Rane

Take `The Clockwork Orange', add `Trainspotting', add `Once Upon a Time in America'...Throw away all the cinema glamour. Add harsh reality. I do not know what you will get as a result and I can't promise you it will be something good. But if you are Srjan Dragoevic, you will get `Rane' and it will be breathtaking.

I've watched tonns of various movies - & felt like nothing could impress, thrill or shock me - till I've discovered Yugoslavian/postYugoslavian cinema. Black humor. Real passion. Authentic - might be the best definition. The characters are a l i v e and you just wonder how the director managed to put so much pieces of real life inside the picture. What other cinema schools tried to archieve through `experiments' - like Dogma for example - that is to say by inventing boarders, limits & rules for itself - those Yugoslavs did or do by working in often ordinary, may be even classic way - and the main trick is that they seem to have no boarders! The movies I've watched were dark but still they never lacked `lust for life'. Yugoslavian cinema seems to have national specific but always keeps in mind the best examples of European/American cinema. Almost all listed above refers to `Rane'. Mix `Trainspotting' with `Clockwork orange' add a little bit of `Once upon a time in America' & put it on the streets of Belgrade of the nineteth...Take two teenagers who do not know any reality except hatred, violence, crime & poverty - and put them inside the story. One of the most bizzare things for me was - how it reminds the Russia of the early ninteth - rapid inflation, depression & political madness. Two main characters are the guys from my area. It makes me wonder - why former Yugoslavian directors managed to make a number of brilliant movies - trying to expalin what is happening - during extremely hard times - while Russia hadn't already produced even a single good & honest movie about what is happening in Chechnya? Well may be one or two but it is still doubtfull. That's a shame.

It's the disturbing reality of 2 working class youths in Belgrade: a life of crime. What makes this movie brilliant is that it does not romanticise our young criminals. Around the world, desperate youths turn to crime for survival and status elevation. We have it in South Africa. City of God tried to show it as it is in Brazil, but Rane has managed to capture the heart of it all. Humour and sincerity are at the heart of this film's success. It's powerful.

And the television show in the movie, where they interview criminals as heroes is not fantasy. This TV show was broadcast in reality. It's a weird world, but it is our world. Each moment of this film, you wonder if you should close your eyes, you anticipate something bad. Yet, I was totally inspired afterwards.

This film was my first exposure to life in Serbia – to life on a battlefield – after society and its rules have deteriorated to dust. Right and wrong yield to anarchy and savagery. It reminded me of William Golding's Lord of the Flies. At the end of the day, under the right circumstances, base human behaviors creep out. Morality comes from our environment. When civilization standards fall, values are lost. Citizens will degrade their fellow citizens to improve their own security, doing whatever they have to do. In Wounds, the surviving behavior emerges in the celebrated lifestyle of a gangster.

Pinki's narration is straight from the gut. He's 20 something at the end, and thinks of himself as an old man. The way he and kraut do the things they do, you just know they could get away with it.

It's a well told, thoroughly enjoyable Tour d'anarchy. Gruesome but real. 8.5 / 10.0

Dark, bleak, hopeless, harsh, uncompromising, periodically injected with black humor, but overall quite powerful - Srdjan Dragojevic's follow-up to "Pretty Village, Pretty Flame," weaves a tragic coming of age story in Yugoslav capital Belgrade during the turbulent 90's with all the sharp cultural, social, political references and critique one could ask for. This film actually fits more along the lines of "Cabaret Balkan," except that "Rane" has this gangster twist to it. Among the supporting actors I noticed a lot of familiar faces such as Miki Manojlovic, Dragan Bjelogrlic, Branca Katic, Nikola Kojo, who you may be familiar with from films like "Underground," "Black Cat, White Cat," above mentioned "Pretty Village, Pretty Flame" and "Cabaret Balkan" and such. Definitely recommended if you are interested in Serbia/Yugoslavia or Serbian film making.

This is the best gangster movie I saw since Scarface. It tells the story of two teenagers growing up in the anarchy of the post Berlin wall Eastern Europe. The movie's narration is so slick that it only proves that Dragojevic(Preety Villages, Preety Flames) is one of the best European directors.