The Last September

1999
R
1h 43min

PUNTUACIÓN EN IMDb

6,0/10

977

TU PUNTUACIÓN

Jane Birkin, Maggie Smith, Michael Gambon, Keeley Hawes, Fiona Shaw, and Lambert Wilson in The Last September (1999)

Reproducir trailer2:14

1 vídeo

8 imágenes

Period Drama Drama History Romance

Añade un argumento en tu idiomaIn the heart of a young woman, lies a secret that divides a nation.In the heart of a young woman, lies a secret that divides a nation.In the heart of a young woman, lies a secret that divides a nation.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

6,0/10

977

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Premios
- 1 nominación en total

Vídeos1

Trailer 2:14

The Last September

Imágenes7

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Argumento

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Curiosidades
Prologue: "For many hundreds of years a tribe ruled Ireland on behalf of the English. They were known as the Anglo-Irish. After the uprising of 1916 they were caught in the bloody conflict between the Irish Republicans and the British Army. This is the story of the end of a world."

Pifias
Colthurst should have known better than to hunt for the fugitive Irish Volunteers member without first contacting his base for backup.

Créditos adicionales
Prologue: "For many hundreds of years a tribe ruled Ireland on behalf of the English. They were known as the Anglo-Irish. After the uprising of 1916 they were caught in the bloody conflict between the Irish Republicans and the British Army. This is the story of the end of a world."

Conexiones
Featured in Siskel & Ebert & the Movies: Where the Heart Is/The Last September/The Flintstones in Viva Rock Vegas/Frequency/Time Code (2000)

Banda sonora
You Made Me Love You (I Didn't Want to Do It)
Music by James V. Monaco (as James Monaco)
Lyrics by Joseph McCarthy (as James McCarthy)
Performed by Al Jolson
Published by Francis Day and Hunter Limited-Redwood Music

Reseñas de usuarios22

Reseña destacada

7/10

Only for lovers of British period flicks.

"The Last September" tells of the beginning of the end of the Anglo-Irish, circa 1920ish, in Cork, Ireland by examining the clockworks of one family of privilege surrounded by rebellion, on the cusp of degentrification, and trying to keep a stiff upper lip in the face of waning denial. Beautifully filmed and visually delightful, this film sports a wonderful cast who deliver finely nuanced performances. Unfortunately the subject matter is somewhat esoteric, the story meager, and the film burrows into the moment to moment minutia; something which is both it's strength and its weakness. Those who don't get the Brits should pass on this flick. Those who do, may be enthralled by it. I know I was. (B)