Nichts als die Wahrheit

Excellent movie with Götz George as Mengels. Back in Germany, he's ask about the crimes of the Nazis. Doing that, he questions our own attitude towards crime. It's hard not to get into deep thoughts after seeing «After the truth». The final scene is quiet compelling. It's very interesting to see such a movie coming out in today's Germany.

8 out of 10. 85%

The main idea of this movie -J. Mengele returning to Germany to stand trial- is a brilliant one. Götz Georges´ Mengele gives the impression of superiority whereas the german society of the today seems pale, confronted with him. The truth is not in question here, the killings and experiments in Auschwitz are admitted openly and the main character of lawyer Rohm mainly wants to understand, how such crimes were possible and how a man like Mengele justifies them. And Mengele gives an explanation... Up to this point the movie works perfectly but then too many side characters and side plots are developed that I was not really interested in. But the main question, why his crimes are crimes, stays unanswered and the second half of the movie simply pressed the fact that everybody can get guilty when the circumstances are "right". I missed a good (ethical, philosophical) answer to that. It was not enough, simply to repeat that Mengele is guilty no matter what he says in his defense, not in a movie like this. I think the producers did not trust the (german) viewers to think for themselves.

When I saw AFTER THE TRUTH I was absolutely spellbound. Such a monstrous, though in fact, quite simple idea could actually be turned into a film? In Germany? Never! The fact stands that this is a brave and well crafted study of a man's choice between professional opportunity and his personal ethics. Forced to defend The Angel Of Death - Dr. Josef Mengele - his personal life is, understandably, completely turned upside down. The script by Johannes W. Betz manages to alternate convincingly between scenes portraying his inner turmoil and the fascinating encounters with Dr. Mengele. Götz George as Mengele is excellent and it is largely through his brilliant performance that the story is so fascinating and believable. The ending of the film felt a bit like a copout to me but the clever editing and the accomplished direction by Roland Suso Richter never falter. After living in fear that the German cinema was dead and buried, there appears to be new blood to bring it back to life.

This is a disturbing movie, a courtroom drama in which a man claiming to be Josef Mengele voluntarily returns to Germany for trial. He enlists an unwilling lawyer to defend him in a court of law. The lawyer must defend the indefensible, an act he finds personally repugnant but accepts because of a need to understand the holocaust and what let it happen. The answer seems to be that unspeakable evil lurks closer than one might comfortably imagine.

This film is absolutely wonderful. Not in the way that it makes you feel good, oh no! It seduces you to try to understand the deeds of one of the most famous and feared Nazis ever: Dr. Josef Mengele. It leads you to the point where you have to declare where your own point of view is located without offering the easy way out...