Los demonios en mi puerta

Although the movie has been released in the year 2000 and shot little before that, it does have the feeling of "older" movies. What do I mean by that? Pacing wise it takes the route classic war movies have taken before it and doesn't opt for the MTV Generation cuts/pace (I watched the nearly 3 hour version).

I called this a war movie, but don't get excited about fight scenes, it's more a drama! Saying more than that, might spoil something so I leave it at that! Just be aware of that fact, before you watch the movie! It's very well acted and you're unaware of where this will go! Which I think is great! Although it changes kind of "direction" near the end, it fits the movie (imo).

This is the second time I see this film. As a Chinese, I feel a strong urge as well as an obligation to write some comment about it. I can safely conclude that the film vividly showed what the real situation was during the Japanese occupation in China back in WW2.

It is totally different from those main-stream anti-Japanese war films we can see throughout our early life, which still can be seen being replayed in CCTV (China Central Television) over and again again. In those films, almost all Chinese, young or old, men or women, were all warriors fighting against the Japanese invaders. We all know that it wasn't true. From this film, we can see how ignorant and stupid those Chinese peasants were. It gives us a chance to review what was really going on during that time. It is a history we cannot deny. As a matter of fact, this film was banned in mainland China by some kind of a "censorship" mainly because it revealed so much truth.

The director of the film, Jiangwen, is my only favorite director from China. You can say he is ambitious, a genius or whatever. But i say that he is a director with a sense of responsibility to our nation, to our people, to those heroes and civilians died in the war. He is not afraid to dig up the less-bright side of the history and present it to us, to those younger generation who never go through the war. It reminds us never to forget history.

As others have already stated, this is a marvelous work by Wen Jiang. The setting was beautiful and the cinematography was outstanding. Western audiences may be unfamiliar with the Sino-Japanese conflict but elements of the story transcend that. I will re-watch it carefully but, on first viewing I could not figure out who "me", the kidnapper, was. There is a possible clue however. "me" points a Mauser pistol at Ma Dasan in the opening scene. Mausers were "en vogue" with many Chinese warlords of that era. Was this a coincidence or a subtle hint? Was "me" therefore Chinese? Why would a fellow Chinese person saddle Ma Dasan and his village with such a disastrous assignment?

This is truly a masterpiece. I didn't plan to write a comment, but there are only 15 comments. Then I found out that it was banned by the Chinese State Administration of Radio, Film, and Television due to its political incorrectness. So I am compelled to write a comment. This film was never released in mainland China. Is that government that afraid? Why do the Chinese filmmakers have no freedom? Those great Chinese directors, actors can not live on forever. When will the Chinese filmmakers have the freedom to make films that they want, so those films can be forever treasured by the generations forever.

This film reminded me of the other film called "Life is beautiful." They are both funny and about world war II. So few people in the West knew about the Japanese invasion of China during world war II, and millions of Chinese were brutally killed. Who could have thought that this kind of war movie can be super funny and meaningful? If they can give Oscar to "Life is beautiful" and "Schindler's List", they should also give Oscar's Best Foreign Film of the year or maybe Best film of the year to this film. This is just a rare epic coming from China. I have seen quite a few so-called best foreign film of the year given by the Academy, they were not great at all.

Most of the Chinese and Japanese actors were pretty good. However, David Wu as Major Gao did not perform well. When he first appeared, he actually was speaking Cantonese instead of the standard Mandarin Chinese. Then when he was delivering his speech, he also said a few words in Cantonese. Overall, he doesn't look like a Chinese nationalist army major at all.

Comparing to "Life is Beautiful", this film lacks of the beautiful music. I can laugh and cry when I watch "Life is beautiful." I can only laugh and feel sad when I watch this one.

There is no question that the Japanese occupation of mainland China during WWII was marked by unimaginable cruelty and actions so barbaric that any sane human being would shudder at the description of them. This is all obvious to anyone who has had an unbiased, detailed education of that dreadful time period. On the surface, Jiang Wen's film touches on these acts to illuminate what it must have been like for the Chinese to cope with the Japanese "devils". But a thorough viewing of the film reveals so many more questions not just about the Chinese and Japanese but about the universal relationship between war and humans. Wen directs this film in a peculiar way. He uses comedy that forces us to laugh at things that we shouldn't. You find yourself smirking or smiling in moments until you catch yourself and remember that the whole scene in which you were laughing at was where character's lives were at stake. Most people will read this and not see what is so masterful about this approach. What makes Wen's quirkiness work is that it illuminates the naivety of human beings while at the same time brings these characters to life, which in the end leaves us trembling with emotion. It is a film that transcends common conceptions about war. A masterpiece.