El juramento

I'm not that crazy about the story, which has been put to film at least twice before. (I think the other movie is The Cold Light of Day.) In the other movie, which was set in one of the Soviet bloc countries, there was also a serial killer after young girls, and the detective makes the morally questionable decision to put a girlfriends daughter unknowingly at risk to use as bait. The swingset for the girl beside the road (where the killer would be sure to see her) was copied over from the novel.

For sheer moviemaking prowess, though, this team of actors and Penn as the director is unbeatable. Every performance comes across with perfect sincerity and you forget you are looking at famous actors. There are some surreal touches as well, when bit players from the early part show up on screen late in the story with non speaking roles.

Four stars. Even if you don't like Jack Nicholson.

THE PLEDGE / (2001) ***1/2 (out of four)

By Blake French:

Don't go to "The Pledge" expecting it to be a suspense thriller with a lot of fast-paced action and the tension peak high. By the misleading trailer and TV ads, I was personally expecting the above. "The Pledge," directed by the underrated actor and producer Sean Penn, is more of an unraveling drama than a genuine nail-biter. The film is a lot more than a conventional, run of the mill chiller. It vividly describes the process in which a person goes through before he reaches the state of insanity. The movie is most outwardly about obsession and commitment, more subtly about loneliness and depravity. This is one the most unusually absorbing movies of the new year.

Sean Penn is often overlooked as a Hollywood figure. He is an actor more often then he is a director (his most memorable directing feature was "The Crossing Guard"), but his work quite variegated. In 1998, Penn Portrayed a Sergeant in Terrence Malick's acclaimed war drama "The Thin Red Line," and a drug addicted Hollywood casting agent in "Hurlyburly." In 1997, he portrayed Michael Douglas' estranged brother in David Fincher's mystery thriller "The Game," and a down-on-his-luck drifter in Oliver Stone's gritty film noir "U-Turn." He delivered his most powerful performance in 1995 as a man on death row in "Dead Man Walking." Now, with "The Pledge" he is harrowing and intense, even though the script is often slow moving and monotonous. The stark edge and superior direction give the movie an authentic feel and emotional vigor. Sean Penn once again proves himself to be an excellent filmmaker especially behind the screen.

The enormously talented, Academy Award winner Jack Nicholson stars as the retiring Reno homicide detective Jerry Black. Jerry is a superb investigator, and when he examines his final case, the sexual assault and murder of an eight-year-old girl, he promises the victim's mother he will find the individual in charge of the atrocity. Police quickly bring in a mentally handicapped American Indian (Benicio Del Toro), who was found fleeing the crime scene and previously served time for rape and various other crimes. It appears that the officers found the man responsible, and when he confesses to the crime and kills himself, the other officers, including Jerry's friend, Stan (Aaron Eckhart), and their boss (Sam Shepard), consider this an open-shut case. Jerry has a gut-feeling this person is not who they are looking for, however.

The remainder of the movie is not about a police investigation, but more about Jerry Black's reaction to the events that have taken place. His obsession with catching the killer eventually leads to him going crazy, after he betrays his new friends, a single mother (Robin Wright Penn), and her young daughter. I personally desired more material involving the investigation instead of the development of the relationship between him and Robin Wright Penn's character, but that is not what the movie intended for us to watch. Regardless, the story arguably begins at its strongest point, and gradually losses much momentum as the mystery is not fully explored, and certain elements feel setup but are not paid off.

Some of the production's technical areas are also very astonishing, like the original music by Klaus Badelt and Hans Zimmer, and the cinematography by Chris Menges. Such ambient factors make for a sleepy and tranquil mood similar to the one in "Fargo." This film's soundtrack contains enthralling, refreshing, and captivating instrumental tones. Jack Nicholson is tormenting, riveting. He is the central of the movie, and it doesn't pretends otherwise. His performance provides energy for the story.

"The Pledge" is the type of movie that leaves us pondering about the opportunities passed by and the chances missed by the characters, the ironic coincidences, and the perplexing twists. The ending leaves us with more questions than answers, but that factor contributes greatly to the emotional impact the film has. "The Pledge" could have been more than it is, but considering the temptations the screenwriters overcame, it is more than what most of us would expect.

I had rather low expectations for The Pledge - even though I've admired Penn as an actor (Dead Man Walking, Racing With The Moon, etc.) I really didn't care much for his writing/directing attempts (Indian Runner and The Crossing Guard) so I finally got around to watching this on cable and I was not prepared for how intriguing, intelligent and emotionally powerful the movie was. Yes, obviously, from other people's comments, this isn't every one's cup of tea. Fine. You want quickie thriller, wall to wall action - go watch Con Air or something. Popcorn movies are fine. People need to turn off their brains and escape every now and then (Unfortunately for big budget movies - its more NOW and very rarely THEN)> So that is why I really enjoyed the slow pace and the ambiguity of the plot - it left things out there for you to find, to discover, to ponder. Nicholson - who is so capable of just phoning it in lately or just doing a gig for a paycheck (Anger Management - YIKES!!!) - but here he really delivers a strong, aching performance. He is surrounded by excellent actors (especially Del Toro, Eckhart and a very impressive tiny scene from Mickey Rourke). I know there are huge fans of the German book and the movie - I will seek them out. But I have watched this film twice and it is even more powerful the second time. One CAN be driven mad by NEVER knowing something so ghastly, something so important.

I have been an admirer of Sean Penn's previous directorial efforts ('The Indian Runner' and 'The Crossing Guard'), but he has really surpassed himself with this one. Re-teamed with Jack Nicholson he has helped that legendary actor create his best on screen performance since his 1970s peak ('Five Easy Pieces', 'Last Detail', 'Cuckoo's Nest', 'Marvin Gardens' et al). Nicholson has always been sensational but over the last ten years or so has sleepwalked his way through way too many movies, culminating in his irritating and mannered performance in the cliched and sentimental claptrap 'As Good As It Gets'. 'The Pledge' has obviously recharged his creative batteries. He is simply stunning in this film.

Nicholson is supported by a superlative array of actors, ranging from Aaron Eckhart ('The Company Of Men') and Sam Shepard ('The Right Stuff') to British vets Helen Mirren and Vanessa Redgrave, to Nicholson's old cronies Lois Smith ('Five Easy Pieces') and Harry Dean Stanton ('The Rebel Rousers'). While the cast is packed with familiar faces, none are gratuitous, all are first rate, and contribute to the overall excellence of the movie. Special mention must be made to the memorable cameos of Benicio Del Toro, and an as especially compelling performance by Mickey Rourke. Long underrated and often ridiculed, Rourke once again shows just how compelling he is as an actor.

'The Pledge' sticks out like a sore thumb in today's climate of wall to wall action movies, dumb comedies, and contrived "blockbusters". This is a real movie, with outstanding acting and a haunting story. Sadly fewer and fewer movies of this calibre are hitting the big screen, so treasure it!

Faithful to the book in most regards, the film is excellent, and Nicholson's performance is beyond reproach. While the denouement may have had issues (not with the point or the meaning, but rather the delivery), the film is still outstanding.

Nicholson's relationship with the girl (he is beautiful as an aged father) and his inexorable obsession with the murderer are perfect in the film. Sadly, Penn's pacing is inconsistent, as is the sense of "detective" that Duerenmatt was careful to give his novel: the film's heartbeat ranges from driving to rambling, and most thematically appropriate may have been a measured beat which is lacking here.

Nonetheless, the film is gripping, and captures the point, spirit and feel of the novel perfectly. It may not pull off the trick of being both faithful and profitable, but the film is true, and the acting impeccable.