Añade un argumento en tu idiomaA whimsical look back at the life of a man who is nervous about his upcoming wedding.A whimsical look back at the life of a man who is nervous about his upcoming wedding.A whimsical look back at the life of a man who is nervous about his upcoming wedding.
Mel Rodriguez
- Ernesto
- (as Melvin Rodriguez)
Reseñas destacadas
I was surprised to read the comments of the person who so disliked this film. It really is quite funny. There are definitely a few laugh out lines that my boyfriend and I quote to each other. Some of the situations might be unsettling (bisexuality, drugs, a particularly strange child's view of sexuality) but believable at the same time. It's about communication and miscommunication between men and women.
This is not quite as bad as the critical reviewers are saying. Although I understand why the low ratings. Eric Schaeffer is a perfect example of a talented writer, director, and sometimes actor who is foiled by his own attitude and self-indulgence. His best films are the ones he doesn't star in; otherwise, his best films could have been even better if he did not insist on making it almost solely for his benefit. You can practically make out his voice screaming "me, me, me!" in many of the films he directed, wrote, and needed to be the lead actor in as well. My favorite from him is actually Boy Meets Girl. It is no coincidence that this is one of the few in his filmography where he is not an actor. Before I Go is also very good. Also no Eric Schaeffer, actor, in that one.
Alas, in this semi biographical Wirey Spindell, Eric Schaeffer stars as the womanizing $#@& who takes us down memory lane as he struggles with doubts for his wedding only days away.
It has a few great moments. Many not so great ones. But what even the naysayers cannot truthfully deny is that Eric Schaeffer does have some excellent writing skills, conveyed with engaging dialogue and the occasional witticism.
A pity, still, that he lets it all go to his head.
Alas, in this semi biographical Wirey Spindell, Eric Schaeffer stars as the womanizing $#@& who takes us down memory lane as he struggles with doubts for his wedding only days away.
It has a few great moments. Many not so great ones. But what even the naysayers cannot truthfully deny is that Eric Schaeffer does have some excellent writing skills, conveyed with engaging dialogue and the occasional witticism.
A pity, still, that he lets it all go to his head.
4=G=
I've been looking forward to watching "Wirey Spindell" since having happened across Schaffer's "Fall". Unfortunately, I found "WS" to be a wandering, unengaging, boring bunch of claptrap pieced together with, what apparently is Schaeffer's signature, a mix of story, narration, and poetry. The film recounts the sexual and other experiences of a Manhattan man about to be married through self-narrated flashbacks. Like beads on a string, Schaffer apparently has strung together every little sexual life experience, while neglecting to tend to the beauty of the necklace. The result is a disjointed rambling story about a boy growing up which fails to engender empathy and leaves the viewer disconnected, unsatisfied, and with a bad after taste which taints the mechanical feel-good ending. A mediocre indie and a step backward for Schaeffer.
Wirey's journey through the final days of bachelorhood, liberally sprinkled with flashbacks to a sexually active and diverse childhood.
It's definitely not a feel-good romance movie. It is a romance movie, but one without illusions. Everyone's an adult here, not your cup of tea if you want another Sleepless in Seattle or Notting Hill.
It's definitely not a feel-good romance movie. It is a romance movie, but one without illusions. Everyone's an adult here, not your cup of tea if you want another Sleepless in Seattle or Notting Hill.
I, as many IMDB patrons seem to have, stumbled upon this little film when it appeared on the Canadian "Showcase Network". I was, as many of you, also sucked in and watched the entire film. I was hooked, at first, by the literate dialogue and wry sense of humour that the film is rich with. I was coasting along comfortably on a sort of "Kevin Smith meets Killer Films" wave until half way through when the movie really buckled down and explored it's themes in more detail... with a decidedly darker and more poignant edge. Far from being taken out of the experience, I was brought further in. This is not the best film of it's kind and will certainly not have universal appeal... so I do understand some of the more negative reactions to it. But I bought in... and enjoyed it immensely. The "flash back" type movement in the chronology was effective, the characters were well-realized and the issues raised were human, accessible (to my experience anyway) and interesting. I was quite impressed with the film's ability to remain sweet, funny and entertaining while not shying away from controversial subject matter and raw emotional language, dynamics and situations. This movie is a great antidote to a lot of the schlock that has permeated the witty/clever romantic genre. A kind of male Brigitte Jones for the literate sect. Take 2 hours out of your busy schedule and jump into Wirey's world... or you could go rent "You've Got Mail", 'cause if that appeals to you, you won't like this anyway! Those of us who did like it will be alright without you on our side...
¿Sabías que...?
- CuriosidadesKeri Lynn Pratt's debut.
- PifiasIn what is suppose to be the year 1969 a sign for the Broadway show "Chicago" can be seen on the Howard Johnson's restaurant in Times Square in Manhattan. That show didn't open until 1975.
- Créditos adicionalesEnd credits are viewed over closeups of old basketball cards spread on a surface.
- Banda sonoraSomething's Always Better Than Nothing
Written by Amanda Kravat and Peter Milrose
Performed by Amanda Kravat
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 9838 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 1234 US$
- 28 ene 2000
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By what name was Wirey Spindell (1999) officially released in Canada in English?
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