PUNTUACIÓN EN IMDb
5,3/10
63 mil
TU PUNTUACIÓN
El vampiro Lestat se convierte en estrella del rock cuya música despierta a la Reina de los Vampiros, tan bella como monstruosa.El vampiro Lestat se convierte en estrella del rock cuya música despierta a la Reina de los Vampiros, tan bella como monstruosa.El vampiro Lestat se convierte en estrella del rock cuya música despierta a la Reina de los Vampiros, tan bella como monstruosa.
- Dirección
- Guión
- Reparto principal
- Premios
- 7 nominaciones en total
Megan Cooper
- Maudy
- (as Megan Dorman)
MiG Ayesa
- New York Vampire
- (as Miguel Ayesa)
Reseñas destacadas
I honestly did like "Queen of the Damned", despite it going on more of a MTV twist and not being faithful to the novels, come on. It was just a good movie for horror fans. I felt that it had good ideas and worked pretty well. With some new coming actors and a sexy performance of Aaliyah, the film really couldn't go wrong.
We have a new Lestat, Stewart Townsend, who is just now starting to be more noticed from his last film with Kate Hudsen "About Adam". A lot of people were disappointed that Tom Cruise did not reprise his role, but to be honest as much as Tom did a great job, he couldn't have fit this time into the Rock -N- Roll Lestat. Stewart captured that sexiness and that sleek look of cockiness that was just perfect. All though yes, I didn't really like the romantic side the director took on him, he's still one of our favorite vampires.
Aaliyah, no, she didn't have the look of Akasha, Queen of all that is damned. But she did a good job and was so incredibly beautiful. Her tragic death had just happened before they released "Queen of the Damend" into theaters, RIP! This movie captured her beauty and talent very well. She was so sleek and just sexy during her dancing scene in the pub with the other vamps before her massacre.
There was one very bothersome actress, the one who played Jesse. She did so badly! Her lines, were, she just... gah! She was horrible, you'll have to trust me on that. Otherwise, I think you'll enjoy it, please! Don't compare the book, I like to say to people that if you want the book, read the book. This is a movie and it's not always going to be faithful, it just wanted a hipper look for a younger audience. Yes, of course the books are better, but if you're just looking for a fun horror flick, I'd recommend.
8/10
We have a new Lestat, Stewart Townsend, who is just now starting to be more noticed from his last film with Kate Hudsen "About Adam". A lot of people were disappointed that Tom Cruise did not reprise his role, but to be honest as much as Tom did a great job, he couldn't have fit this time into the Rock -N- Roll Lestat. Stewart captured that sexiness and that sleek look of cockiness that was just perfect. All though yes, I didn't really like the romantic side the director took on him, he's still one of our favorite vampires.
Aaliyah, no, she didn't have the look of Akasha, Queen of all that is damned. But she did a good job and was so incredibly beautiful. Her tragic death had just happened before they released "Queen of the Damend" into theaters, RIP! This movie captured her beauty and talent very well. She was so sleek and just sexy during her dancing scene in the pub with the other vamps before her massacre.
There was one very bothersome actress, the one who played Jesse. She did so badly! Her lines, were, she just... gah! She was horrible, you'll have to trust me on that. Otherwise, I think you'll enjoy it, please! Don't compare the book, I like to say to people that if you want the book, read the book. This is a movie and it's not always going to be faithful, it just wanted a hipper look for a younger audience. Yes, of course the books are better, but if you're just looking for a fun horror flick, I'd recommend.
8/10
Ok, so this is not a brilliant movie. Its not even a very good movie. But it is a bit of a guilty pleasure. Kind of half vampire movie, half rock video.
The reason I like Queen of the Damned? Stuart Townsend as Lestat - he is utterly beautiful in this film. Sexy, seductive, with model-looks. The man looks the part and he plays the part very well too. You can understand why characters are seduced by him. He totally oozes that kind of sexy rockstar charm.
I know the movie is literally nothing like the novel, and it garnered a LOT of criticism for that, as well as it generally not being a particularly great movie even if you treat it as stand-alone.
I tend to put this movie on when I fancy watching something a little silly that doesn't require an awful lot of thinking about. Its kind of early 2000s trash at its finest.
The reason I like Queen of the Damned? Stuart Townsend as Lestat - he is utterly beautiful in this film. Sexy, seductive, with model-looks. The man looks the part and he plays the part very well too. You can understand why characters are seduced by him. He totally oozes that kind of sexy rockstar charm.
I know the movie is literally nothing like the novel, and it garnered a LOT of criticism for that, as well as it generally not being a particularly great movie even if you treat it as stand-alone.
I tend to put this movie on when I fancy watching something a little silly that doesn't require an awful lot of thinking about. Its kind of early 2000s trash at its finest.
If vampire tales are your cup of blood, then this Goth-fest based on the Anne Rice Vampire Chronicles should prove to be a satisfying experience. A veritable consortium of the undead in a contemporary setting, `Queen of the Damned,' directed by Michael Rymer, is a story of shadows and darkness, and of the unfortunate souls who dwell therein for eternity.
The vampire Lestat (Stuart Townsend), bored with a world that no longer excites him, has been `asleep' for many years; but suddenly, the sounds of that world he hears from his extended slumber change, and liking what he hears, he ventures forth to investigate. What he finds is a world filled with new sounds, a new kind of music-- driving and penetrating-- sounds that assault the senses and make him feel alive and welcome. And he knows that at long last his time has come, that it is time for him and those like him to come out into the open and face the world on their terms. Toward that end he becomes the front man for a band-- a singer and performer unlike any the world has ever known. He presents himself as a vampire, and very quickly amasses a following that extends far beyond London (where it all begins), and will ultimately take him to Death Valley, California, where he plans to give a concert that promises to be beyond anything anyone has ever seen or experienced.
Lestat is powerful, without question, but there are those of his kind who do not take favorably to the fact that he has revealed them, one of whom is Marius (Vincent Perez), a vampire powerful in his own right-- the vampire, in fact, who `made' Lestat so many years before-- and they are gathering, coming together and making their plans to meet Lestat at the concert. And they are not going for the music. But there is something else, as well: At one point Lestat has inadvertently awakened the `Mother' of them all, the most powerful of all the vampires, Akasha (Aaliyah), who is about to make her presence known to all, and especially to the one she has chosen to rule by her side as her King: Lestat. And at the concert, rest assured, Akasha will be in attendance, without fail.
Make no mistake, this is Lestat's story, and Rymer presents it amid a setting rich with atmosphere and with some exquisite moments, though his film has less bite to it than say, `Interview With the Vampire,' or `Bram Stoker's Dracula.' He sets a good pace, and there are some scenes that provide some real thrills, but overall the film isn't as soaked in menace as it could be, or as much as one might expect. In the final tally, in fact, the amount of flesh that is incinerated wins out over actual blood-letting, though there is more than a taste of gore, and more than a fair share of lips and mouths dripping with the red stuff. There's some good F/X on hand, too, especially in the sequences that accentuate the speed of the vampires, as they move and hurtle through the air faster than the naked eye can discern. It's a decent job by Rymer, but he could have put more teeth into it had he played up the alienation hinted at by Lestat; as it is, you get a sense of his detachment, but not enough to get you totally involved.
In `Interview With the Vampire,' Tom Cruise brought some charismatic star power to the role of Lestat, but Townsend is even more effective, with a look and an attitude that captures Lestat perfectly. He plays him with a sense of acceptance, and under closer scrutiny you may even find a hint of remorse and longing. It's a good performance, and one that sells his character convincingly.
As Marius, Vincent Perez does a nice job, too-- he is, in fact, one of the strengths of the film-- though his character is a bit ambiguous; that, however, has more to do with the way he was written than with Perez's performance, which is quite good.
Turning in noteworthy performances, as well, are Marguerite Moreau, as Jesse, a young woman too curious for her own good; and the gorgeous Lena Olin as Maharet, Jesse's Aunt, who ultimately plays a pivotal role in the outcome of the drama involving Lestat and Akasha.
And as Akasha, Aaliyah is an absolutely riveting presence. What more can one say about her other than she is a gifted performer, with tremendous talent and beauty. And, tragically, she has left us much too soon.
The supporting cast includes Paul McGann (David), Christian Manon (Mael), Claudia Black (Pandora), Bruce Spence (Khayman), Matthew Newton (Armand), Tiriel Mora (Roger) and Megan Dorman (Maudy). With a much stronger story than the usual offerings of this particular genre, Anne Rice fans, especially, will be pleased with `Queen of the Damned,' a film nicely crafted and delivered by director Rymer and his engaging cast. By focusing attention on the drama of the story-- and the way it's presented-- rather than concentrating on merely providing some cheap thrills, Rymer has succeeded in turning out a true horror film that is definitely a cut above, and one that just may whet your appetite for more of the same. And that's the magic of the movies. I rate this one 7/10.
The vampire Lestat (Stuart Townsend), bored with a world that no longer excites him, has been `asleep' for many years; but suddenly, the sounds of that world he hears from his extended slumber change, and liking what he hears, he ventures forth to investigate. What he finds is a world filled with new sounds, a new kind of music-- driving and penetrating-- sounds that assault the senses and make him feel alive and welcome. And he knows that at long last his time has come, that it is time for him and those like him to come out into the open and face the world on their terms. Toward that end he becomes the front man for a band-- a singer and performer unlike any the world has ever known. He presents himself as a vampire, and very quickly amasses a following that extends far beyond London (where it all begins), and will ultimately take him to Death Valley, California, where he plans to give a concert that promises to be beyond anything anyone has ever seen or experienced.
Lestat is powerful, without question, but there are those of his kind who do not take favorably to the fact that he has revealed them, one of whom is Marius (Vincent Perez), a vampire powerful in his own right-- the vampire, in fact, who `made' Lestat so many years before-- and they are gathering, coming together and making their plans to meet Lestat at the concert. And they are not going for the music. But there is something else, as well: At one point Lestat has inadvertently awakened the `Mother' of them all, the most powerful of all the vampires, Akasha (Aaliyah), who is about to make her presence known to all, and especially to the one she has chosen to rule by her side as her King: Lestat. And at the concert, rest assured, Akasha will be in attendance, without fail.
Make no mistake, this is Lestat's story, and Rymer presents it amid a setting rich with atmosphere and with some exquisite moments, though his film has less bite to it than say, `Interview With the Vampire,' or `Bram Stoker's Dracula.' He sets a good pace, and there are some scenes that provide some real thrills, but overall the film isn't as soaked in menace as it could be, or as much as one might expect. In the final tally, in fact, the amount of flesh that is incinerated wins out over actual blood-letting, though there is more than a taste of gore, and more than a fair share of lips and mouths dripping with the red stuff. There's some good F/X on hand, too, especially in the sequences that accentuate the speed of the vampires, as they move and hurtle through the air faster than the naked eye can discern. It's a decent job by Rymer, but he could have put more teeth into it had he played up the alienation hinted at by Lestat; as it is, you get a sense of his detachment, but not enough to get you totally involved.
In `Interview With the Vampire,' Tom Cruise brought some charismatic star power to the role of Lestat, but Townsend is even more effective, with a look and an attitude that captures Lestat perfectly. He plays him with a sense of acceptance, and under closer scrutiny you may even find a hint of remorse and longing. It's a good performance, and one that sells his character convincingly.
As Marius, Vincent Perez does a nice job, too-- he is, in fact, one of the strengths of the film-- though his character is a bit ambiguous; that, however, has more to do with the way he was written than with Perez's performance, which is quite good.
Turning in noteworthy performances, as well, are Marguerite Moreau, as Jesse, a young woman too curious for her own good; and the gorgeous Lena Olin as Maharet, Jesse's Aunt, who ultimately plays a pivotal role in the outcome of the drama involving Lestat and Akasha.
And as Akasha, Aaliyah is an absolutely riveting presence. What more can one say about her other than she is a gifted performer, with tremendous talent and beauty. And, tragically, she has left us much too soon.
The supporting cast includes Paul McGann (David), Christian Manon (Mael), Claudia Black (Pandora), Bruce Spence (Khayman), Matthew Newton (Armand), Tiriel Mora (Roger) and Megan Dorman (Maudy). With a much stronger story than the usual offerings of this particular genre, Anne Rice fans, especially, will be pleased with `Queen of the Damned,' a film nicely crafted and delivered by director Rymer and his engaging cast. By focusing attention on the drama of the story-- and the way it's presented-- rather than concentrating on merely providing some cheap thrills, Rymer has succeeded in turning out a true horror film that is definitely a cut above, and one that just may whet your appetite for more of the same. And that's the magic of the movies. I rate this one 7/10.
I had 3 hours to kill so I went to the nearest movie theatre and saw this movie. i was blown away by the beautiful (music video-like) artistry. I really hate scary movies, but this was focused more on the actual characters, rather then effects. the story played out like poetry, taking emotions of love, hate, and hope, and peace, to a whole new level, with characters that pull you in to their world.
This might have been a good movie it they hadn't of associated it with the book. Any reader of the Vampire Chronicles knows what I mean. They changed so much of the story that they will be unable to make any of the other books into movies without changing them completely also or remaking this one.
They totally trivalized the debate between Akasha and her 'children'.
Marius (who did not make Lestat btw) in the chronicles is the great reasoner of the Vampires. In the book he had a long argument for Akasha. In the movie all he says to her is "Akasha, please". He was never jealous of Lestat drinking from Akasha (he himself had many many times) and didn't try to hide Enkil and Akasha from Lestat. They turned the Vampires from sad and beautiful creatures of the night who only kill the evil-doer into blood hungry wanna-bes who eat whatever mortal wanders by. Maharet's twin, Mekare, isn't even in the story. Mekare crawling out of the jungles after thousands of years, insane and single minded, to fufill the curse she spoke to Akasha in her court in ancient times was a major plot point. Anyway, my point is that a very well thought-out and seductive story was turned into a joke of a movie. Honestly, don't bother seeing the movie, read the book.
They totally trivalized the debate between Akasha and her 'children'.
Marius (who did not make Lestat btw) in the chronicles is the great reasoner of the Vampires. In the book he had a long argument for Akasha. In the movie all he says to her is "Akasha, please". He was never jealous of Lestat drinking from Akasha (he himself had many many times) and didn't try to hide Enkil and Akasha from Lestat. They turned the Vampires from sad and beautiful creatures of the night who only kill the evil-doer into blood hungry wanna-bes who eat whatever mortal wanders by. Maharet's twin, Mekare, isn't even in the story. Mekare crawling out of the jungles after thousands of years, insane and single minded, to fufill the curse she spoke to Akasha in her court in ancient times was a major plot point. Anyway, my point is that a very well thought-out and seductive story was turned into a joke of a movie. Honestly, don't bother seeing the movie, read the book.
¿Sabías que...?
- CuriosidadesAaliyah died in a plane crash shortly after principal photography was completed but had not yet actually performed any ADR redubbing for her character. Michael Rymer called in Aaliyah's brother, Rashad Haughton, to help with overdubbing her voice following her death due to their similar voices, special vocal technology was also used to make his voice sound more feminine.
- Pifias(at around 16 mins) The passage that Jesse cites, which tipped her off about Lestat being a real vampire, is not actually part of the song used in the film.
- Versiones alternativasDVD release includes full unedited versions of Lestat's music videos for "Redeemer," "Forsaken" and "System", and Lestat's full concert performances for "Not Meant For Me" and "Slept So Long". DVD also features deleted scenes:
- "Original Opening Sequence with Timelapse" - The idea of this opening scene was to show the passing of the decades to which Lestat slept. However, the production team was not pleased with the prelimenary visuals created for the scene, and ultimately, decided to skip the scene altogether.
- "Original Jesse Dream Sequence and Meeting Roommate on the Street" - Jesse's encounter with a vampire in her dream was cut due to the fact that it raised too many questions as to wether Jesse herself was a vampire. The roommate scene, featuring Pia Miranda, came right after she watched Lestat on MTV, and before the first visit to the Admiral's Arms. It was deemed expendable.
- "Marius talks with Lestat on the Beach" - The scene was trimmed to improve pacing. In it Marius tells Lestat that what keeps him going is seeing what human beings are going to do next.
- "Jesse goes to Admiral's Arms #1" - The filmmakers shot a scene where Jesse visits the Admiral's Arms prior to her Talamasca presentation, but cut for pacing purposes. In it we just see Jesse getting off the subway and then walking down a dark alley towards the Admiral's Arms. Footage of vampires entering the Admiral's Arms is used later in the film when Jesse returns for a second visit.
- "Band Plays in Admiral's Arms" - The instrumentalists are a who's who of Australian alternative rock. Aimee Nash is a rising young actress and singer. Robin Casinader composed the music. Although the filmmakers loved every second of the footage, they knew they couldn't show much of it in the movie, again because of pacing and timing.
- "Groupies with 'Garlic' End" - This scene was cut because the garlic joke was thought to be tonally off. In it, after Lestat's manager, Roger, brings him two groupies Lestat discovers garlic in Roger's coat pocket.
- "Jesse on Plane, Lestat in L.A. Mansion, Jesse Dreams of Akasha, Band Watching Videos" - The filmmaker's dropped the scene of Jesse's flight to Los Angeles because they weren't satisfied with the shock dream, featuring Akasha's attack on Jesse. Meanwhile, the scene with the band was trimmed because the filmmakers decided it didn't make much sense to dwell on them here.
- "The Ancients Rise" - The scene was originally part of Lestat's satellite dish montage. It was cut as a part of the overall de-emphasis of the Ancients.
- "Ancients at Hollywood Sign" - The Ancients storyline was reduced during the course of production because filmmakers felt that there were too many conflicting vampire agendas in the movie. In the final cut of the film, the Ancients are more in the background, and simply serve as allies of Maharet and Marius. In this scene we are introduced to Pandora, Armand, Mael, Khayman and Maharet as they first approach Marius next to the Hollywood sign, and we are given some insight into their relationships with each other. In this scene we hear a line that was used in the trailers, Khayman says "Akasha takes pleasure in only one thing: Destroying life."
- "Akasha Dances" - Basically an extended version of the scene where Akasha kills all the vampires at the Admiral's Arms. Despite the fact that the filmmakers loved every second of Akasha's original dance as well as her closing words to Lestat, this scene was trimmed to heighten tension. In this scene Akasha speaks the famous line which was used in the trailers, "Lestat. Come out, come out, wherever you are."
- "L.A. Mansion, Jesse Talks with Lestat, Extended Flying Sequence" - The filmmakers felt the dialogue between Jesse and Lestat was unnecessarily long, and tightened it considerably by cutting out a part where Jesse tells Lestat about her dreams. However, they regret trimming the flying sequence, as it establishes a suitably romantic mood.
- "Jesse Writes her Aunt and Goes to the Concert" - Originally, Jesse was abducted by Mael at Griffith Park after her encounter with Lestat, and taken to Maharet. After their conversation, Jesse writes a farewell note, and goes to the concert. The scene where Jesse first meets up with Maharet now plays after the concert. After Jesse writes the note she goes out into a desert highway and hitches a ride with some friendly goths on their way to Lestat's concert.
- "Band Backstage at Concert, Jesse Walks Through Crowd, Ancients Watch" An extended version of the scene where Jesse arrives at the concert where we see the band hanging out backstage as the Ancients arrive in search of Jesse. As the Ancients watch the partying concert-goers, Khayman notes "Akasha will not be able to resist this."
- Banda sonoraForsaken
Written and Produced by Jonathan Davis and Richard Gibbs
Performed by Jonathan Davis
Double Violin and Vocal Improvisation by Shenkar
Jonathan Davis appears courtesy of Epic Records
Shankar appears courtesy of 15 Records
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- How long is Queen of the Damned?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- La reina dels condemnats
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 30.336.800 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 14.757.535 US$
- 24 feb 2002
- Recaudación en todo el mundo
- 45.479.110 US$
- Duración1 hora 44 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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