O Brother!

This was the best film I saw in the year 2000. The Cohen brothers have never let me down before, and they certainly didn't this time either.

It's one of those rare movies these days - it's witty, intelligent and vastly entertaining. I left the cinema with a warmth in my heart. Of course, there's lot of Cohen stuff in there - odd characters and peculiar gadgets, well-developed plot and magic camerawork. But no Cohen film is resembling any other Cohen film, if you overlook the general quality of them, of course.

The big surprise for me was that Clooney is so good. But the true master performance in this movie comes from Tim Blake-Nelson. But the rest of the cast is superb too.

A film that is lightweight comedy with a musical touch that evolve it's story round rednecks and old time country music - dripping with wit and intelligence. Thats a very unlikely combination. But it's exactly what this picture is.

First, for those of you who don't know who Owen Gleiberman is, he's one of Entertainment Weekly's movie critics. From what I remember reading in his review when "O Brother Where Art Thou?" came out, he said it was just stupid stereotypes and gave it an F. Now that I've actually seen this movie (I got it for my birthday a few months ago), I realize how stupid I was to trust the opinions of a man who also had the nerve to give "X- Men" a C.

"O Brother, Where Art Thou?" is an excellent film in all senses. I'm normally not a George Clooney fan (Until then, the only movie with him I liked was "From Dusk Till Dawn"), but his performance in this film was perfect, and he truly deserved that Golden Globe he won for it. I also really liked the actor who played Delmar. His realistically amusing facial expressions and hilarious lines ("We thought...you was...a toad!")kept me happy all throughout the film. The frightening Sheriff made an effective villain, and the equally intense scene with the KKK rally was really exciting to behold.

The references to the Odyssey were charming and well- done, although I still don't get who George Nelson was supposed to resemble in the ancient Greek story. However, the Siren scene and its aftermath were quite funny, and John Goodman is creditable as the one- eyed Big Dan Teague. Easily one of the best scenes in the movie is when the Soggy Bottom Boys sing "Man of Constant Sorrow". That song quickly brought a smile to my face, and should have won that MTV Movie Award for Best Musical Performance.

So, you can forget about what the "professional" critics at Entertainment Weekly said about it, and just enjoy this hysterical, light- hearted and worthwhile film.

The Coen Brothers have truly outdone themselves in this wonderful saga of three escaped convicts. Though it is based on "The Odyssey," the ancient work of Homer, you do not have to have read "The Odyssey" to be able to follow the story. The brothers Coen have woven a tapestry of celluloid and aural delights! The soundtrack is intrinsic to the film, indeed it is as though the soundtrack is the product and the film is wrapping paper. Each character is wonderfully exploited and harkens back to the days of old when films were rich with character actors whose very appearance in the film adds richness, texture and authenticity. George Clooney is magnificent as the grease haired Everett Ulysses McGill, a honest con on the run whose pompous linguistics and vocabulary are comical and endearing. O Brother, Where Art Thou is easily the best Coen film to date as well as Clooney's best effort. Clooney is good enough to warrant a best actor nomination as is Tim Blake Nelson's portrayal of the dimwitted friend Delmar, while the film itself is deserving of a Best film nod.

Having seen most of the Coen Brothers previous films I expected something different and slighty off centre. OBWAT is certainly those things, but it also has a heart as big as..well..as big as Mississippi. It is one of the most plainly enjoyable movies to have come out in recent times, intelligent, well-crafted, clever and superbly acted.

Characters are delivered in their myriad shades by a group of marvellous actors. George Clooney winning me over completely with his Clark Gable-ish looks and character. Having only ever seen him in Three Kings and his Thin Red Line cameo, I am now a fan. More comedy please George.

John Tuturro and Tim Blake Nelson ably assist, especially Nelson. If ever "The Simpsons" is made into a movie then he must be a natural to play Cletus the slack-jawed yokel. I don't think there is a performance that falls short of excellent from the entire cast. My special favorite is Stephen Root as the blind Radio Station Man.

Great old-timey music, a jiggy type dance by Clooney that I am trying to learn, and a feel of depression era southern US enhanced by sepia-like photography make this the best movie I've see so far this century. The only drawback to the film is that it has almost sent me broke buying the soundtrack, the DVD and a DVD player to play it on....it's THAT good!

One of the finest pieces of story telling ever to hit celluloid. The performances are so perfect and dead-on, and the nuances so subtle, that this movie defies description. It is no wonder that the reviews you read run the gamut from "piece of junk", to "superb" to just plain confused. This is a must-see movie, and from there you're on your own, you have to decide for yourself. Note, however, that this film follows its own course -- *loosely* based on Ulysses, and with its own symbolism, characters, and themes. To spot them all you will need to watch carefully, think constantly, and, in all likelihood, see the film many times more than once. Not to worry, it improves with each viewing.