Las cuatro plumas

This sixth rendition about known story by A.E.W. Mason concerns on a British young officer named Harry Faversham (Heath Ledger) . Resigning from Army , he's rejected by his father (Tim Pigott-Smith), branded as a coward and sent four white feathers by his friends (Wes Bentley, Michael Sheen) and his engaged fiancée (Kate Hudson) . Determined to save his honor he heads to Sudan against Derviches . There arrives the expedition of help commanded by General Wolsey and Kitchener for stifle the rebellious Sudan's tribes ruled by 'the Madhdi', the ¨expected one¨ (events narrated in ¨Khartoum¨ film -1966- with Charlton Heston and Laurence Olivier , directed by Basil Dearden). The Madhi along with Arab tribes had besieged Khartoum (1884) and vanquished General Gordon . Faversham disguised himself as a native will save his friends from certain death and he will retrieve the lost honors . He's only helped by a valiant African-Muslim native (Dijimon Honsou) . Then , there took place the major fight scene , the Battle of Abu Klea , on January 17, 1885 when British Desert Column of approximately 1,100 troops fought a Mahdist force of over 12,000 dervishes .

This spectacular adventure detailing the epic feats of a brave hero contains noisy action , idealism , romance , unlimited courage , breathtaking battles and impressive outdoors . Heath Ledger as a stubborn officer is cool , Wes Bentley as his best friend is convincingly played and Kate Hudson as his girlfriend is enjoyable . Special mention to Dijimon Honsou as the corpulent helper . Sensational battle scenes made by hundreds of extras and by means of computer generator . Evocative cinematography reflecting the late 1800's and spectacular African landscapes by cameraman Robert Richardson . Appropriate and atmospheric musical score by James Horner . The motion picture was professionally directed by Shekhar Kapur . He's a costumer/epic expert , as he proved in ¨Bandit queen ¨and ¨Elizabeth I¨ and its sequel . Other adaptations about this famous story are the followings : The classic rendition by Zoltan Korda (1939) with John Clemens , Ralph Richardson and Jane Duprez ; 'Storm over the sand' (1955) by Terence Young with Anthony Steel , James Robertson Justice , Mary Ure and Laurence Harvey ; and for TV (1978) By Don Sharp with Beau Bridges , Jane Seymour and Robert Powell.

The Four Feathers was a film that didn't receive much public interest or anticipation when released in 2002. I didn't even hear of the film until it was being advertised on STARZ as a new release on the network. I decided to flick it on not expecting much but was pleasantly surprised by the film.

Harry Faversham (Heath Ledger) is the son of a British war hero. Along with his friends, he is among the top officers being shipped to the Sudan where rebellion has broken out. Harry, unlike his friends, doesn't want to be a soldier and resigns his post. After receiving four white feathers from his friends and fiancée he decides to head to the Sudan to help his doomed friends.

The acting is top notch with Wes Bentley, Heath Ledger, and Djimon Hounsou in leading roles. The setting of the deserts of the Sudan is brilliant used in the film. The battle scenes aren't overdone and are emotionally charged. The film surprised me, with having such a great story, great acting, and great filming, I was disappointed to see it didn't get better from the critics and public.

Take my word for it, The Four Feathers is a worth see adventure/drama.

The Four Feathers. Starring: Heath Ledger, Wes Bentley, Djimon Hounsou, and Kate Hudson.

3 1/2 out of 5 Stars.

It should have said something that the three of us were the ONLY ones in the theater. I loved the 1939 movie, and the previews looked awesome. The book was a good read. I also love British military history.

This movie had such potential. The cinematography was excellent. I particularly liked the arial shot of the attack on the square. The acting was very good. But the script left several key points out, and added in things that were not needed, taking away from the impact of this story. Did we really need to see all the gore? Did we really need the implied sex scene with the prostitute? Neither added to the story line, but took away from the experience.

As we left the movie, my wife and son both asked questions that indicated to me that the movie was very lacking. The biggest question: We never saw two feathers get returned. Another: What happened to Vicar? What happened to his feather?

Overall: 1 1/2 stars. I won't even watch it when it comes on cable.

"Four Feathers" reminded me of "Dances With Wolves," a beautiful try at PC reinterpretation of a soldier's role in an imperialistic war.

While I haven't read the original novel or have seen any of the previous five filmed versions of the story and my knowledge of the history of this period is pretty much formed by movies and "Masterpiece Theatre," this is the first one done by someone born in a former British colony, director Shekhar Kapur, so I was curious to see how the natives were treated (well, more like the Pawnee than the Lakota in "Wolves").

This version also carries today's symbolic weight of Western soldiers against Muslim warriors, especially as the enemy is identified as the Mahdi -- who Osama Bin Lama proclaimed as the last glory of Islam that he aspired to replicate.

This new interpretation has Heath Ledger refusing to fight in the Sudan not because of the cowardice symbolized by the titular feathers but more in the spirit of Country Joe McDonald's view of the Viet Nam War.

I got lost a few times in the geography and rescue choreography and found Djimon Hounsou a noble African with no motivation or reason for being there whatsoever.

However, the cinematography is gorgeous and will all be lost in video. Particularly thrilling are the battle scenes, which rate up there with "Barry Lyndon." I was especially impressed that Kapur didn't keep repeating the same sight lines, as most show-off directors do about shots that must have taken hours to set up.

While crossing and re-crossing the sands didn't make a lot of sense with little explanation as to survival, the treks and fights there were lovely.

And heck, I'm a fan of the three leads, Ledger (who looks great even in a fright wig), Wes Bentley and Kate Hudson (who mostly gets to dress up and look pretty), so I just sat back and enjoyed an old-fashioned big-screen Hollywood adventure (despite the endless chatter from the row of old ladies behind me).

(originally written 9/21/2002)

Lacking in tension, credibility, and pace, THE FOUR FEATHERS is a sore disappointment from director Shekhar Kapur, who is capable of much better than this.

The King's Own Cumbrian Regiment is off to the Sudan to defeat the Mahdist rebels who have attacked and massacred a British garrison. But the Cumbrians are going without their erstwhile lieutenant, Harry Feversham, who has resigned his commission to avoid combat in the Sudan. His three closest friends in the regiment, understandably outraged at Harry for leaving them in the lurch, each mail him a white feather, a traditional accusation of cowardice. His fiancee gives him a fourth feather. In despair, Harry sets off to the Sudan, hoping to rejoin his friends and prove to them that he is no coward.

The first half of the movie is unbearably slow, and exasperating too. The characters don't behave like Victorians, but like high school students from the 20th century who are ignorant of the values of the society around them. Harry's fiancee openly flirts with him unchaperoned and kisses him in public. Harry, like a refugee from our own non-judgmental era, seems amazed that his cowardice is met by rebukes from everyone around him. And his initial act *is* cowardly, no matter how hard the movie may pretend that it isn't. Harry doesn't refuse to fight because he thinks the war is wrong, or because he has conflicting obligations to meet; he admits that he would not fight for anything at all. One could hardly offer a better one-sentence definition of a coward.

The fact that Harry's initial actions really are cowardly is important: it means that his adventure to the Sudan is not an effort at vindication, but at atonement. And while he does prove that he can behave bravely, he is far more successful at proving that he is a hopeless bungler. For most of the latter half of the movie, Harry just follows his friend Abou around, and everything Harry attempts by himself comes to grief from which he is rescued by Abou, usually while Harry puts Abou's own life in serious danger. This does not satisfy the viewers' thirst to see Harry atone for his earlier cowardice. Just showing that he can be brave is not enough; he can atone only by undoing the harm he caused by his earlier decision to let his friends face danger without him, and because of his incompetence it is not he who does that, but Abou. It doesn't take long to start thinking, "Who cares about Harry? I want to watch Abou! He's the only guy in this movie who has the foggiest idea what he's about!"

The word on the street was that THE FOUR FEATHERS might be undone by politically correct posturing. That is not true. THE FOUR FEATHERS doesn't have a political bone in its body. Nobody bothers to explain what the Mahdi is fighting about, or even to mention that the Sudan of the movie's era is an Egyptian colony, not a British one. Nothing in the movie suggests what difference it makes to either the British or the Sudanese whether the Mahdists win or not. To those who don't already have an opinion, it's anybody's guess who has the right of this quarrel. At the end, the movie becomes expressly apolitical. As Harry's heroic friend Jack declares, the British Tommies don't fight for a flag or an idea. "We fight for the man on our left." Actually, the movie might have benefited from more political content. For one thing, it could have clarified why Abou, one of an unidentifed "tribe of slaves," is willing to help the British, who extinguished the slave trade throughout their empire in the 19th century.

As for the production values, Shekhar Kapur should be reported to the Society for Prevention of Cruelty to Cameras for his constant torture of the focus control. He doesn't appear to understand that making everything blurry will not make him a better artist. Heath Ledger's role as Harry chiefly calls for him to cry a lot, which he does creditably. Djimon Hounsou is almost unrecognizable in his part as Abou, with a beard, a weird hairstyle, and a light coating of dust, but he has never been more charismatic; there's no doubt why the feckless Harry clings to this rock of self-confidence. Wes Bentley as one of Harry's former friends cuts a dashing figure and later does a convincing impression of disability. Kate Hudson struggles in a ludicrous role.

This movie fails on many levels, but it could have overcome any of those failures except one: the weak hero. It's not enough to make the protagonist suffer constantly to make us sympathize with him. He has to be worthy of something more than suffering in the first place.

Rating: *1/2 out of ****

Recommendation: Even action fans should skip this one.