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To me, this movie was a "been there done that" type. There was nothing new or revealing in any manner of its presentation or otherwise. I tend to agree with reviewer on several movies that I rent but this movie was really hard to watch without prematurely rewinding.

I truly enjoyed watching this movie, which is driven by the people in it - I'm looking forward to reading some of Wagner's books now. The cast and characters are excellent, and I love it when I discover a movie that is driven by the people in it, rather than the explosions or car chases. Highly recommended.

Having read the book by Bruce Wagner, but not having seen the 1998 screen adaptation, we decided to take a look based on the strong cast in it. Mr. Wagner wrote the screen treatment of his own novel. This is a film that offers some interesting points, although, it appears it read much better in the page than what we watch on the screen.

The basic problem with the film is that we don't care much for these characters. They seem to have everything, but yet, they are incapable of connecting with one another. The revelation at the beginning of the film about Perry's grave illness doesn't bring his family to bond with one another in the face of what the future will bring.

The son Bertie is an aspiring actor who is going through a rough period in his life. Tragedy strikes in a way he didn't expect, yet, this man doesn't seem to register any emotion. The adopted girl, Rachel, gets too deep into an area that might give her closure with his dead parents. AIDS enters the picture in the form of Aubrey, the beautiful woman who is also having her own crisis in dealing with her reality.

Frank Langella, as Perry does a good job in his take of the rich man facing his own mortality. Andrew McCarthy tries his best to convey a certain degree of decency to his Bertie. Rosanna Arquette has one of the best opportunities in the film. Elizabeth Perkins's Aubrey is not seen too long for us to care enough for her. Salome Jens, an under used actress plays Perry's wife Diantha. Buck Henry, Amanda Donohue, Ed Begley Jr, and the rest of the cast make adequate contributions to the film.

Ultimately, the film, as presented by Mr. Wagner feels empty because we don't connect to these people at all.

This movie was a mess. So many lines, so many characters, so little definition, so little logic. If I had paid I would have yelled for my money back. The performances were ludicrous. Andrew McCarthy was the pits. He gets the most stupid expressions on his face when acting. I guess you can guess I give this one a resounding '1'. Sorry, but I was unable to go lower.

Illness, death, and a family's reaction to it have been the subject of a multitude of films, but the potential there for high drama is so great that the vein could hardly be exhausted. When I first started watching "I'm Losing You" (and no, I didn't read the book) and saw Frank Langella's character receive his terminal bad news, I assumed the focus would be on him and how his family handled the crisis. I was surprised, then, when it turned out that the Grim Reaper was all over the place, stalking characters major and minor.

Which would have been fine if this film had been the great meditation on death and dying that it so obviously wants to be. Maybe there just wasn't enough time to thoroughly develop all the characters and plot elements, but I surely wouldn't have wanted a longer film. Consequently nothing in it really reached or impressed me. Particularly poorly handled, I thought, was Rosanna Arquette's character, whose mental breakdown and interest in/obsession with with a Jewish funeral ritual were not very well-explained, at least not to my satisfaction. The ritual, by the way, was interesting from a cultural and educational point of view, but as a part of the film it was my least favorite. I disliked Julie Ariola's pious character every time she was on the screen, for some reason. And I found myself again wondering why Arquette has such a hard time finding roles that are worthy of her.

Apparently many people found this film edifying, but I would proceed with caution. One thing proponents and detractors alike could probably agree on: if you're looking for a tear-jerker, go elsewhere. There probably wasn't a wet eye in the house when this film was playing.