Noticias

The best Jaime Pressly movies and TV shows contain an interesting mix of genres but she always stands out when she gets her chance to shine. Presley started her career as a teenager when she got involved in modeling while also training as a gymnast. By the time she was 15, she dropped out of high school and moved to Japan to further her modeling career. This led to her first TV appearance, where she had an uncredited role on Baywatch, which then led to her first major breakout.

In 1997, the 20-year-old Presley was cast as the lead in Poison Ivy: The New Seduction, the third movie in the franchise that starred Drew Barrymore and Alyssa Milano before her. From there, her career started to pick up steam, although she almost found herself typecast in similar roles in movies like Joe Dirt and TV shows like My Name is Earl. Despite this,...

Welcome to the latest installment in our regular Movies You May Have Missed series here on Nerdly, in which I highlight some of, what I think, are the best movies that have flown under the radar of many or have been “forgotten” in the intervening years since its release. This time round its the ridiculous comedy Crash Pad, which has been dumped directly onto VOD services here in the UK…

Stars: Domhnall Gleeson, Thomas Haden Church, Christina Applegate, Nina Dobrev | Written by Jeremy Catalino | Directed by Kevin Tent

Official Synopsis:

Stensland (Domhnall Gleeson), a hopeless romantic, thinks he’s found true love with an older woman (Christina Applegate), only to learn that she’s married and their encounter was merely an instrument of revenge against her neglectful husband (Thomas Haden Church). Initially out for blood, the husband finds himself strangely sympathetic to the romantic’s plight. He decides the best...

New Line Cinema is picking up Shoot 'Em Up, a hard-core action project from writer-director Michael Davis, with Don Murphy, Susan Montford and Rick Benattar producing through Angry Films. Davis comes from the low-budget, indie comedy world -- Slamdance audience award winner Eight Days a Week and 100 Girls are among his credits -- and has done storyboards for such fare as Pee-wee's Playhouse and Tremors. After writing Shoot, Davis drew on his storyboard skills to illustrate about 17,000 individual drawings that he then animated to show how he would direct the movie's action. The animatic trailer so impressed New Line that it is not only buying the project but also signing Davis to a two-picture option.