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7,4/10
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TU PUNTUACIÓN
Una mirada a las vidas, amores y pérdidas de cuatro mujeres diferentes, Toni, Maya, Lynn y Joan.Una mirada a las vidas, amores y pérdidas de cuatro mujeres diferentes, Toni, Maya, Lynn y Joan.Una mirada a las vidas, amores y pérdidas de cuatro mujeres diferentes, Toni, Maya, Lynn y Joan.
- Nominado para 1 premio Primetime Emmy
- 8 premios y 38 nominaciones en total
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Lynn, Joan, Tony and Mya and sometimes William. All i can say is that the chemistry is great the acting is great and the show is also great. It is as if each episode is funnier than the previous. The producers are really doing a good job. In fact if i compare it to the parkers and soul food which i believe were also great..i think this out shines them By far. I just hope the ending ..if there is to be an end ..will not be rushed and messed up ...just like that of soulfood and parkers.
Man this is a comedy for any race.....do not miss out on it....as a Ghanian living in Africa....i don't have any issues with any of the Topics being discussed in this comedy so therefore i am in the best position to judge this programme...and like the majority of the reviewers wrote..this is definitely a "must see" show. I also hope it Comes out on DVD soon, so that i can have my very own copy. I think it is one of the best comedies ever...and it has good plots and the Characters are well defined.
Dalai..Ghana - West Africa
Man this is a comedy for any race.....do not miss out on it....as a Ghanian living in Africa....i don't have any issues with any of the Topics being discussed in this comedy so therefore i am in the best position to judge this programme...and like the majority of the reviewers wrote..this is definitely a "must see" show. I also hope it Comes out on DVD soon, so that i can have my very own copy. I think it is one of the best comedies ever...and it has good plots and the Characters are well defined.
Dalai..Ghana - West Africa
The sitcom is a dying art. There's hardly any narrative TV left in general, and there are way fewer quality comedies than dramas. Girlfriends deserves way more attention, and though it is good for their ratings to be herded in with the rest of the "urban" comedies on UPN, I think it's heads and shoulders above any of the other shows. In fact, and no offense to fans of other UPN fare, I think this show is surrounded on all sides by just plain awful programs - the writing on the other shows is a notch above Saved by the Bell. (maybe that's a *little* too harsh).
The dialogue and the acting on Girlfriends is sophisticated and natural at the same time. The five leads have great chemistry and timing. I think it's taken a few seasons (and the smart decision to get rid of Joan's lame voice-over fantasy bites) for the comedy to become less broad and for the characters to develop past "types", but that's always the case when you have to set up a sitcom world. Every sitcom I can think of starts out with stereotypes and builds character depth as the seasons goes on.
Even in my position as a white chick (maybe a little more attuned to African American culture than the average), I think I can say that most shows about middle-class black people are terrified of seeming "too black", they've got Cosbyitus. Girlfriends seems to be more on the inside-track.
Maybe the show isn't representative of every woman in the black community, or the black everywoman, but who says it has to? Sex in the City sure as hell wasn't representative of 30something white women in New York. We want a little escapism, and Girlfriends offers all the pretty people and the pretty houses and the pretty clothing (the BEST-DRESSED show on TV by far! Who is their stylist??), *and* the polished writing and performances.
Oh, yeah, and it's ***hella funny***.
The dialogue and the acting on Girlfriends is sophisticated and natural at the same time. The five leads have great chemistry and timing. I think it's taken a few seasons (and the smart decision to get rid of Joan's lame voice-over fantasy bites) for the comedy to become less broad and for the characters to develop past "types", but that's always the case when you have to set up a sitcom world. Every sitcom I can think of starts out with stereotypes and builds character depth as the seasons goes on.
Even in my position as a white chick (maybe a little more attuned to African American culture than the average), I think I can say that most shows about middle-class black people are terrified of seeming "too black", they've got Cosbyitus. Girlfriends seems to be more on the inside-track.
Maybe the show isn't representative of every woman in the black community, or the black everywoman, but who says it has to? Sex in the City sure as hell wasn't representative of 30something white women in New York. We want a little escapism, and Girlfriends offers all the pretty people and the pretty houses and the pretty clothing (the BEST-DRESSED show on TV by far! Who is their stylist??), *and* the polished writing and performances.
Oh, yeah, and it's ***hella funny***.
This show started out good, and has gotten better and more assured throughout its run. Comparisons to "Sex and the City" and "Living Single" are fair, but only tell half of the story. As the show has developed, it has made such comparisons necessarily reductive: "Girlfriends" combines the best of both of those predecessors and throws in other elements to make a series which is both thought-provoking and one of the most raucously funny projects on TV today. Its location in UPN's Monday night "ghetto" is both a blessing and a curse: it gives "Girlfriends" a firm foundation within the target African-American audience, but it limits the show's ability to reach out to other audiences. I wish more people would seek it out; I'm pretty sure they'd love it as much as I do. During the third season, scripts have continued to tackle serious subjects with greater and greater success, while keeping the laugh count as high as ever (much higher than 90% of comedies on the air). The performances remain strong as the characters are taken through much more than usual sitcom paces. This show actually has the nerve to tell real stories, rather than growing stale out of fear of change. The producers have managed to keep the viewers laughing while becoming the leading fictional forum for racial issues and simultaneously earning its feminist bona fides (including an A+ rating from NOW).
okay. first of all let me tell you that i'm a 19-year old white female. i'm not usually into the so-called "made for african-american" tv shows and movies, with the exception of a couple...but i love this show!! up here in canada, we got a delay on the show (by a year or so), so i'm just seeing this for the first time. i didnt even know it was that old, and was disappointed that i missed so much. but i am impressed. i love the story lines, the actors, the reality with regards to the situations they get themselves into, and the way they deal with them. i have to say my fave is persia white as "lynn". she's great!!! her attitude rocks. i was a little upset to see that a lot of people didnt or dont enjoy the show, but its definitely not for everyone...all i wanted to say is that i think its great to watch if youre female, sick of having no men in your life, and you can make a night of watching it with your own "girlfriends"!!!
¿Sabías que...?
- CuriosidadesAn unaired pilot episode was filmed with two different actresses portraying main characters. Leslie Silva and Christina Cox played Toni Childs and Lynn Searcy, respectively. Clips from the original pilot could be seen during commercials advertising the 2000-2001 lineup of shows to air on UPN Monday nights. By the time the show premiered, however, Jill Marie Jones had replaced Leslie Silva as Toni, Persia White had replaced Christina Cox as Lynn, and the original pilot never aired.
- Citas
Maya Wilkes: [Talking to Toni] Kiss is a noun and a verb, so you can either give my ass a kiss or kiss my ass!
- ConexionesFeatured in BET Comedy Awards (2004)
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