as the ending. I don't want to spoil, but what happened with Nicole was in no way funny. And it was also pretty unnecessary, one could have done it better without it.
That said the two main characters are somewhat lacking in life and could have done with a bit more development. This is a largely French funded film and it does show in places. There are elements of French farce about it but with transposing the action to California it was always inevitable there'd be the standard Hollywood ending and it doesn't "disappoint" in that respect.
Hopefully this won't be the best film you'll see this year but it certainly could be worse.
¿Sabías que...?
- CuriosidadesJosh Hartnett tried to emulate his character's celibacy. He lasted for two weeks.
- PifiasThe sports page of the Chronicle that Paul Constanzo's character is holding has a headline about the Raiders beating the Seahawks, a game that would not have occurred during the Lenten season.
- Citas
Mandy: [Mandy describes to Matt the importance of women's power of abstinence] Women have been doing this since, well, forever, so we know all about the power. See, us having the power, that's part of the system, and by you taking the power, you're fucking with the system. And I think you see why we can't let that happen.
- Versiones alternativasThe TV version aired in the USA blurs out the nudity.
- Banda sonoraBig Blue Sea
Written and Performed by Bob Schneider
Courtesy of Universal Records
Under license from Universal Music Enterprises
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- 40 Days and 40 Nights
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 17.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 37.950.822 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 12.229.529 US$
- 3 mar 2002
- Recaudación en todo el mundo
- 95.146.283 US$