PUNTUACIÓN EN IMDb
7,2/10
2,2 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaBased on a real-life case in 1925, two great lawyers argue the case for and against a science teacher accused of the crime of teaching evolution.Based on a real-life case in 1925, two great lawyers argue the case for and against a science teacher accused of the crime of teaching evolution.Based on a real-life case in 1925, two great lawyers argue the case for and against a science teacher accused of the crime of teaching evolution.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Primetime Emmy
- 1 premio y 5 nominaciones en total
Reseñas destacadas
I have never seen a poor adaptation of this great American Classic,however if I were to choose the worst adaptation out of a good bunch this recent adaptation would qualify. George C. Scott made a very good Matthew Brady,However He was masterful in the role of Henry Drummond on Broadway in 1997.Jack Lemmon was merely adequate in Scott's stage role of Drummond and the two never seemed to make a connection the way Scott and Charles Durning did on stage,or the way Spencer Tracy and Frederick March did on screen.
Beau Bridges was a fine,sarcastic E.K. Hornbeck and Lane Smith was a powerful hypocrite as Rev. Brown.
The pace of this recent adaptation was slow and not as exciting as previous film versions. It was worth watching but not nearly as satisfying as the 1960 film or the Broadway revival.
Beau Bridges was a fine,sarcastic E.K. Hornbeck and Lane Smith was a powerful hypocrite as Rev. Brown.
The pace of this recent adaptation was slow and not as exciting as previous film versions. It was worth watching but not nearly as satisfying as the 1960 film or the Broadway revival.
The movie epitomizes what civilized debate can and should be. There are scintillating performances from Lemmon and Scott, and some very quotable lines as well. The courtroom atmosphere is well created and tension is never allowed to slack. Perhaps the most eloquent testimony paid on screen from a protagonist to his antagonist comes in the closing scenes. Although it is supposed to be based on the Scopes Monkey Trial, the closing credits state that the movie is a work of fiction. The movie raises many questions about the longstanding impasse between religion and science, between faith and reason. In a strange way, it does not conclusively resolve these issues but rather allows the viewer to decide for herself or himself. It will echo in your mind long after you have viewed it. Heartily recommended.
I don't know why there are so many bad comments about this remake, you can't really expect these actors to better the original 1960 version. George C. Scott and Jack Lemmon did an excellant job in their respective roles. I think Lane Smith (who is usually an excellant actor) did a poor job though as Rev. Brown. I think Scott went out with a bang! He will always be remembered as a great actor.
This version of the Scopes Trial is better than the first TV version for several reasons, the first is that its a reasonable running time. Next it doesn't have breaks for commercials, this was done for cable and not commercial TV. Lastly this has the performances of Lemon and Scott who come damn close to equaling Tracy and March in the first version of this.
George C Scott was to star on Broadway in a revival of this play a year or two before he made this film. Illness prevented him appearing in most of the run, but based on this performance seeing it live must have been electric. There are several small moments, one near the end of the film in particular where his mastery of acting shine through. In that final moment, the weight of the battle and its implications loom large, sitting on his bed with his wife he begins to break down in ways that are touching and heart breaking.
Lemmon is his equal and he easily makes this one for the ages as he spars with Scott about what is and is not history and sacred.
This is a great TV movie which only has as its flaw the fact that its not the original.
George C Scott was to star on Broadway in a revival of this play a year or two before he made this film. Illness prevented him appearing in most of the run, but based on this performance seeing it live must have been electric. There are several small moments, one near the end of the film in particular where his mastery of acting shine through. In that final moment, the weight of the battle and its implications loom large, sitting on his bed with his wife he begins to break down in ways that are touching and heart breaking.
Lemmon is his equal and he easily makes this one for the ages as he spars with Scott about what is and is not history and sacred.
This is a great TV movie which only has as its flaw the fact that its not the original.
This film is a remake of a 1960 movie about the 'Scopes' monkey trial in July of 1925, argued by prominent statesman William Jennings Bryan (for the prosecution and the Bible) and equally the prominent Clarence Darrow (for the defense, scientific thought and Darwin). Rather than compare it with the original, which I understand was brilliant, I will evaluate it on its own.
This is a powerful and thought provoking courtroom drama about a school teacher who was arrested for teaching evolution, then considered a heresy against God and the bible. The topic is unfortunately as timely today as it was 75 years ago. The film is extremely effective at illustrating the pervasive ignorance and fear so prevalent in fundamentalist religions. It depicts with great clarity, the frenzied and irrational efforts undertaken to suppress any knowledge that threatens to debunk the myth and simple minded traditions that bind the faithful together.
Unfortunately, the presentation of the story had certain flaws that kept it from being a truly great film. My biggest objections are all directorial. First, this film was visually mediocre and pedestrian. The camera basically followed the speaker around the room at the same angles from pretty much the same distances. There were very few reaction shots which would have greatly enhanced the drama. I don't think there was a single reaction shot of any member of the jury and only a couple from the gallery.
Director Daniel Petrie takes enormous artistic license in presenting the trial. The way it was portrayed it seemed more like an unmoderated debate between the lawyers than a criminal trial with rules of court. Granted, it was a small town in 1925, but this was ridiculous. In real trials, lawyers have two opportunities to give speeches in a trial, in opening and closing statements. During the trial itself, they are only to ask questions and gather evidence under very strict rules. They can't give speeches or lead the witness or inject their opinion about a witness' testimony. This was flouted in the film as lawyers violated these rules repeatedly with nary an objection from the other side. Ironically, the most important speeches of the trial, closing arguments were completely missing from the film.
I found Jack Lemon's portrayal of defense lawyer Henry Drummond to be disturbingly restrained. Lemon is clearly capable of unfettered rage and indignation, yet he played his character with resignation and defeatism rather than frustration and wrath. He simply didn't fight hard enough for the principles in which he supposedly believed. I blame this on Petrie.
Without question, the performance of the film belonged to George C. Scott in his last performance before his death (a stunning coincidence since William Jennings Bryan, on whom Scott's character is based, died shortly after this trial. So it was his last performance as well). Scott is magnificent as the bible thumping prosecutor rattling the rafters of the little courthouse with his booming gravel voice. This was the type of part Scott was born to play and it may have been his best performance since Patton. For this reason alone this film should be on every film buff's list. If only Lemon brought similar fire to his part, this film would have been riveting.
Beau Bridges was a bit overly obnoxious as the sardonic reporter E.K. Hornbeck. The role called for a good deal of cynicism, but Bridges got carried away.
Lane Smith gives a terrific performance as the Lord possessed Reverend Brown, who damns his own daughter to hell for refusing to renounce her love for her fiance Cates, the accused school teacher. His sermon at the prayer meeting was more than worthy of any cable TV evangelist.
I gave this film a 7/10. I think it would be rated higher by most people who think of a courtroom as more of a dramatic setting than place of justice. Overall it is a credible update of a topic that should remain in the forefront of our minds if we hope to continue living in a free and rational society.
This is a powerful and thought provoking courtroom drama about a school teacher who was arrested for teaching evolution, then considered a heresy against God and the bible. The topic is unfortunately as timely today as it was 75 years ago. The film is extremely effective at illustrating the pervasive ignorance and fear so prevalent in fundamentalist religions. It depicts with great clarity, the frenzied and irrational efforts undertaken to suppress any knowledge that threatens to debunk the myth and simple minded traditions that bind the faithful together.
Unfortunately, the presentation of the story had certain flaws that kept it from being a truly great film. My biggest objections are all directorial. First, this film was visually mediocre and pedestrian. The camera basically followed the speaker around the room at the same angles from pretty much the same distances. There were very few reaction shots which would have greatly enhanced the drama. I don't think there was a single reaction shot of any member of the jury and only a couple from the gallery.
Director Daniel Petrie takes enormous artistic license in presenting the trial. The way it was portrayed it seemed more like an unmoderated debate between the lawyers than a criminal trial with rules of court. Granted, it was a small town in 1925, but this was ridiculous. In real trials, lawyers have two opportunities to give speeches in a trial, in opening and closing statements. During the trial itself, they are only to ask questions and gather evidence under very strict rules. They can't give speeches or lead the witness or inject their opinion about a witness' testimony. This was flouted in the film as lawyers violated these rules repeatedly with nary an objection from the other side. Ironically, the most important speeches of the trial, closing arguments were completely missing from the film.
I found Jack Lemon's portrayal of defense lawyer Henry Drummond to be disturbingly restrained. Lemon is clearly capable of unfettered rage and indignation, yet he played his character with resignation and defeatism rather than frustration and wrath. He simply didn't fight hard enough for the principles in which he supposedly believed. I blame this on Petrie.
Without question, the performance of the film belonged to George C. Scott in his last performance before his death (a stunning coincidence since William Jennings Bryan, on whom Scott's character is based, died shortly after this trial. So it was his last performance as well). Scott is magnificent as the bible thumping prosecutor rattling the rafters of the little courthouse with his booming gravel voice. This was the type of part Scott was born to play and it may have been his best performance since Patton. For this reason alone this film should be on every film buff's list. If only Lemon brought similar fire to his part, this film would have been riveting.
Beau Bridges was a bit overly obnoxious as the sardonic reporter E.K. Hornbeck. The role called for a good deal of cynicism, but Bridges got carried away.
Lane Smith gives a terrific performance as the Lord possessed Reverend Brown, who damns his own daughter to hell for refusing to renounce her love for her fiance Cates, the accused school teacher. His sermon at the prayer meeting was more than worthy of any cable TV evangelist.
I gave this film a 7/10. I think it would be rated higher by most people who think of a courtroom as more of a dramatic setting than place of justice. Overall it is a credible update of a topic that should remain in the forefront of our minds if we hope to continue living in a free and rational society.
¿Sabías que...?
- CuriosidadesAccording to Piper Laurie, both Jack Lemmon and George C. Scott were in poor health during filming. However, she claimed that while Lemmon frequently forgot his lines, Scott despite being very weak and tired never forgot his.
- Citas
Henry Drummond: He that troubleth his own house shall inherit the wind and the fool shall be servant to the wise in heart.
- ConexionesFeatured in The 51st Annual Primetime Emmy Awards (1999)
- Banda sonora(Gimme Dat) Old Time Religion
(uncredited)
Traditional spiritual
Sung by the Townfolks
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Inherit the Wind
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was La herencia del viento (1999) officially released in Canada in English?
Responde