28 días

There is a a very important message at the heart of this Betty Thomas film: Self Control from Indulgent excesses. The problem: the film itself tipsily overindulges its themes by balancing good drama with over-acting and imbalanced doses of comedy.

In a sense, the film knew it was dealing with touchy subject matter when it highlighted the realities of rehab in NY, but why did it need to purposefully throw in the stereotypical comedic archetypes - the viking accented Alan Tursdysk, or O'Malley's strapdown one liners, or for that matter, the debonair English accented intelligent metro lover in Dom West? Perhaps it was in 2000, and you needed to sell films that way to appeal to their target audience of teenagers who did weed and drank too much, but the fact is, when you have Steve Buscemi, Sandra Bullock and Viggo Mortensen in a film you can afford to push the drama-reality envelope and go in that direction.

In fact, the film's best moments are when Thomas does this- in a series of flashbacks to let the audience get in sync and depth with Bullock's character. And, there are scenes where the comedy can be done appropriately and in concordance with the film's thematic content- such as the skit at the end for Azura Skye's character. Sadly, these good moves are coupled with some really tipsy flaws, including the ending where Mortensen's character meets the soap star. Bullock's character also undergoes way too quick a character change (for 28 days) if one was to really nitpick.

However, the themes in this film make this a film i would still recommend to youth and young people. Azura Skye's character's loneliness, depression and suicide are genuinely depicted, and the fragile and important message of hope and redemption amid the perfunctory nature of life in the rehab centre that are celebrated in the plot really help this film regain its footing. When Bullock's character realises that this (the pills and drugs) was not a way to live, and Mortensen addresses her insecurities of not being able to do a single thing right, the film touches significant depths and strikes the chords of viewers. My personal favourite was the scene were Lizzy Perkins' character acknowledges the flaws of hers and her sister's lives and establishes love and hope in reconciliation. You see, it is the film's ability to reach such levels that I know this film suffered from tipsily overindulging its themes-trying to tie in too much to everyone- from being a comedy to a drama.

Sandra Bullock does a pretty good job of playing Gwen the drunken party girl who gets herself into trouble. She is not gung ho for a treatment center, but her other option is jail. Actually, I was not sure how she avoided jail at all, and 28 days seemed too short a time for all the hilarity, action and breakthroughs in this film, but other than these things, I was really impressed with Bullock and the ensemble acting - the balance of comedy and drama. The one actor I thought over-acted was in the character of Gwen's boyfriend. He was too much, and it was a relief to see him off the screen. Viggo Mortensen is endearing as the other guy for Gwen. I would like to have seen more of them together. I think people will love the soap opera gags and the send-up of drug/alcohol treatment centers, but will also get the serious nature of the interactions in the "chemistry" among all the characters in treatment in the film.

There are a lot of good things about 28 Days, especially from Sandra Bullock and Betty Thomas (Director). Don't be fooled by the advertisers and trailers, this movie is a drama. There is a little comedy thrown in the mix to keep things light at times (after all, rehab is a depressing subject), but the balance is about 80/20% in favor of drama.

Sandra really shines. This movie is all hers and she proves that while bubbly and energetic may be her niche, she can also be gritty and subtle to great effect. She's always been a very solid and dependable actress, but she gets to dig deeper here. She could have played this role in so many ways that would have been easy and predictable, but luckily she gave just the right amount of weight to her character. It's certainly her best acting performance.

Betty Thomas also delivers another strong effort. The pacing and amount of scene time seem just right. There is very interesting camera work and flashback scenes that work very well. I guess the best thing to say is that she made a formula movie (girl bottoms out, girl resists rehab, girl comes to terms and embraces recovery) without boring us with the formula.

In short, the best thing about the movie is what it wasn't. It could have been so cliched (although there were a couple of unavoidable ones) and paint-by-numbers. Instead, it was more subtle rather than over the top.

There are good performances by all, especially Steven Buscemi who plays his small role straight and somber. This film has higher artistic/merit value than it does entertainment value (afterall, how entertaining can a movie about rehab be?). It's a solid 7.

28 DAYS (2000) **1/2 Sandra Bullock, Viggo Mortensen, Dominic West, Diane Ladd, Elizabeth Perkins, Steve Buscemi, Alan Tudyk, Michael o' Malley, Azura Skye, Reni Santoini, Marianne Jean-Baptiste, Margo Martindale, Loudan Wainwright III. (Dir: Betty Thomas)

Addiction is not funny nor is the suffering it inflicts upon the addict and their friends and family but then again all `taboo' subjects have been scrutinized in these politically correct times we live in and here Sandra Bullock, The Girl Next Door that her adoring public has embraced as America's Sweetheart, wades in hip deep into a difficult balancing act as alcoholic/drug abuser Gwen Cummings, in this comedy-drama with more hits than misses - the working title could have been `Party Girl, Interrupted.'

Gwen is a free-spirited New York City based writer who enjoys living it up with her equally party hearty beau Jasper (West) by drinking and binging into the wee hours even if it means nearly missing her older sister Lily's (Perkins) wedding the next day as they stumble to the proceedings nursing a severe hangover quickly remedied by more imbibing at the reception resulting in Gwen losing her balance on the dance floor upsetting the many tiered wedding cake. Undeterred by her scene-causing out-of-control ramifications, Gwen staggers to the newlyweds' limo and careens along a suburban area looking for a `cake shop' to replace the damaged goods only to have her smash the car into a nearby house.

Flash forward to her being sentenced to Serenity Glen, a rehabilitation clinic, the type that offers New Age-y touchie-feely bonding and chanting (`Together! Together! NOOOO Drugs!') and a no-nonsense counselor named Cornell (Buscemi in a nicely handled understated turn) who sees right through Gwen's anger and stubbornness as she attempts to disassociate herself from her chores, group therapy and sneaking pills in via Jasper. After a mishap involving Gwen falling from her window (after a weak attempt to rid herself from the pills), she limpingly begs Cornell for a chance to redeem herself. Her sarcasm slowly drifts away as she comes to grips with her co-dependency on booze and pharmaceuticals thanks largely to her depressed teenage roomie Andrea (Skye) and new patient, Eddie Boone (Mortensen), a baseball pitcher overcoming many addictions including casual sex.

The film works solely on the fresh-scrubbed sexy appeal of Bullock in her range from comic drunkeness (a la `Arthur') to her scary withdrawl and gumption to change her life for the better. The humor comes thankfully to her fellow in-house patients including a gay German dancer (Tudyk who comes across as Andy Dick in `Sprockets') and the parody of a soap opera (`Santa Cruz') that the entire group becomes.well addicted to. It's hard to believe that the subject of a chemically dependent person could be funny, but that isn't the point. The point is that it doesn't make light of the situation at all (including the all-too-forseeable overdose of one of the characters to underscore just how serious it is), but it succeeds on the `patients-running-the-asylum' scenario - sort of a cross-blend of `One Flew Over the Cuckoo's Nest', `Clean and Sober' and `M*A*S*H' with its hysterically, deadpanned homage of loudspeaker announcements.

Director Betty Thomas (`The Brady Bunch Movie', `Private Parts') serves her story by Susannah Grant (`Erin Brockovich') as best she can with interesting camera angles to distort the hyperreality of someone under the influence and able support including stand-up comic O'Malley (late of his short-lived eponymous sitcom) who harbors a not-so-secret crush on Bullock. Bullock does herself a service by starring in a tricky scenario by utilizing her natural acting style and stretching her chops both dramatically and comically.

It may be listed as one, but it is a serious subject. Some parts are stupid, but then again, things we do in life are sometimes stupid. Being the son of an alcoholic and having my own issues...I get it. Addiction sucks big time. The things they say about it are very true. This movie is not for everyone, but for me it was done well enough for me to realize some things about myself. No movie will ever be perfect about addiction and, of course, they need to lighten if up enough to get audience members. I personally like where she finally starts to realize things. And of course, you can slip now and then until it finally catches on.