Vidocq: El mito

This film is visually stunning - it's almost like watching a painting in motion. Everything about the visuals, from the sets to the costumes to the lighting to the camera angles, contributes to a surreal and rather otherwordly, while still dark and gritty, atmosphere - somewhat evocative of Gormenghast.

The plot has enough twists and turns to keep you constantly guessing, and frequently confused: Is Vidocq dead, or alive? Were the murdered men victims, or villains? Or pawns in something larger? Are we looking for a mad scientist, or an urban legend brought to life? Is the political unrest in Paris related to the case, or just a backdrop for it? It borrows elements from both science fiction and fantasy as well as being rooted in the detective genre.

Now, I probably have a higher than average liking for twisted, fantastic, genre-bending movies that make one's brain hurt, but even so, there were some serious holes in the plot, or at least things that never really were well explained. So viewers who place a high priority on logic and consistency may find it a frustrating experience. But overall I very much enjoyed it, and some of the visuals will be with me for a long, long time.

I really wasn't ready to enjoy "Vidocq" having heard a friend of mine telling me he felt like throwing up in the middle of the movie, due to the peculiar camera angles and motion. But having some time to lose while waking up in front of TV, why not take a look?

And I was really taken in that old-Paris atmosphere, which I found strangely bewitching... I did not find the special FX better than in other big budget movies, but "different", finally something original, kind of an nightmarish, apocalyptic surrounding... The storyline had some nice parts to it, but we could have had more. Depardieu was pretty good, Dussollier as well, as opposed to a dreadful Guillaume Canet...

Overall, an interesting movie, with pluses and minuses, I was glad to see it but I won't buy the DVD.... 6/10

Yet another "Galliwood" movie, with all the typical French pluses and minuses. On the plus side, it is more original than most Hollywood movies: I particularly like the spectacular, original and surrealistic photography (powerfully blended with digital computer animation). On the negative side, the story is perhaps a bit dull and incoherent; though it is still more inventive than most stories from the same genre. In overall, this is an enjoyable piece. It would deserve much more attention (and financial success) than it actually receives, but "Galliwood" suffers from the lack of effective marketing infrastructure.

This French film was much criticized for wasting it´s visuals in just an action adventure story wich i think its the most unffair thing it can be said on such a masterpiece like this. When an action movie has an empty plot, evcerybody complains, when it has a good plot everybody says it should have been better and not waste its potential. Are you critics nuts ?!! Some attack this movie claiming that its nothing like french a Matrix wannabe. Well i wish Matrix had been such a good movie and had such a good story as VIDOCQ has. And if this is just an imitation, i want a sequel ! As for the Sony Camera style, well it was filmed with one, what do you expect ?! Is that a bad thing ?! It made me want to go out and buy one just to try and make a movie like this. And those closeups look great and realy show how the personalities of some of the characters are distorted and nuts. Brilliant editing also.

I loved the story, the actors and graphicaly is one of the most inovative movies ive seen in recent years. It was not an expensive production, but looks better than most of Hollyood Blockbusters of the last 20 years at least. The genius of this movie is in actualy making us believe that much more money was spent on it than what actualy was. This is the proof you don´t need a big budget to make a big film. All it takes is imagination.

Visualy it couldn´t have been better. The settings are amazing, the computer graphics blend in and add to the visual feel and the atmosphere is incredible. Great action sequences, great mistery and great characters. Above all an original concept wich is something that Hollywood can´t say that it has nowadays.

I´ve loved this movie so much that i bought it from the French Amazon store just a couple of hours ago and i only saw it at the theater last night. It´s a double dvd edition and it has plenty of extra material and i can´t wait to get my hands on it.

One of the best European "fantasy" movies since La Citée des Enfants Perdus and another great french movie. French cinema nowadays has been a great alternative from Hollywood crap. Merci French guys ! :) After seeing such crap as the latest Arnie Shwarzenneger movie its great to have a REAL GOOD movie to watch and see how real cinema should be. Hollywood take notes. No, realy. Take notes, this is how you make a very interesting action movie with style but also with substance.

VIDOCQ is a true masterpiece. More please !

Vidocq is directed by the singular Pitof, who has worked with Jean-Pierre Jeunet on such films as Alien Resurrection and the superior City of Lost Children. Depardieu stars (his 116th film!) in a striking tale of 1830's supernatural murder, set in Paris which would make an excellent double bill with From Hell. Vidocq was a real historical personage, and a genuine founder of modern French criminology - though this is a highly fictionalised part of a part of his life, inspired by the 'orrible crimes of contemporary penny dreadfuls and the likes of Spring Heeled Jack, than by any real facts. The film is shot entirely on high quality video and so visually it is completely different to a regular film. The sometimes disconcerting loss of depth of field brought by the format is compensated for by an immediacy and high impact in close ups, as well as an amazing (and presumably inexpensive), flexibility in shots and special effects. Watching it I was reminded of what a BBC costume drama would be like on acid, and could also see indebtedness to Phantom of the Opera, Sherlock Holmes and perhaps Blade... All in all I thought this the best French fantasy I have seen since Brotherhood of the Wolf - admittedly a small field, especially if one draws a veil over the dismal Belphagor: Phantom of the Louvre. Worth seeing if you like your fantasy dark, Gallic and hectic. A notable credit in the art department on Vidocq is Marc Caro (another Jeunet collaborator), who creates a convincing and claustrophobic world of political upheaval, crowded streets, menacing glass works and a range of grotesques. Some great scenes, EG the two men set on fire by lightning bolts set to the elegant music of Vivaldi, while the three or four main fight scenes are handled excitingly. Vidocq is such a strong character that this film cries out for a sequel. But Pitof is now apparently working on Catwoman, and going by this, his is a stylish, if rather in your face, talent. The HK DVD is excellent, although there are occasional glitches in the subtitles.