Baio hantâ

The Guyver ('80s) and Wicked City are similar and do manage to hold my attention. This could've been a 20-minute episode.

Demon virus busters!!! This OVA follows a routine narrative structure, yet the inner workings of Yoshiaki Kawajiri's punchy writing dynamics establishes engrossing core characters, draws upon mythical meditation counterbalanced by scientific lore and gruesome horror escalating into a whirlwind of dazzling inner demons wanting to breakout. And some do in grisly fashion! How these aspects arrive and come together, gel perfectly with director Yuzo Sato's eye for details and story pacing. Never once did my interest dip, because I was so invested in the on-screen interactions and metaphysical tailoring. It was well-written with moments of snappy banter and a strong basis, which never succumbs to any sort of tawdriness, or complexity.

Two molecular biologists, Komada and Koshigaya have day jobs lecturing at a university, but on the side they're self-proclaimed bio-hunters who track-down, or receive call-outs to those who are infected by the unusual demon virus that transforms humans into hungry demons with special powers. Soon they find themselves dealing with a mysterious lady, who somehow shares a connection with a mighty strong demon terrorising the night streets of a Tokyo ripping open young women to devour their livers.

The fascinating facet here, is that Komada happens to be half-human, half-demon, as he was infected by the demon virus. However his human qualities are able to control the hunger of his demon side, not without some growing pains, but in spite of it, this ability can help him sense out demons which makes it easy for the duo to do their jobs. It gave the character another dimension to work off, especially his inner battle over his responsibility to this infliction and desire to live a normal life. The final image, after the insane encounter with the chief demon, tentacles and all. Had him walking away from possible happiness painting the heartache, but also the fear of what he is, hanging over his head. His needs, while there, aren't important, as the dedication to his work is his safeguard. And the otherworldly experience brought upon by the final demon encounter heightened those senses to shut himself away.

I really enjoyed the interesting combination, and character shades between Komada and Koshigaya, as I found it to overshadow everything else. Yep, even the nasty demons and their messy aftermath. This included the strong opening and closing sequences. Whenever the demons are on the screen, the way the virus attacks the human genetic code causing the infected to morph, or grow monstrous deformities with a life of its own had me thinking of a few of Rob Bottin's practical effects from The Thing. It's just uncanny. Well, excluding Komada's demon transformation, which is a neat looking design. The music score hits all the right notes, at times, quite haunting and the animation looks good. I just wish it was longer.

This is definitely a bit of an overlooked anime. Its not the best of its kind, but definitely worth seeing for fans of both Kawajiri and this style of animation (which basically is him when you boil it down). If you liked any other of Kawajiri's projects you should be able to get into this too. I would place it close to wicked city, Cyber city oedo 808 and goku midnight eye, both style-wise and in its general mood. But you will find some more general elements in it as well. I find it better than wicked city almost as good as goku & cyber city The story is pretty straightforward, and not incredibly complex, but still it works well with he overall dark mood and atmosphere of the film. Soundtrack is imo incredible and well-fitting with the dark animations, characters are also good considering the shortness of it all..and very importantly to me the dialogue isn't too cheesy (from subtitles at least, i don't know Japanese). It doesn't really bother me that it only runs short of an hour, cause it makes it more dynamic i think.

Overall i say 7 out of 10 for this kind of anime

I remember owning this 1995 Anime on VHS tape back in the day, and thus as I had the opportunity to sit down here in 2023 and watch it again digitally, of course I so. However, I have to admit that I had forgotten entirely about the storyline of this Anime, I only remembered it by its title.

The storyline in "Baio Hantâ" (aka "Bio Hunter") was quite good. It is a storyline for a mature audience, given the horror elements and the whole concept of the plot. So I think writers Fujihiko Hosono, Yoshiaki Kawajiri and Naoko Takahashi put together something quite good back then.

Visually then "Baio Hantâ" is adequately holding up still today, though I wasn't overly keen on the way that the faces were drawn in general. But that was a minor detail really. The art style was good and the animation was good.

I sat through an English dubbed version, both back in the late 1990s and again here in 2023. I am not overly keen on dubbing, as I prefer the original language to whatever I am watching. But the voice acting in the dubbing was adequate here, which counted for something.

"Baio Hantâ" is definitely well-worth checking out if you enjoy horror-laced entertainment.

My rating of "Baio Hantâ" lands on a six out of ten stars.

It's quite extreme for me how this fil is.

I really like the art and animation, it's high quality and very enjoyable.

In the other hand the story and character writing is so bad and cringe that is hard to watch.

I honestly don't know how it has so many positive reviews.

The rape aspect is very unnecessary and quite cliché for any 80s and 90s Japanese anime, and I´ve started to get really tired f it, as I've been discovering quite a few old animes lately.

This one in particular feels unnecessarily perverted.

The main characters are as bland as they can get, in their design and their dialogue.

There's nothing else at all I could redeem from this film besides the quality of the animation, to the point that it was a drag to watch even with its very short run time.