Añade un argumento en tu idiomaWatch this extraordinary early Riverdance performance, captured live at Radio City Music Hall in the heart of New York City.Watch this extraordinary early Riverdance performance, captured live at Radio City Music Hall in the heart of New York City.Watch this extraordinary early Riverdance performance, captured live at Radio City Music Hall in the heart of New York City.
Glenn Simpson
- Dancer
- (as Glen Simpson)
Reseñas destacadas
The dancing is amazing, the sets are beautiful and the music very good. Unhappily the editor chose to limit cuts to a few seconds, so that just as interest was aroused the image shifted off to a view of the auditorium or some other distraction. The musical continuity is perfect, but the visual continuity is sometimes puzzling. This may be a necessity in this live recording in Radio City Music Hall (perhaps this is a composite of several performances), but the choppy cutting is not.
In my opinion, Flatley ruined the first show with his ridiculous ego. He was disrespectful to his dancing partner, tried to upstage everyone and had no awareness of the spirit of Riverdance. It's well he left the show. Colin Dunne, the new male lead, is superb, and when he and Jean Butler dance together, magic happens! Eileen Ivers' fiddling is astonishing (as is Noel Eccles' percussion,) and Maria Pages' "Fire Dance" is worth the price of admission! When Pages and Ivers get together, near the end of the show for a musical duet, well, it's a genuine treasure. I agree, the editing isn't complimentary, but no technical shortcoming can quell this extraordinary tour de force. This is the one to get. There's never been anything like Riverdance! This is the real one!
Well, after seeing Feet of Flames, this was a VERY very big disappointment. For all those who didnt, then go ahead, its worth it. But if you can, please so what you can to get FoF. Its far superior to this Riverdance. I saw it for the first time 1 year ago and normally, i re-view it every month maximum. sometimes, every week. This Riverdance lacks some of the features seen in FoF. And they're SO much comparable, that one cannot escape from the fact that it is... inferior in a whole variety of ways.
This is a "revised" Riverdance presentation, staged at Radio City Music hall in New York City. Of the three Irish "dance" musicals that I watched during the mid to late '90s (which includes the first "Riverdance" and "Lord of the Dance") I liked this one the best.
I thought it was better than the original, held in Dublin, Ireland, because it adds segments that are mostly good, it has a more varied and colorful stage setting and it eliminated apiece for two from that original that wasn't good to begin with. This is just a very solid show with few weak spots. To be certain, there are some songs/dances that are just "fair" but none that are poor, which is amazing considering there are 20 numbers in all.
The cast is similar to the first Riverdance with the main exception of Colin Dunne replacing Michael Flatley as the featured dancer. Both are extremely talented. The major difference might be in their looks with Dunne a little, goateed black-haired guy while Flatley is the clean-shaven blond. I prefer Dunne because Flatley's ego is so big he gets annoying at times. The female lead, Jean Butler, thankfully, is still there and is great to watch: what graceful beauty and talent! Butler and the rest of these women have the greatest legs I've seen on dancers. I also enjoyed the dancing of Maria Pages, a Spanish flamenco performer, and two guys: Daniel B. Wooten and Ivan Thomas. One number - with those two pairing off against Dunne and two other dancers -0 is called "Trading Taps" and is terrific fun to watch, maybe the highlight of the whole show. I have no complaints about violinist Eileen Ivers, either.
The "fast" Irish songs here appealed to me the most. I appreciated the audience not getting in the way of the performance either with shrieks and screams like the women do in the "Lord Of The Dance" video.
I thought it was better than the original, held in Dublin, Ireland, because it adds segments that are mostly good, it has a more varied and colorful stage setting and it eliminated apiece for two from that original that wasn't good to begin with. This is just a very solid show with few weak spots. To be certain, there are some songs/dances that are just "fair" but none that are poor, which is amazing considering there are 20 numbers in all.
The cast is similar to the first Riverdance with the main exception of Colin Dunne replacing Michael Flatley as the featured dancer. Both are extremely talented. The major difference might be in their looks with Dunne a little, goateed black-haired guy while Flatley is the clean-shaven blond. I prefer Dunne because Flatley's ego is so big he gets annoying at times. The female lead, Jean Butler, thankfully, is still there and is great to watch: what graceful beauty and talent! Butler and the rest of these women have the greatest legs I've seen on dancers. I also enjoyed the dancing of Maria Pages, a Spanish flamenco performer, and two guys: Daniel B. Wooten and Ivan Thomas. One number - with those two pairing off against Dunne and two other dancers -0 is called "Trading Taps" and is terrific fun to watch, maybe the highlight of the whole show. I have no complaints about violinist Eileen Ivers, either.
The "fast" Irish songs here appealed to me the most. I appreciated the audience not getting in the way of the performance either with shrieks and screams like the women do in the "Lord Of The Dance" video.
The show is GREAT. No words to describe it. Wonderful music. Incredible dance. The editors couldn't spoil it, not because they were not *that*bad*, but because the show is really *that*good*.
The editors are compulsive cutters, you can't see a scene without a cut for more than 15 secs. It's OK to show various angles, but those guys were working with multiple cameras for the first time in their lives, and they will remind you of how many cameras they have every five seconds on average... They manage to film the start of a jump with one camera, then cut it in the middle, and show the rest of it in another angle.
No matter how much they tried, they couldn't spoil that wonderful show. It's a must for dance and music lovers.
The editors are compulsive cutters, you can't see a scene without a cut for more than 15 secs. It's OK to show various angles, but those guys were working with multiple cameras for the first time in their lives, and they will remind you of how many cameras they have every five seconds on average... They manage to film the start of a jump with one camera, then cut it in the middle, and show the rest of it in another angle.
No matter how much they tried, they couldn't spoil that wonderful show. It's a must for dance and music lovers.
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