Agarrados por los pelos

An Everlasting Piece is definitely one of the better Irish comedies I've seen in a long time. Though not on par with the Barrytown Trilogy or Divorcing Jack, the three leading characters are witty and strong. I'm very partial to Brian F. O'Byrne's thoughtful, subdued yet humorous portrayal of Protestant George Post. His best line is arguably, "He's as Orange as that chair." The film features many funny and poignant moments that make the film enjoyable to anyone who appreciates Ireland and its people.

Barry Levinson hits the nail on the head (or rather the hair on the head) with "An Everlasting Piece", the story of an odd relationship that grows out of the toupee business.

The film is amusing throughout and while some might consider the storyline contrived, the characters exhibit both depth and morals as the relationship between the toupee business partners grows.

It was particularly enlightening to see a film set against the Irish conflict in Belfast during the 1980's and to get a better understanding of what might have been like in that time and place.

Highly recommended for what it is; light entertainment with underlying social commentary.

This film was great for exactly what it was: a comedic drama with honest political/cultural commentary.

Set during the 1980's in the British-controlled portion of Ireland, "An Everlasting Piece" is about a Catholic and a Protestant barber who set off to win a monopoly as hair-piece salesman in the north of Ireland.

The style of comedy was what I would call "very British-like". It had that dry and witty sense of humor that is so terrific if you appreciate that sort of thing (just for the record, I'm usually a fan).

As far as the cultural/political commentary goes, an earlier post pointed out that George's family is non-existent in this movie, and that the story revolves around an almost entirely Catholic cast. My response is that to include the Protestant side of the story would have been impossible. To include the loyalist populace (and thus the loyalist paramilitaries, since there would have to be a balancing cinematic force countering the story of the IRA) would have required probably another 3 hours. I think this movie is really about the Catholic-Catholic confrontation. You've an IRA man who says "I want more than to just survive," in an era of unequal rights and opportunities for Irish Catholics, just as it was for the African Americans 2 decades before the film takes place. Then you have a Catholic who believes in "the cause" (ideologically speaking), yet has a Protestant friend who is obviously not concerned with politics or consumed with partisan hatred. The political/cultural issue here is the fact that the ideal the IRA was fighting for in the '80's (at the time, equal rights through union with the Irish Republic)) was legitimate in many respects- yet at what expense?

In the end the "film" is a movie- it is heart-warming entertainment that gives the viewer a general sense of one of the overall issues facing Ireland in the '80's, and it gives a lot of chuckles. It'll make you laugh, feel, and even make you think- so it's worth at least the rental price.

Everyone I've told about this movie loves it. It says a lot about friendship, love (parental, fraternal, egocentric, altruistic) and about a country bifurcated by war and misunderstanding. As usual, with movies made in Ireland and Britain, the humor is broad and subtle at the same time and even the very minor characters are fully drawn. If ever there was a time for this film it's now. With surreal humor (although what is surreal these days?) it explores the meaning of hate, love, war and forgiveness. It is a movie about common lives that are circumscribed by conflict and about the way people cope with impossible and untenable situations: with the way, in short, that they survive. And it's funny! Billy Connelly as "Scalper" is, as usual, over the top in the best sense.

An Everlasting Piece is a funny, witty and at times dark movie based on the escapades of a Protestant and Catholic barber who team up to take over the toupee market of Northern Ireland. If you look for deeper meaning in this movie you will find important moral lessons and some insight into the nature of conflict in general. There are dozens of quotable lines present, Billy Connolly has some real gems.

Having never been to Northern Ireland, I believe this movie has given me some limited insight into 1980's Belfast. Most of the main characters are Catholic-Irish, and the film does seem slightly sympathetic to that side. If you are looking for more information on the atmosphere and troubles in N. Ireland I recommend reading Bad Blood, by Colm Toibin.

The plot is fine 6/10 The humour is great 9/10 The dramatic element is good 7/10 Overall I'd give 7.5/10