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Añade un argumento en tu idiomaThe very first American film shown to public audiences and the press. It depicts William K.L. Dickson taking off his hat and greeting the audience.The very first American film shown to public audiences and the press. It depicts William K.L. Dickson taking off his hat and greeting the audience.The very first American film shown to public audiences and the press. It depicts William K.L. Dickson taking off his hat and greeting the audience.
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This is of course not the first film in history and presumably the Edison Manufacturing Company did dozens of test before actually shooting this and of course also shot "Monkeyshines, No. 1", 2 and 3 prior to this but it is the first film that was shown to a wide audience and press, at The National Federation of Women's Clubs, through a motion picture exhibition device the Kinetoscope, an invention of mostly William K.L. Dickson that let a strip of several images passing front of an illuminated lens behind a spinning wheel. Therefor this 3 second short plays an important part in movie history, as being the very first to be shown to an audience.
The motions are perfect, though because of the shooting speed it all seems to occur in slow motion. There are no jerky movements and also the images is surprisingly clear. The film was shot with a Kinetograph, another William K.L. Dickson invention. He therefor is also credited as the inventor of the motion picture camera. The color white is shiny and the less dark colors of Dickson's clothing distinct itself well from the pitch black background used to film this. You can clearly see Dickson's face and also the more detailed look of his hair.
Still I feel they could had done a bit more with the movement in this film. Show the audience some more of the possibilities of moving images. Instead now basically all Dickson does, is bring his hat from his one hand to the other, as a sort of wave toward the audience and he moves his head slightly, supposedly as a small nod toward the audience but that isn't all too clear to see.
In a way this movie is a great metaphor for William K.L. Dickson and Thomas A. Edison literal greeting and welcoming us to the world of film. It perhaps provides the movie with just as much impact and significance, as it did 116 years ago.
8/10
http://bobafett1138.blogspot.com/
The motions are perfect, though because of the shooting speed it all seems to occur in slow motion. There are no jerky movements and also the images is surprisingly clear. The film was shot with a Kinetograph, another William K.L. Dickson invention. He therefor is also credited as the inventor of the motion picture camera. The color white is shiny and the less dark colors of Dickson's clothing distinct itself well from the pitch black background used to film this. You can clearly see Dickson's face and also the more detailed look of his hair.
Still I feel they could had done a bit more with the movement in this film. Show the audience some more of the possibilities of moving images. Instead now basically all Dickson does, is bring his hat from his one hand to the other, as a sort of wave toward the audience and he moves his head slightly, supposedly as a small nod toward the audience but that isn't all too clear to see.
In a way this movie is a great metaphor for William K.L. Dickson and Thomas A. Edison literal greeting and welcoming us to the world of film. It perhaps provides the movie with just as much impact and significance, as it did 116 years ago.
8/10
http://bobafett1138.blogspot.com/
W.K.L. Dickson and William Heise made this very short film. In it, Dickson stands in front of the camera. He moves his hat from one hand to another. It is famous for being the first film presented to the public, when it was shown to the National Federation of Women's Club, at the behest of Mrs. Edison.
This film was much smoother and clearer than the previous output of Heise and Dickson. Dickson's movement that we see is a shorter piece of the longer film that was displayed in 1891.
I gave the film 2 out of 10, but it has a strong value as a visual of the film pioneer W.K.L. Dickson.
This film was much smoother and clearer than the previous output of Heise and Dickson. Dickson's movement that we see is a shorter piece of the longer film that was displayed in 1891.
I gave the film 2 out of 10, but it has a strong value as a visual of the film pioneer W.K.L. Dickson.
Thomas Edison, the father of many inventions, combined the phonograph and the zoopraxiscope to create the Kinetoscope.
This incredible invention began Edison Motion Pictures and the first of its creations, "Dickson Greeting".
This 18 sec. short (which loops 3 sec of footage 6 times at 30 fps) inspired the world to the endless possibilities of film.
Although this film is very short and simple it is awesome to see the industry at its infancy and a gives you greater appreciation for where we are today.
10* (10* Rating) This film deserves a perfect score for its imagination and what it represents.
This incredible invention began Edison Motion Pictures and the first of its creations, "Dickson Greeting".
This 18 sec. short (which loops 3 sec of footage 6 times at 30 fps) inspired the world to the endless possibilities of film.
Although this film is very short and simple it is awesome to see the industry at its infancy and a gives you greater appreciation for where we are today.
10* (10* Rating) This film deserves a perfect score for its imagination and what it represents.
After the previous year of filmmaking for the Edison company, in which they had innovated the Kinetograph and used to shoot the first movies in America (that is, the first attempted ones), the famous producer Thomas Alva Edison finally proved himself successful at improving the quality of the picture in order to produce a much clearer film. Continuing to experiment in 1891, his camera tests were now much more viewable, and with much smoother movement. While I would disagree that this film "Dickson Greeting" was really the first commercially exhibited film (since when he showed it to the women's convention, it was merely a private showing and was not publicly shown) it does show how Edison continued to explore filmed movement with his camera. In the same year, he would also record more moving subjects with the camera, and even create a comical variation on "Men Boxing" (in "Monkey and Another, Boxing").
"Dickson Greeting", like all the earliest Edison movies, was filmed what I suppose is the inventor's laboratory and shows a medium closeup of the great man W. K. L. Dickson himself, Edison's right-hand man, greeting the audience with a gesture of his hat. (Why his eyes are closed, I have no idea). Because of how early it was in the filmmaking industry, I think it's also safe to say that this is the first instance in motion pictures to have an actor break the wall (although in the Monkeyshines shorts the factory worker posing could have been looking at the camera and we'd have no way of knowing). As Dickson moves his hat and greets the audience, he thus involves the audience in the action, a concept later to be explored by Cecil Hepworth and James Williamson.
Edison would later experiment with various other subjects on film: a certain James C. Duncan smoking before the camera, a Newark athlete swinging Indian clubs, etc. For now, however, he was merely trying to find good subjects that moved to test the boundaries of his camera and would have to experiment a couple more years before introducing his invention to the general public.
"Dickson Greeting", like all the earliest Edison movies, was filmed what I suppose is the inventor's laboratory and shows a medium closeup of the great man W. K. L. Dickson himself, Edison's right-hand man, greeting the audience with a gesture of his hat. (Why his eyes are closed, I have no idea). Because of how early it was in the filmmaking industry, I think it's also safe to say that this is the first instance in motion pictures to have an actor break the wall (although in the Monkeyshines shorts the factory worker posing could have been looking at the camera and we'd have no way of knowing). As Dickson moves his hat and greets the audience, he thus involves the audience in the action, a concept later to be explored by Cecil Hepworth and James Williamson.
Edison would later experiment with various other subjects on film: a certain James C. Duncan smoking before the camera, a Newark athlete swinging Indian clubs, etc. For now, however, he was merely trying to find good subjects that moved to test the boundaries of his camera and would have to experiment a couple more years before introducing his invention to the general public.
It's very fascinating to see the invention of the moving picture in the 1890's, and the short reel shows it off. However, there's certainly more interesting short reels of its time, such as Newark Athlete and the Blacksmith Scene which is certainly more interesting.
¿Sabías que...?
- CuriosidadesAlthough this is often incorrectly credited as the first film made in the USA, it was, in fact the second. Dickson's Monkeyshines No. 1, seems to actually be the first American film, though it was not shown to the public upon completion. This was, however, the very first American (and Edison) film shown to public audiences and the press.
- ConexionesFeatured in Edison: The Invention of the Movies (2005)
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- Вітання Діксона
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- Duración1 minuto
- Color
- Mezcla de sonido
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By what name was Dickson Greeting (1891) officially released in Canada in English?
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