Johny Mera Naam

This is a great film. Perhaps Vijay Anand's best. Of course, Guide is a terrific film too but Johny Mera Naam is something special. It's way way ahead of it's time. It's thrilling, emotional, funny, cool and action packed. And it's got great music, stupendous performances and a zing from the very first frame when the titles drip red.

Johny defies synopsis. IT's a convoluted and totally incredible story and yet it's seamless, pacy and a ton of fun.

I've seen it over a dozen times on screen. Till a few years back,in the pre multiplex, pre cable times, we used to have matinée shows of old films at reduced rates.

I wish one could see it no screen today. But it's equally enjoyable on TV too. Johny Mera Naam and Deewaar (Yash Chopra's) are two of the best screenplays of the Hindi mainstream cinema.

Johny Mera Naam review :

After Guide (1965) and Jewel Thief (1967), Dev and Vijay Anand jodi completed their hatrick with this superhit film. Johny Mera Naam is a complete entertainer and perfect mixture of emotions, drama, action, music and sex. In short, the film had everything to satisfy the varied taste of the moviegoers.

A typical lost and found formula of brothers (Dev Anand and Pran) separating in childhood and then re-uniting years later to fight a common enemy (Premnath); Vijay Anand's outstanding execution elevated the film to an altogether different level. Dev Saahab's magnetic charm and Hema Malini's beauty was utilised perfectly here and the song "Pal bhar ke liye koi hume pyaar karle" is still memorable for its imaginative use of window panes.

Another number "Husn ke lakhon rang" attained notoriety of sorts due to the sexy Padma Khanna doing a strip tease dance for the amorous Premnath. Reportedly, the theatres used to be replete with ceetis and catcalls from the front bencher crowd as Padma removed her clothes one by one through the song. The way Premnath just pounces on her in the end still gives me chills!!

Expectedly, Dev Saahab owned the film through his sheer style and swag. Pran and Premnath excelled in their roles. IS Johar had a triple role of Pehle Ram, Dooje Ram and Teeje Ram - triplets who Dev Anand keeps bumping in to one after another throughout the film.

Johny Mera Naam was seen as direct competition to Raj Kapoor's Mera Naam Joker (1970) and Kapoor had requested producer Gulshan Rai to change the title to Johny. Refusing point blank, Rai asked Raj Kapoor to name his film Joker instead. We all know the box office fate of both the films but today, both are regarded as cult classics and I personally love both of them.

Johny Mera Naam not only influenced the formulaic cinema of '70s and '80s but also made director Sriram Raghavan pay a rich tribute to the movie in his neo noir thriller Johnny Gaddar (2007) in which some clips of the film are also seen.

One of the finest entertainers of Hindi cinema; Johny Mera Naam is Dev Saahab's biggest success of the '70s. It is an evergreen film. Just like him!!

Regards, Sumeet Nadkarni.

-aa very good film.The cast was brilliant so was the direction. One of the best film Vijay Anand directed. The movie stars Dev Anand, Pran, Hema, Prem Nath, Padma khanna,etc. Dev Anand is brilliant, so is Pran. It's a great story and lovely music. Hema Malini looks gorgeous and her dresses r great. Padma has a small role but she have done great job. Her dance number with Prem Nath is brilliant also. Prem Nath as usual a great villain. I saw this film long time ago when I was a kid but even today I see it still enjoy the film. It has a great suspense, action, comedy and romance. The music that you can never forget. But as far as trimurti films concerns, I think Dewaar was better but this film was not bad at all. The scenes from this film has been copied in many latest films but this was the best film of original. I give it 9.3 /10

JOHNY MERA NAAM is a superbly amusing action thriller that, right from its banger musical score to the production design right down to the story beats, evokes the vibrancy and nostalgia of 1970s Bollywood. Vijay Anand borrows some elements from his previous classic JEWEL THIEF to craft this equally captivating tale that's filled with smugglers, secret identities, long-lost family members, compelling romance, enticing Bollywood-style melodrama, harmless comedy and engrossing plot filled with thrills and phenomenal performances. The most impressive thing is that the film juggles everything with awesome panache, and even though there is a lot going on, the great direction and amazing pace makes sure that everything remains fairly simple to follow. I have already said it, but again, this film's album is terrific. The due of Kalyanji and Anandji made the album by fusing western style with Indian instruments, and in process created one of the most unique and timeless music in Bollywood history.

While not a groundbreaker in any sense, but a wonderful screenplay, gritty atmosphere, polished action choreography and giving a modern aesthetic to the action-thriller genre in the industry, this film more than earns its status as a classic of Bollywood.

Mother of many masala pot boilers from the 1970s. And better than them all. Typical characters from the 1970s, but far better sketched. Vijay Anand is the best suited person to make movies for the Indian audience.