Gokudô kuroshakai

The story centres on a failed yakuza that has been exiled to Taiwan and now provides a hit man service for local gang leaders. The backdrop is a rainy Taipei which throughout the film is hated by all of the main characters and is seemingly impossible to escape from (Interesting from a Japanese film maker). The hit man, Yuuji, (Sho Aikawa) has his life turned upside down by the arrival of his supposed son who is cast off by his mother, a woman Yuuji doesn't remember in any detail. Eventually paired up with a prostitute he meets along the way they are offered an escape from the lives they appear to hate. The story is brilliantly told both through a cinematography and script. The locations and indeed the weather play an important role in setting a mood and reflecting the troubled lives of the main characters. Yuuji and chen, Yuuji's son, (Played by Lianmei Chen) work together brilliantly. Chen is a mute but the thoughtful and pragmatic performance by Lianmei Chen means this does not hinder the empathy you can feel for the character. Sho Aikawa, although he has most of the screen time and very little script, plays Yuuji to perfection. This film is another example of why Miike is well respected as a film maker. The usual blood and revenge storyline is there, but with a plot that you need to see played out in full and characters who you care for throughout. It is an excellent example of how a film should be made to incorporate gripping drama into an ultra violent gangster movie. I would recommend anyone to watch Rainy Dog, it may not be typical Mike but it is defiantly Miike Gold.

Director Takeshi Miike takes a break from his usual trademark ultra-violent comic book style action to bring us this slow paced, yet interesting drama, portraying an ex-Yakuza hit-man exiled to Taiwan for reasons unknown. The rain throughout the movie not only sets the mood but also symbolises the monotony of normal, everyday life felt by the protagonist as a contrast to his previous life as a Yakuza. Coming to terms with his new life, he does small time hits for a local gang and manages to maintain some stability and a sense of purpose in the otherwise meaningless existence of a hit-man. However, his world is turned upside down when a woman he doesn't remember leaves him with a child who is supposedly his. As he goes about his business of contract kills, his newly acquired 'son' follows him with fascination, observing and mentally clinging onto his alleged father in a cold, lonely and rainy city. Things get even more twisted when he befriends a prostitute and here starts the mingling of this unlikely trio, a subtle touch, typical of the twisted world of Miike. Overall, a heart warming yet poignant drama depicting the harshness of life, comparable to Luc Besson's Leon or Takeshi Kitano's Kikujiro no natsu.

The same day as watching Shinjuku Triad Society I continued with this one. It was a Japanese film special and I didn't read any background info before the movie whatsoever, but after STS (and Kuroshiya Ichi a month before) I decided to give a miss to all Miike films. Luckily I did not know this was Miike.

This was really a surprise noir after the no substance of the previous mentioned. A yakuza goes to Taiwan and works as a hit-man when suddenly his son is dumped upon him, a son he didn't know he had and doesn't want to have either. I don't want to give away much but the movie is dense with atmosphere and humour, it's easily his best alongside Audition, Birdpeople of China and The Negotiator. Akin for Takeshi Kitano, but definitely Miike.

One of the first Takashi Miike movies I ever saw was 'Dead Or Alive' and shocked me because it didn't play by "the rules", adding unexpected surreal touches to the violent yakuza thriller genre. I reacted very negatively to the movie at the time, but I subsequently grew to admire it the more I got into Miike's groove. Now that I'm familiar with Miike's more extreme movies like 'Ichi The Killer' and 'Visitor Q' I'm prepared for just about anything, but I was once again a bit nonplussed the first time I watched 'Rainy Dog'. Not because it was outrageous, but because it wasn't. 'Rainy Dog' is nothing like Miike's other early yakuza movies like 'Fudoh: The New Generation' and 'Full Metal Yazuza'. Anyone expecting the ultra-violent action and crazy humour of those two will be disappointed. Instead 'Rainy Dog' is a slow, atmospheric character study, very serious and dark in tone. Miike regular Sho Aikawa plays Yuuji a low level hit man exiled in Tawain. Yuuji is depressed from the relentless rain and becoming increasingly alienated. He sees no reason to his monotonous existence. One day a former lover (his wife?) turns up with a young boy (his child? It's not clear) who she dumps. Yuuji ignores the child who camps outside his flat and tags along on his hits. The boy seems to slowly humanize him, as does a prostitute he becomes involved with, but perhaps it is too late. Yuuji's life of violence is about to catch up with him. Miike makes great use of the rain soaked locations, and the movie is interesting for the fact that apart from Aikawa and another one of his regular actors Tomorowo Taguchi the cast is Tawainese and much of the dialogue is in Mandarin. The soundtrack regularly features a Ry Cooder-like slide guitar, and overall the movie has more in common with Takeshi Kitano's yakuza movies that Miike's. 'Rainy Dog' isn't one of Miike's most outrageous movies but it's still recommended and shows a more thoughtful side to this amazing director.

I've been a Miike fan for quite some time, and truly love his wild and crazy approach to film making. But this movie proves that he can also do serious films, and better than many serious directors. It is part 2 of his Triad society trilogy, and once again his themes of outsiders and innocence vs. violence is very obvious. The story is about a japanese hitman (beautifully down-played by Sho Aikawa) who has immigrated to taiwan. At the beginning a woman shows up at his doorstep and leaves a boy, whom she claims is his. The hitman doesn't really acknowledge the boy, and simply goes about his business (which mainly consists of killing people). But the boy follows him everywhere, and when the hitman later develops a sort of relationship with a prostitute, the three slowly grows closer, and become like a sort of family. The movie is very melancholic and has a tremendously moving atmosphere. It is completely rinsed of the usual Miike insanity and it actually works really well. It reminded me very much of Jarmusch, right down to the Neil Young-like slide guitar that makes up the soundtrack. If you've only seen his "crazy"-films you should really give this one a chance, since it really proves what an absolutely brilliant director this man is. "Rainy Dog" is with out doubt a masterpiece in modern cinema, and is even more impressive coming from the hands of the guy who brought us Ichi the Killer, Fudoh, Happiness of the Katakuris etc. etc. Takashi Miike continues to impress!

10/10