Ringu 0: El círculo 0

When Ring conquered the far east in 1998, then began to spread to the west, audiences were shocked at the nature of new horror. No longer was blood, guts and gore the content used to scare viewers, but sheer unadulterated terror caused by a whole new approach of psychological tension and a surreal dreamlike fear. It spawned a decent sequel which didn't *quite* live up the original due to convolucence of the plot and slight contrivance. But for the 3rd movie in the series (I ignore the Korean 'Ring Virus') they went back to basics, and told a simple story. Ring 0 is a prequel. Yes, not everything is cleared up, but for sheer story telling and quality of drama Ring 0 is the best in the series. It doesn't quite contain the same level of fear as Ring, but that's on purpose to portray Sadako (Who could well be one of the most enduring 'villains' in movie history) as a vulnerable girl - to convey her upbringing and troubled existance. And on this level the movie works extremely well, and the viewer identifies with her. But it just wouldn't be Ring without a scare or 2, and the ending, while not *quite* as terrifying as Ring's ending (Due to the fact we are now getting familiar with Ring's 'tricks') is still extremely chilling and will scare you. Overall, excellent movie and thoroughly recommended.

After the original Ringu, there were many people who tried to ride the horror wave. Not much unlike the known Hollywood tradition, the Japanese film industry made many horror movies in the same vein, as is this prequel to the original Ringu.

This is one of the better movies to come out of the many copy-cats that followed the success of Ringu. It does tell you the story of the girl that lead her to become what she is (or was) in the Ringu movie, when you saw her. So if you've watched Ringu, you do know where this movie is going. Still it is more than interesting and engaging to see the journey of her! I don't know how it would feel if you'd watch this movie before Ringu, but one thing is for sure, if you like Ringu, you should watch this one too! It stays true to the original premise!

In Ring O, which takes place 30 years before the events of Ringu, we are introduced to Sadako Yamamura, a painfully shy young girl who is literally torn in two by her mysterious heritage. Sadako, haunted by frightening visions of ghosts and bloody omens of the future, is a tense and silent girl with an ethereal beauty. She has found happiness in a local drama troupe, despite the fact that few of her fellow actors like her - Sadako is too quiet, a little creepy, and always seems to have something "standing behind her" - something that no one can quite see. The cast of an upcoming play all begin to have similar dreams in which an old house, a forest by the sea and a crumbling well all make an appearance. When the star of the play dies unexpectedly, and Sadako is given her role, suspicion mounts. Odd occurrences plague the set, a news reporter with a secret agenda begins to investigate Sadako and Sadako herself falls in love with a handsome sound engineer named Toyama, the only one who believes that Sadako is innocent. But if she is, then what is causing the poltergeist activity in the theater? What is the source of the strange, eerie sound that everyone can hear? And whose voice said "You will die" on a recording made at the time of a young woman's death?

This is a strong entry in the Ringu series, more of a psychological drama than anything else. Sadako, like Carrie White, is a girl with no self-esteem, wandering through the film in dumpy clothes with her hair in her face. She is truly a good, sweet girl who is simply pushed too far at last. There are some creepy moments scattered through the film featuring grainy dream sequences, stricken corpses and a very creepy shot of Sadako's insane mother during a flashback. There's also a great climax featuring Sadako as we all remember her - hair in her face and clad in a long white dress - literally jumping into view and then creeping up on her two victims in a scene that was clearly shot backwards and then run forwards, giving her movements a hideous jerkiness. Yukie Nakama is very good as Sadako, giving us a tragic heroine who is good and pure and possesses the power to heal the sick. Your sympathy will lie with Sadako, even as her dark past is revealed. The good Sadako suffers unbearably and you will suffer with her, right up to the chilling, but inevitable, ending.

This is a must see for Ring fans. Very highly recommended.

Combining elements of drama and horror, Ring 0 is a very worthy installation of the indie horror franchise. This film really starts, though, as a drama, telling us the story of Sadako in a very linear fashion (which, deliciously, has become the more difficult and confusing path to take, since we already know the end of the story). We see Sadako as a human (!) who is not scary or evil at all but actually seems rather pleasant and almost painfully shy. A while later in the film, we see that Sadako is actually warring desperately with herself . . . and is losing. Her eventual slide into the monstrosity of the first and second Ring films is a sight to behold (and, hardcore fans will note, is echoed by a similar fall of Ando Mitsuo in the less popular Rasen).

The social overtones of this film are also outstanding and a fine addition to the series. Whereas the first two films are more exercises in combining psychological terror with techno-horror, Ring 0 takes a more Romero-esque approach to the social aspect of Sadako's transformation, meditating on the cruelty of her peers and the burning need for revenge of one journalist that brings the whole tragedy crashing down.

Incidentally, although it takes some time, this film WILL scare the hell out of you at the end. Just wait for it.

Very, very good. See it.

A great prequel to the Ringu series. In this film we see the human side of Sadako before her death & the cruel attitude of others towards her. By the end of the film you feel sorry for Sadako & not her victims. I enjoyed this more than the original film, in many ways this film follows a more traditional story structure than the original.