Círculo de engaños

I like Jeff Bridges tremendously, so I'll watch anything with him in. But this film has so many loose ends, you could make a ragrug.

Good acting by all, but a good dollop of suspension of disbelief is necessary with so many unlikely events or inconclusive nuances of the plot. Vinnie and his girlfriend checking into the same hotel and not knowing it. What was that all about? And what was Carter arranging with Simms anyway even before Vinnie turns up from the past?

The central premise seemed to be Simms's reconciliation with the past - forgive and forget. Very good, but this wasn't developed enough. Okay Carter throws it all away through guilt and wants the simple life again. But it's not believable. They can't be nineteen again.

It should have been filmed in the European style - slow and ponderous would have been so much better. But this version is too clipped and compromised with modern moviegoers tastes. Stone is very very good. Nice to see Nolte in rags again, it's his forte. Jeff is sleepwalking though. New girl terrific. Does she go back to Vinnie in the end or go with Simms? I think it's back to Vinnie. It almost works - I like movies that exercise the mind and leave loose ends to speculate on. But without the basic substance, loose ends is all Simpatico has.

Tale of long-past racing scam resurfacing to change the diverse lives of its perpetrators and victims isn't particularly subtle, with transformations and transferences flying around like abandoned betting slips, but it's very well acted by a dream cast (no less engaging for the fact that they don't all seem to be in quite the same film) and never loses its basic finesse. In its early stretches, as the pieces of the plot fall into place, the film builds a highly effective sense of escalating jeopardy, and the initial gambits on the theme of identity and impermanence are effective, leveling out a bit as thematic considerations seem to overtake the characters. Still, it has a sleek poise, and debuting director Warchus shows a distinct nose for the finish line - the film's closing scenes seem about right on their own terms, even if you're not sure about all the stuff that led you there (the horse Simpatico for instance seems ultimately to be carrying more symbolic weight than the course of the film supports).

When 5 past Oscar nominees headline a movie, naturally, one would have rather high expectations. Such is the case with `Simpatico' a high-profile drama which went by relatively un-noticed when it was released 3 or 4 years ago. But I am surprised that it only received a 4.4 rating on the IMDb. I'm not saying that the film was a classic or deserved enormous critical plaudits, but I definitely think that it deserved more than that. It is an adaptation of the stage play written by Sam Shepard. While it starts out promising, it is also surprisingly bland when it reaches the conclusion.

But the main problem is the lack of simple definition. It's hard to tell if this is a simple story, or a more complex one. It's unclear whether this is a film about friends reconciling or friends being torn apart by guilt. The film tries going both ways, but the result is a puzzling one to say the least. One thing that it avoids doing is falling into plot-holes, becoming predictable or using average movie clichés. This is done by creating thoroughly flawed but also very compelling characters that certainly aren't your average stereotypes. And they are lifted off paper by exceptional performances from the three Oscar nominated lead players.

Nick Nolte (Affliction, The Prince of Tides) gives yet another top-notch performance as the untrustworthy hobo. Jeff Bridges (The Last Picture Show, The Contender) is also very good as his polar opposite- the eccentric millionaire. About two-thirds the way through the movie, the two main character switch places for no apparent reason. It doesn't make logical sense why a millionaire would choose to live like a bum, just because someone stole his wallet. Both actors are better and more believable in their opening personas.

Sharon Stone (Casino) makes her first appearance in the movie at about the halfway mark. It's a shame she didn't appear earlier, because it's surprising how convincing she is as the rich and wrecked housewife. She's so far away from the icy sex-goddess of `Basic Instinct' it's hard to believe that this is the same actress. Albert Finney (Tom Jones, Erin Brockovich) makes great support, but Catherine Keener (Being John Malkovich) gives the blandest and most over-rated performance. Not only is her part boring and un-necessary, but she even over-acts in certain scenes.

Unfortunately, there are some evident flaws scattered around here and there. The `big twist' is uninteresting and it's ironic that Sharon Stone and Jeff Bridges are never on the screen at the same time- After all, their characters are supposed to be husband and wife! But the brilliant acting alone makes `Simpatico' qualify as a good if un-remarkable movie. The script is below average and sometimes the movie ventures into blandness, but most other aspects are good as expected. My IMDb rating: 6.1/10.

You'd think that a movie with the acting power of Nick Nolte, Jeff Bridges, and Sharon Stone would be one to watch. Well.......it is and it isn't.

First off, I'd never in my life thought I'd see Nolte and Bridges in the same movie. Talk about an odd pairing!

With that out of the way, they both put in good performances, as does Stone. The star of this movie though is Albert Finney. His performance is the best of all the parts in this movie.

Unfortunately the plot, involving a racing scam many years ago which resurfaces, is only mildly interesting at best. It seems almost a shame to have such good performances wasted on such a story. Still, it's worth a watch if nothing else is on.

I really don't know where to start. The characters weren't that believable at all. The development they have gone through (as you see them in their youth as well) and the development they go through during the movie just doesn't make sense to me.

And the plot, you can smell something similar to a plot here and there, but that is as close as you get. The first 15-20 minutes it works, it feels like an ordinary movie. But then it just breaks down and you wonder what the message is, what the story is, what the heck this movie is supposed to convey.

In summary it's a pointless flick that doesn't strike any chords in me anyway.