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IMDbPro

Un'ombra nell'ombra

  • 1979
  • 1h 46min
PUNTUACIÓN EN IMDb
4,6/10
446
TU PUNTUACIÓN
Lara Wendel, Valentina Cortese, and Anne Heywood in Un'ombra nell'ombra (1979)
Terror

Añade un argumento en tu idiomaFour women make a pact with the Devil. The 13-year-old daughter of one of them has begun to shown signs of a dark nature which causes preoccupation and somewhat regret on her mother.Four women make a pact with the Devil. The 13-year-old daughter of one of them has begun to shown signs of a dark nature which causes preoccupation and somewhat regret on her mother.Four women make a pact with the Devil. The 13-year-old daughter of one of them has begun to shown signs of a dark nature which causes preoccupation and somewhat regret on her mother.

  • Dirección
    • Pier Carpi
  • Guión
    • Pier Carpi
  • Reparto principal
    • Anne Heywood
    • Valentina Cortese
    • Frank Finlay
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    4,6/10
    446
    TU PUNTUACIÓN
    • Dirección
      • Pier Carpi
    • Guión
      • Pier Carpi
    • Reparto principal
      • Anne Heywood
      • Valentina Cortese
      • Frank Finlay
    • 13Reseñas de usuarios
    • 10Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes23

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    Reparto principal23

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    Anne Heywood
    Anne Heywood
    • Carlotta Rhodes
    Valentina Cortese
    Valentina Cortese
    • Elena Merrill
    Frank Finlay
    Frank Finlay
    • Paul
    John Phillip Law
    John Phillip Law
    • Exorcist
    Marisa Mell
    Marisa Mell
    • Agatha
    Irene Papas
    Irene Papas
    • Raffaella
    Paola Tedesco
    Paola Tedesco
    • Anna Merrill
    Lara Wendel
    Lara Wendel
    • Daria Rhodes
    Ian Bannen
    Ian Bannen
    • The Professor
    Ezio Miani
    • Lucifer
    Carmen Russo
    Carmen Russo
    West Buchanan
    • Peter Rhodes
    Marina Daunia
    • Prostitute
    • (as Marina D'Aunia)
    Patrizia Webley
    • Prostitute
    Sofia Dionisio
    Sofia Dionisio
    Mark Jeremy Stross
    Sonia Viviani
    Michel Barnes
    • Dirección
      • Pier Carpi
    • Guión
      • Pier Carpi
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios13

    4,6446
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    Reseñas destacadas

    4Bezenby

    "You mean having a child with Satan has it's negative aspects?"

    Eh, better just ignore or try not to think about Lara Wendel's date of birth when it comes to this film, which is labelled as an Exorcist rip-off but strikes me more like an Omen rip-off.

    I'm not one to look down on people, but when you join up for a Satanic cult that involves a choreographed disco session followed by group sex with the Dark Lord himself, isn't it a bit naive to feel put out when the spawn of such a union turns out to have evil tendencies? What did they expect to happen?

    Mother Anne Heywood is concerned that her daughter Lara Wendell is getting a bit lippy and argumentative and a bit too wise in the ways of Satanic rituals that no one's ever told her about, so she goes to see her three mates who also seemingly set up carnal relationships with Lucifer without thinking of the consequences. They also do this kind of South Central LA gang hand signal to each other which was pretty funny. Each of them regrets doing the nasty with the Anti-christ, including Irene Papas who has turned to prostitution to meet men, but fails every single time as Satan shows up scowling disapprovingly every time she's about to get busy. Not the best career choice. Get this though - even though they're all going on about how their children are acting up and being devilly, they still attend these black masses. Where's the commitment?

    I'm not quite sure what he had to do with it all, but Ian Bannen shows up to put the moves on Anne Heywood while spouting garbage about 'the black and the light' but he pretty much high tails it once Satan shows up to stop anyone having any fun. While Lara somehow arranges the death of her stepfather (that big goofy looking guy from Cosmos: War of the Planets), Anne tries to stop her going full evil by asking high Priestess Mellisa Mel to get involved.

    I know - it's confusing. Surely the intention of the coven or sect or whatever would be do to Lucifer's bidding and bring down society, so why are they getting all arsey when the kids start acting up, stealing dolls, rejecting dolls that are bought, burying finger nails, shouting and throwing stuff around, and killing their classmates for getting fresh? Were they just into it for the long cloaks and the dance sequences?

    John Philip Law is brought in as a priest who does some dodgy acting at one point. Lara Wendell gets naked a lot which is quite disturbing due to her age and even has a nude Satan fight with her mum at the end. The whole things lacks gore and even scares, but is so bizarre and non-sensical in every way I couldn't help wonder what they were aiming for.
    5kevin_robbins

    Satan's Wife is worth watching only if you're looking for something different, but it doesn't stand out in the genre.

    I recently watched the Italian film 🇮🇹 Satan's Wife (1979) on Tubi. The storyline follows a group of young women involved in a cult. Years later, one of them has a daughter who seems to possess unique powers and a connection to Satan. As the child grows more ruthless, the mother realizes she may be the only one who can stop her.

    This film is written and directed by Pier Carpi (Povero Cristo) and stars Anne Heywood (The Fox), Valentina Cortese (The Barefoot Contessa), Frank Finlay (Lifeforce), and John Phillip Law (Barbarella).

    The movie is hit or miss. The cult scenes, opening séance, and the blend of dance and nudity in the ritual sequences are intriguing. However, the child acting is just okay. After the opening, the horror elements are minimal, relying mostly on eerie shots of the child committing heinous acts, which isn't enough to carry the film. The cinematography feels dated and is serviceable at best. The ending is also awkward, as certain scenes with the child feel unsettling in a way that doesn't entirely work.

    In conclusion, Satan's Wife is worth watching only if you're looking for something different, but it doesn't stand out in the genre. I'd score it a 5/10.
    3dworldeater

    Satanic schlock

    Satan's Wife is an ultra trashy and cheap attempt to cash in on the success of some much better films(Rosemary's Baby, The Omen and to a lesser extent The Exorcist). In the 70's, movies about The Devil made loads of money, so this fairly forgettable, micro budgeted garbage is one of hundreds(possibly thousands) of similar fare. Unless you only want to see nudity and some ridiculous satanic ritual activity(with more nudity), I can't say this has much to offer. Considering this was made on the cheap, I won't bore you in detail on how this film is basically technically inept. The story is lame, the acting is worst. For the most part, Satan's Wife is a real snoozefest. However, there are lots of titties and for the real creepy horror/exploitation fans, underaged titties. That is one factor that made the film disturbing in a way that I did'nt sign up for. So, overall Satan's Wife is worthless trash and is not something I would recommend.
    Michael_Elliott

    Satan's Wife

    Satan's Wife (1979)

    * 1/2 (out of 4)

    If it's from Italy and features "Satan" or "devil" in the title then you know it must be a rip-off of THE EXORCIST or ROSEMARY'S BABY but here we're in for a treat as this one rips both of those classics. A mother (Anne Heywood) begins to notice something wrong with her teen daughter (Lara Wendel) and sure enough Lucifer (Ezio Miani) is after the young one. Turns out that mommy and two of her friends made a deal with the evil red one years earlier and now he's taking it out on their children but a priest (John Phillip Law) agrees to try and defeat him. I'm really not sure what the point of this film was as it goes off in several directions and in the end it never really seems to know what it wants to do. Apparently this thing sat on the shelf for two years before getting released and you'll see why when you sit through it. The biggest problem is that the film starts off with your typical possession stuff but it does very little with it. There's non-stop nudity to add into the sleaze factor but there's very little else in terms of entertainment. The possession stuff is all mild, any back story is boring and it doesn't help that the film jumps around from one character to another. The cast will feature some familiar faces including previous Oscar-nominees Ian Bannen, Valentina Cortese and Frank Finlay. Wendel will probably be best remembered for a memorable death scene in Argento's TENEBRE but her performance here is pretty weak. The incredibly bad dialogue doesn't help matters nor does her nude scenes and if the DOB on the IMDb is correct then many will want to avoid this film at all costs. Heywood doesn't do any better as she's all over the place and looks confused at what she should do in a film like this. Cult favorite John Phillip Law doesn't get that good of a role either so he's wasted as well. THE EXORCIST-rip should be a genre onto its own as we have dozens and dozens of films that would fall into it but this one here is certainly one of the lesser entries. The film does start off with a near musical number that will have your eyes coming through your skull but things go downhill from there. There's enough nudity that might make Euro-sleaze folks tune in but it's not enough to keep the film moving.
    5The_Void

    Yet another Italian Exorcist rip-off

    After the release of The Exorcist in 1973; ripping that film off became so popular in Italy that "the Exorcist rip off" almost became a genre. It turns out that Italian filmmakers were still at it six years later and Rings of Darkness is one of the later rip offs. It seems that director Pier Carpi was not happy just to rip off William Friedkin's film, however, and this one also features elements from other Satanic classics such as The Omen and Rosemary's Baby. I have to give the film some credit actually for the plot, as it does feature one of the more interesting ones; although it is rather messy. The basic plot focuses on three women that made a deal with the Devil. However, the Devil has decided to target their young daughters instead; prompting the women to fight back against their master. Unfortunately, it has to be said that this film is something of a missed opportunity and nowhere near as good as it could have been. The atmosphere is really rather good, and while the music is a bit too over the top at times; it does work well. The plot soon becomes indecipherable, however, and unfortunately this means that the film quickly becomes boring. In my experience, most of the Exorcist rip off's are rubbish and this isn't one of the better ones. I wouldn't recommend going out of your way to find a copy.

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    • Curiosidades
      When interviewed on set in 1977, director Pier Carpi angrily denied that his screenplay was inspired by El exorcista (1973) and pointed out to the interviewer that he merely adapted his own novel "Un ombra nell'ombra" which he claimed to have written in the sixties but which, in fact, was published first in 1974. However, it is assumed that Carpi's original cut of the movie was considered too much unlike "The Exorcist" by the producers who thus ordered extensive re-cutting and re-shoots.
    • Conexiones
      Referenced in Mil gritos tiene la noche (1982)

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    • How long is Ring of Darkness?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de octubre de 1979 (Italia)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • Títulos en diferentes países
      • Ring of Darkness
    • Empresas productoras
      • Aretusa Film
      • Rassy Film
      • Tanit Film
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

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    • Duración
      1 hora 46 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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