PUNTUACIÓN EN IMDb
5,3/10
491
TU PUNTUACIÓN
Añade un argumento en tu idiomaGrace tries to be the perfect mother and TV producer but finds trouble in juggling both.Grace tries to be the perfect mother and TV producer but finds trouble in juggling both.Grace tries to be the perfect mother and TV producer but finds trouble in juggling both.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 nominaciones en total
Reseñas destacadas
5=G=
"The 24 Hour Woman" miscasts Perez as the lead in this film about a producer of a tv talk show of the same name which deals with woman's issues. The film shows the Perez character's difficulty managing career and family after having a baby. This mediocre comedy/drama has just enough comedy to dilute the drama and visa-versa resulting in rift down the middle rather than the happy mix required of the genre. In spite of it's low budget, no brainer "feel", the film does have its moments and may be a worthwhile watch for women. Working moms in particular.
We thought this movie was excellent. Rosie Perez and Marianne Jean-Baptiste went through similar but different problems as working mothers. Marianne had problems getting her out-of-work husband to take care of the kids, Rosie had problems dealing with a brand new baby that cried constantly! The plot, the acting and the characters were believable and compelling. We loved it!
It squanders an opportunity to be about the class differences between a working-class Black woman (Jean-Baptiste) and her boss (Rosie Perez, who despite the cast list above, is the focus of the entire film) and settles for all the cliches about juggling work and family duty. It's directed incompetently, worst than most television programs, with an inbalanced story structure and lazy, imprecise screenplay.
I found THE 24 HOUR WOMAN to be very funny. The lack of structure was deliberate. I have a feeling that the author of the above review was a man; certainly he/she has no children. The movie is about the total chaos that the baby brings into the lives of extremely controlled and stressed people who actually think they can 'manage' the situation while not changing their lives in the least. Nancy Savoca mentioned in an interview that 'when others went to the right, we went to the left' she deliberately avoided cliches like the 'contrast between the working class black woman and middle class Latina.' The ethnicities are there, but are never shoved in your face, and the situations apply to all races. This was not a movie about 'class differences' but about the troubles one has in trying to 'have it all', whether by choice or necessity. The problem applies to the male characters as well as the women. This movie is very entertaining and far more honest than the Hollywood versions of the 'working mom/dad/take care of baby' that I have seen. Recommended.
I was actually disappointed in Nancy Savoca's "24-Hour Woman" starring the ever wonderful Rosie Perez, though I didn't tell local movie reviewer/ex-Mayor Ed Koch that when he walked in for the next showing with a sour face as if he already expected it to be bad. I told him it was enjoyable, which it was.
I avoided seeing "Parenthood" and "Baby Boom" so I don't know if this in fact raises different, more authentic issues. Certainly tossed off lines are quite accurate and very funny, and are reflective of the thank you at the end of the credits to the many people who shared their "war stories" with the writers. (I guess I'm not the only one who felt like a POW at home with a baby who wouldn't sleep.)
But Savoca didn't reach far enough. While the secondary character does have school-age kids, hardly any attention is paid to the child care etc. problems of that age, as opposed to the baby woes of the lead, which in fact have been dealt with much more in popular entertainment, such as "Mad About You" (I always remind people that they are not just having a baby but having a person; babyhood is a very small percentage of the lifetime you're responsible for 24-7.)
Perez unrealistically working in a glamorous job is used for funny effect in the climax and also is the opportunity for deft jabs at talk shows and the media, but she's also working surrounded by women, mostly mothers in fact, so other issues aren't dealt with as well. So it seems to be the intent to just deal with a few issues, amusingly enough, but with no new insights, but at least some clichés are avoided (I thought all such movies had to include infidelity, but I think they wanted to challenge the Latin lover macho cliché, and there's also a very positive black father).
It just feels a few years old. And this is certainly the kind of movie where it's hopeless to expect a quiet audience as everyone talks back to what's happening on screen. This movie is less for parents to whom it will be like being back home than for those contemplating parenthood in the future. Ah but will there be a run on birth control pills after this?
(originally written 2/15/1999)
I avoided seeing "Parenthood" and "Baby Boom" so I don't know if this in fact raises different, more authentic issues. Certainly tossed off lines are quite accurate and very funny, and are reflective of the thank you at the end of the credits to the many people who shared their "war stories" with the writers. (I guess I'm not the only one who felt like a POW at home with a baby who wouldn't sleep.)
But Savoca didn't reach far enough. While the secondary character does have school-age kids, hardly any attention is paid to the child care etc. problems of that age, as opposed to the baby woes of the lead, which in fact have been dealt with much more in popular entertainment, such as "Mad About You" (I always remind people that they are not just having a baby but having a person; babyhood is a very small percentage of the lifetime you're responsible for 24-7.)
Perez unrealistically working in a glamorous job is used for funny effect in the climax and also is the opportunity for deft jabs at talk shows and the media, but she's also working surrounded by women, mostly mothers in fact, so other issues aren't dealt with as well. So it seems to be the intent to just deal with a few issues, amusingly enough, but with no new insights, but at least some clichés are avoided (I thought all such movies had to include infidelity, but I think they wanted to challenge the Latin lover macho cliché, and there's also a very positive black father).
It just feels a few years old. And this is certainly the kind of movie where it's hopeless to expect a quiet audience as everyone talks back to what's happening on screen. This movie is less for parents to whom it will be like being back home than for those contemplating parenthood in the future. Ah but will there be a run on birth control pills after this?
(originally written 2/15/1999)
¿Sabías que...?
- CuriosidadesThe cast includes two Academy Award nominees (Rosie Perez and Marianne Jean-Baptiste), two Academy Award winners (Melissa Leo and Chris Cooper), and two Tony Award winners (Patti LuPone and Wendell Pierce).
- Citas
[Grace has pointed a gun at Eddie live on air during the Sex-Switcheroo dress up day on the talk show]
Joan Marshall: [on the phone with police] We have been taken hostage by a lone gunman. Gun person. She is a disgruntled employee. Set off by a case of postpartum depression. No, the drag outfits aren't part of her demand.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The 24 Hour Woman
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 109.535 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 21.399 US$
- 31 ene 1999
- Recaudación en todo el mundo
- 109.535 US$
- Duración1 hora 33 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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