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Ridley Scott's Gladiator is not a perfect film, I would think that the hardiest of fans, of which I'm firmly one, know this deep down. Yet just like Commodus in the film is keen to point out that he himself has other virtues that are worthy, so does Gladiator the film. Enough in fact to make it an everlasting favourite of genre fans and worthy of the Academy Award acknowledgements it received.

In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from. There has to my knowledge as well, never been a denial of the debt Gladiator owes to Anthony Mann's 1964 Epic, The Fall of the Roman Empire. Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience. And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.

What we do in life echoes in eternity.

So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel - overrides film making irks. Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny; with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.

Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla (pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing). Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.

I didn't know man could build such things.

Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations. The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard. The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction. And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap. A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again. Bravo Maximus Decimus Meridius. 10/10

Gladiator is the best bread and circus. A moving and very entertaining action epic with Russel Crowe and Joaquin Phoenix at the top of their game.

I absolutely love Joaquin Phoenix in this movie. He's the kind of villain you love to hate. So pathetic and childish. So ruthless and creepy. Just right amount of cartoonish. I wanted to punch him in the face.

It can be corny and it drags a bit during the escape plan part of the plot, but it has enough emotion and brutal violence to keep the audience entertained, and that's what a good gladiator match should be.

20 years on, the first DVD I bought is still a barnstorming, thrilling ride. There's so much to recommend this - Lisa Gerrard & Hans Zimmer's iconic score, the canny casting of Joaquin Phoenix as a foil for Crowe; the realisation that I quote this film in everyday conversation far more than I thought I did. If it should have won the Oscars is a moot point - this is another of Ridley Scott's superb worldbuilding - one of his primary film-making skills, giving us a Rome that feels recognisable yet still a break from the cliché's that had seeped in to popular culture before this. That the film's status was boosted by the DVD boom as it made its way to home release is undeniable, but this remains a film that thrills, absorbs and grips.

How good is Russell Crowe though, easily one of my favourite actors. Joaquin Phoenix play the role of a little weasel very well. Absolute classic of a film.

One of the best films of a generation, it's a bold claim, but Gladiator truly is that good. Every single element is perfect, the story is phenomenal, one to absorb you for the full running time. The visuals are incredible, an epic masterpiece for the eyes as well as the soul. The acting first rate, surely the aim of any film is to move you, this does just that and then some.

The best of Russell Crow are far as I'm concerned, he really does command the screen throughout, Joaquin Phoenix is just as good, it makes me so sad that this was the last film of the late great Oliver Reed, and of course he's awesome.

I must also comment on the incredible soundtrack, the sublime music of Has Zimmer coupled with the ancient, enchanting voice of Lisa Gerrard, the music is the same glorious standard as the film, Now we are free still gives me chills, and takes me back to the film.

One of my top ten films of all time, a masterpiece, 10/10.

Gladiator is a historical epic from director Ridley Scott. After being betrayed by the new Caesar, Roman general Maximus is sold into slavery as a gladiator where he rises to fame as a people's champion and finds an opportunity to exact his revenge. Russell Crowe, Joaquin Phoenix, and Connie Nielsen lead the cast and deliver strong performances. Additionally, the gladiator fights are especially dynamic and exciting, featuring several different styles of combat. The costumes and sets are also remarkably well-done, and create a vivid depiction of ancient Rome. And, Hans Zimmer's score does an excellent job at capturing the tone of the film. Thrilling and action-packed, Gladiator delivers a compelling tale. "Are you not entertained?!"

Seriously the best fantasy film of the modern area with great acting and emotional rollercoastering all the way through. The soundtrack by Zimmer really propels this film

"Are you not entertained?!?!"

One of the most perfect movies ever made. The pacing, the characterization & development. Hans Zimmer's score. John Mathieson's cinematography. Career-making acting from Russell Crowe, Joaquin Phoenix, Connie Nielsen, & Djimon Hounsou. Everything is on point.

This movie is an integral part of Ridley Scott's holy trinity, along with Blade Runner & Alien. Endlessly rewatchable. Endlessly quotable. An epic tragedy on the level of Shakespeare & Ancient Greece.

This movie will be just as popular a hundred years from now, and no movie about Ancient Rome will have topped it.

I love history, and to me, Gladiator is a masterpiece. It is the most accurate picture of the Roman Empire Hollywood has ever put out. People declare Spartacus a masterpiece, but Gladiator far outdoes Spartacus in quality. The costuming, the acting, the screenplay, the scenery, and the fighting styles made me think that I had traveled back to 180 A.D. Russell Crowe is a true Hollywood tough guy, and he is superb in this movie. Joaquin Phoenix is outstanding as a villain, one of the best in movie history. He played his character as if it were a psychologist's dream case. Connie Nielsen plays one of the strongest female characters that I have ever seen. The choreographer of the action sequences was brilliant. Ridley Scott did an outstanding job in recreating the Empire, including the multitude of ethnic groups within the Empire and accurately depicting everyday life. If you're looking for insight into what the Roman Empire was like, this is a perfect depiction.

I am usually worried that I'm in for a big let-down when I am looking forward to a film as much as I was to this one. This time however, I was very pleasantly suprised, when Gladiator not only fulfilled but surpassed my expectations. It's a brilliant film, which (while containing weaknesses such as a script which wasn't quite as good as it could have been, and one climactic scene which completely changes, and ruins, the ending) manages to engage your heart and mind.

The performances are without exception excellent (although the accents may distract a bit, there is such a wide variety of them). I must single out for commendation Mr. Phoenix, who despite his youth manages to portray a character with such conviction that you never for a moment doubt his interpretation. His physical performance is as good as his mental one.

The film rests firmly on the (extremely attractive and capable) shoulders of one Russell Crowe. In a tour-de-force performance, he manages to convey a man (not a superhuman) with frailties and doubts and fears and heart. I cannot convey to you how brilliant this man's performance was. If anyone else had been this character, the film would have rated at best a five out of ten.

Kudos to Russell Crowe, and to Ridley Scott, for managing to keep this film on a level with humanity, rather than one in which the characters become killing machines.

A must see, five stars out of five.

Once again, Director Ridley Scott proves to be as professional as one can be. The recreation of ancient Rome is splendid, with all its magnificent buildings and atmosphere and he is able to show with all brightness the greatness of the Roman Empire, with its political problems and military discipline, and love and treason, of hate and jealousy, that still have a place in our world today. But the story has a glow of its own, to which all the beautiful scenery (believe me, it's awesome!!!) and great cinematography are just balancing factors. The plot is a rich one, that is as dynamic as it is present. He once again, after Blade Runner, 1492, and others helps us visit the depths of the human soul, which remains the same over all our historical and social experience. Even the fights, are displayed in such a way that all the blood is quite discrete, but still, making us feel like screaming and jumping out of our seats. I would also like to point out the performances of the cast, that is surprisingly good. We have some actors and actresses, who are not Hollywood icons, but are are greatly able to move the audience among screams and tears. All in all, we have guys like Russel Crowe, who are coming out to be part of a new and extremely promising harvest of people who are making each time more fans around the world. Well, you should see for yourself!

Ridley Scott's Oscar-winning ersatz epic is one of the least spectacular big-screen spectacles ever sold to an undemanding public: a sand-and-sandal throwback stripped of the genre's all too necessary guilty pleasures. The idea was to recreate for today's digital generation a wide-screen Roman Empire costume drama from Hollywood's pre-video adolescence, but all the fancy computer imagery (and state-of-the-art budget) only makes the new film look and sound more solemn and pompous than its beefcake role models. Worse yet, the occasional token nod toward old-fashioned visual grandeur isn't enough to camouflage the claustrophobic TV screen compositions and typically frantic Madison Avenue editing job (designed, perhaps, to hide the digital wrinkles).

Russell Crowe is the title character: a Roman general fallen from imperial favor, battling for his life and honor on the floor of the Coliseum, where the prize for victory is another day of slavery and the cost of defeat is a mercifully quick death. Crowe's protagonist is a man of few words, most of them delivered in a flat monotone, matching the equally colorless photography, shaded in picturesque hues of misty gray and mud brown sepia.

Don't expect any surprises from the strictly formula riches-to-rags-to-rebel hero scenario, which doesn't even allow the villains (degenerate emperor Joaquin Phoenix and his sister/lover Connie Nielson) a chance to have any fun. Audiences (and too many critics, who should have known better) conditioned by habit to reject anything original made the film a worldwide hit, but even in our current age of diminished expectations it should have been clear that they don't make 'em like they used to anymore.

This movie is amazing, every soul should see this, Russell Crowe deserved the Oscar

"Gladiator" definitely is a classic film as it combines a simple, but moving, story with beautiful scenery, filming, direction and score – it is truly a "complete" movie.

I am mostly compelled with the beautiful script which in a way reminds me of poetry, though it is still everyday language. I love the acting portrayed by the late Oliver Reed and also Richard Harris. Russell Crowe, Djimon Housou and Joaquin Phoenix are also superb and the parts suit them perfectly. There are also a number of less "popular" artists who also deserve a big "bravo". Amongst them I have to mention ex-Mr Universe Ralph Moeller who is mostly used as the comic relief of the movie. In Gladiator we can also the beautiful and popular Maltese TV Star and actress Ruth Frendo, who although has a small part, she is totally brilliant and outstanding.

Actually I got to IMDb while I was looking for her name on the internet, in fact on IMDb she has some very stunning photos. I was lucky to meet Ruth Frendo whilst she was filming in another Maltese production. Ruth Frendo is not only a gorgeous and talented actress but she is also amazingly intelligent and very down-to-earth. We will definitely be seeing more of her work in the future...

The scenery used for "Gladiator" is brilliant – and the opening battle scene is definitely one of my top favorite scenes. The modern camera technique contrasts sharply to the brutality of the gladiators actions and blood shed during the movie; and I love the light contrasts thanks to the lenses which most definitely have been used to create a surreal feel to the entire movie.

"Gladiator" deserves all the awards and great reviews it has received, and for those of you who still haven't gone and watched it – I can assure you that it will be well worth your time and money. So go on and rent it now!

Most films require that the viewer identifies with the character to truly be engrossed with the film. If you can't feel something for the character, than the audience is lost.

Luckily, in Ridley Scott's case, Russel Crowe is so captivating and convincing as a general loved by his troops and as a slave loved by the people that the movie really works. Possibly one of the greatest actors today, Crowe carries this epic film on his very capable shoulders.

Not to say that he is the only reason this works. The supporting cast, most notably Connie Neilsen, buoy the film to new perspectives.

Jacquin Phoenix definitely captures the egotisitcal persona he should display, stealing every scene he's in. Phoenix will surely be put on the map with Gladiator.

But the real shining star in this film are the incredible action sequences which jolt the viewer right in with the opening sequences, as Maximus' true worth to the Roman Empire is displayed. Scott's camera work within these completed sequences takes a modern twist that really works for the gruesome scenes.

Crowe will now get the respect he deserves for this collosal performance. Gladiator makes the most of its 2 and a half hours, marking a triumphant comeback for the long forgotten epics of the classic days of film. ALL HAIL MAXIMUS!

Great Story! Great Writing! Great Acting! Great Directing! Great Score! This movie has it all. I especially enjoyed the mood of the film. Even though it has a lot of action, there is a subtle elegance throughout the picture that gives it great style. The movie flows effortlessly from scene to scene, while at the same time creating wonderful intensity and nail-biting excitement.

The acting in the movie more than lives up to expectations. Russell Crowe is brilliant in his role as Maximus, the "general who became a slave, who became a gladiator, who defied an emperor." Crowe's intense style is perfect for the relentless determination and confidence of Maximus. Joaquin Phoenix is equally wonderful in his role as Commodus, the corrupt emperor. He plays a great villain because he is able to give Commodus depth by showing certain vulnerable or fragile sides, while at the same time instantly transforming to let the ruthless nature of his volatile character shine. It also helps that Joaquin has the classic Caesar look that works perfectly with his role.

Connie Nielsen is also very good as Lucilla. However, perhaps the two finest performances in the movie were given by a couple of acting veterans in supporting roles. Richard Harris and Oliver Reed were exceptional in what will be remembered as crowning achievements at the end of their careers. Harris was perfect as Marcus Aurelius, the aging Caesar who reflects upon his life and contemplates how the world will remember him. And Reed, especially, gave my personal favorite performance in the movie as Proximo, the trainer for the gladiators. The way he spoke about the life of a gladiator, the splendor of Rome, and the "thrill of the Coliseum" really added excitement and anticipation during the viewing of the movie.

Gladiator is filled with many memorable moments that one would need to see more than once to fully appreciate. The excitement felt for me when Rome is first shown in all its wonder and marvel is my favorite scene. But the whole movie is a rush! Hans Zimmer provides the absolute perfect score to capture the different moods in the movie. Ridley Scott sets the perfect tone with his artistic and creative directing. I would recommend it to anyone who can stomach intensity and enjoy an epic story for the ages. Next to Braveheart, this movie is the greatest of all-time!

Ridley Scott rarely disappoints with his films. All of them, including the unjustly-maligned Legend, are visually stunning and just show the director's artistic genius. Gladiator should be up there as one of the best films he's done, if not the best. Almost everything on screen is very graphic, making some scenes upsetting to watch, but the visuals are just outstanding. The music score by Hans Zimmer just adds to the drama that is already there in the script. which is well written and rather Shakespearean. The performances were brilliant, especially Joaquin Pheonix and Oliver Reed. Russell Crowe is wholly convincing in the title role, and Richard Harris and Connie Nielson are also excellent. The costumes are brilliant, as well as the sets. In conclusion, Gladiator is a near masterpiece, only marred by some upsetting scenes. 9/10 Bethany Cox.

The epic blockbuster returns with the 21st Century's answer to Cecil B DeMille, Ridley Scott and his dramatic tale of courage and revenge, GLADIATOR - "the general who became a slave, the slave who became a gladiator, the gladiator who defied an emperor".

Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar (Harris), Maximus (Crowe) is forced into exile by Commodus (Phoenix), heir to the throne, after the death of Marcus. Saved from death by slavers, he is purchased for use as a gladiator by Proximo (Reed) and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".

And with a budget of over $100m, Scott certainly delivers the goods. GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur. Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of (love, loss, courage, despair, good triumphing over evil etc etc) - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying. From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film. The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety. In every way, Scott has created a world for us that scuttles films of similar epic undertakings (and budgets!) and sends them to their dooms at the bottom of the murky depths of film history where they belong.

The cast is generally very strong. Crowe proves himself very suitable to the task with a great emotional range and depth of character. His accent ocassionally bugged me (as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films'), but this aside, he was well and truly up to the task. Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'. The old guard thesps of Harris, Reed and Jacobi (Grachus) are uniformly strong as supporting characters, and Spencer Treat Clark (Lucius) does a fine job as the young heir to the throne.

Add to this great cast excellent editing and post production work, and an intricate soundscape (including a magnificent Hans Zimmer score), and you have a film that, despite its length, was highly palatable and had me in there from beginning to end. A must see.

There is an unwritten rule in movie making that if you have an excellent script it doesn't matter how you film it. If you have a lousy script - then everything else matters, the direction, the cinematography, the acting, the music... "Gladiator" is an epitome of the latter half of that rule. The case where direction, music, acting and art direction completely redeemed a crappy story.

For me it took watching it in German overdubbing. As I don't speak German there was nothing to detract me from visuals and music. And it's a new experience on another level. But more on that later. First the crappy part. The story.

Make no mistake, whether you care about history or not, this is a horrible script. It's taking huge (and quite unacceptable) liberties with the period it purports to portray, it's unconvincing even on its own terms, the dialog is pretty much high school and in its core it's a predictable revenge story told a zillion times before. Apparently (according to a documentary about Hollywood screenwriters) only Russell Crowe didn't know what turd the script was so he contributed himself with the juvenile "husband of the dead wife" speech.

Ridley Scott and his crew apparently knew what stinker they had to work with and did their best to defeat it with excellence in all areas and actually made two films in one.

On the surface it's a revenge story. The hero, a favorite army general turned gladiator, seeks revenge against a young emperor, who had general's family killed during the tumultuous succession to the throne. The military battles and the gladiatorial bouts required for this aspect of the movie are done both to tremendous detail and on a grand scale. With the help of CGI they are seen in all their glory and gore. Some accuse Scott of shying away from action but his direction shows everything one needs to see. Yes, the cuts are brief, the camera sometimes doesn't follow through, but the editing is pure poetry and you miss nothing. Cinematography-wise every frame is shot in a way that you could just hang it on a wall as a nice picture. Costumes and scenery are impeccable. A revenge story, yes, but well worth watching.

But on another level "Gladiator" plays out like a remake of "Fall of a Roman Empire". But it's not in the script. It's in the mood set again by production. This other story is about the decline and death of classical Rome and its ideals. There is simple yet effective symbolism to express it, the play on dark and light and the sunrise-sunset arc. The movie starts with a battle at dawn, the way the Rome itself had once dawned, fighting. There is an ideal Roman hero, valiant and dutiful, there's a typical Roman villain, clandestine and scheming. Hero does his best in the light, the villain does his worst in the dark, whenever they swap environments during the movie they fail miserably. The story ends at sunset, symbolizing the end of the Empire itself, and although an uplifting speech is given at that point it is defeated by the setting sun.

The feeling of the doom is constantly emphasized by melancholic music. The dreamlike experience of the main character who is already dead but doesn't yet know it is enhanced when he finally visits Rome and the city is an idealistic, blown in proportions version of itself. The script may be a complete falsification of history, but the feeling of decline one gets when watching those scenes is probably completely faithful.

So forget the story and the closing speech. Watch and listen the movie. The Roman Empire is living and dying once more before your very eyes.

Give me a break....how can people be going on and on about what a wonderful flick this is when it is clearly not. Yes...the openeing battle sequences were splendid....instead of the spanking clean handsome Roman soldiers we are used to seeing in such films, we saw tired, dirty warriors fighting in the mud, slashing their way to victory in what seemed like a realistic situations...and Richard Harris was great and yada yada..BUT... NOTE....PLOT POINTS...DANGER IF YOU HAVE NOT SEEN THE MOVIE.. first of all..the pathetic digital gigantic snow flakes...none of which ever landed on anyone or anything or ever melted, and the MTV editing of the battle...so fast that you really could not see anything at all. The digital effects throughout the movie were transparently phoney....at one point they show the coliseum and birds fly by....phoney pathetic birds..and they are so proud of their birds that they reappear two more times at least. Yes...there are some fun moments in the film, but they are overshadowed by poor digital moments and a terrible story...and just to end things on a sad, sad note...if you see the movie again..PLOT POINTS..DANGER!!!..make sure you notice that when poor old Maximus is lying dead on the coliseum floor, someone has nicely put his head on a sand pillow...I guess he really does demand "star" treatment!