Un hombre sicario de la mafia afroamericana que se modela a sí mismo después de que el samurai de la antigüedad se encuentra a sí mismo como blanco de muerte por la multitud.Un hombre sicario de la mafia afroamericana que se modela a sí mismo después de que el samurai de la antigüedad se encuentra a sí mismo como blanco de muerte por la multitud.Un hombre sicario de la mafia afroamericana que se modela a sí mismo después de que el samurai de la antigüedad se encuentra a sí mismo como blanco de muerte por la multitud.
- Premios
- 1 premio y 8 nominaciones en total
Scene after scene was bizarre. I watched an amazement on the first viewing, chuckling here and there. By the third viewing, I just laughing out loud throughout much of it. The dark, subtle humor in here is as good as I've ever seen on film....even though it may be classified more of a gangster film than a comedy.
The humor mainly involved the gangsters, who were a bunch of old Mafia men. A mob never looked this pathetic but they were characters. It was especially fun to see Henry Silva again, a man who used to be an effective villain back on a lot of TV shows in the 1960s. He didn't say much in this movie but the looks on his face were priceless. The funniest guy, at least to me, was the mobster who sang and danced to rap music!
The byplay between "Ghost Dog," the hero of the movie played wonderfully by Forest Whitaker, and the ice cream man, who only spoke French, also was fun and entertaining.
Almost every character in here was a strange, led by Whitaker who plays a modern-day hit-man who lives by the code of the ancient Samurai warriors. He also trains and communicates through carrier pigeons. Hey, I said this was a bizarre movie!
The violence was no-nonsense, however, nothing played for laughs and unlike Rambo-mentality, people who were shot at were hit and usually killed right away.
Along the way on this strange tale was a lesson or two on loyalty, racism, philosophies, kindness, communication, etc. How much of this you take seriously, and how much as a gag, is up to you, I guess. The more I watch this, the more I see it as clever put-on comedy....yet sad. It's not to easy to describe but you wind up getting involved with these odd people.
The movie changes rapidly as Whitaker does in this story. One minute he is a brutally bear-like hit-man and the next minute, the gentlest of souls.
A very unique film. The title looks a bit stupid and one you would easily dismiss as moronic, but it is far from it. Great entertainment.
- ccthemovieman-1
- 3 nov 2005
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Argumento
¿Sabías que...?
- CuriosidadesJim Jarmusch stated in an interview that he wrote the role of Ghost Dog specifically for Forest Whitaker, and if Whitaker hadn't taken the role, the film probably would not have been made.
- PifiasBefore killing the hunters, Ghost Dog turns off his car by turning the key in the ignition. When he stole the car, however, he used an electronic device to override the ignition.
- Citas
Ghost Dog: There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you still get the same soaking. This understanding extends to everything.
- Créditos adicionalesThe second to last person thanked at the credits' close is Akira Kurosawa--the Japanese filmmaker who filmed one of the Ghost Dog's central texts, Rashomon.
- Banda sonoraIce-Cream
(instrumental mix)
Written by R. Diggs and C. Woods
Produced, mixed and arranged by RZA for Wu-Tang Productions, Inc.
Published by Careers-BMG Music Publishing, Inc.
On behalf of Ramecca Music and Wu-Tang Publishing (BMI)
Featuring Ghostface Killah, Cappadonna and Raekwon
Raekwon appears courtesy of Loud Records
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Ghost dog - El camino del samurai
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 3.308.029 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 166.344 US$
- 5 mar 2000
- Recaudación en todo el mundo
- 9.421.594 US$
- Duración1 hora 56 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1