1 reseña
Das Rasthaus der grausamen Puppen (1967), directed by Rolf Olsen, is a wild ride through the shifting landscape of 1960s German cinema. It's a crime-adventure flick with a healthy dose of comedy and eroticism.
The film follows Betty Williams and Bob Fishman, a rogue couple attempting to rob a jewelry store in Glasgow. Their plan quickly unravels, leading to the accidental death of a policeman at Bob's hands. He flees, leaving Betty to face the consequences alone. This sets the stage for a tale that blends action, titillating moments, and a glimpse into the harsh realities of prison life for women.
The German film industry was in a state of flux during this period, and this movie sits in an intriguing liminal space between the "older" and "newer" styles. The influence of the Edgar Wallace films is evident, but Das Rasthaus der grausamen Puppen also embraces the emerging trend of "wilder" cinema, flirting with softcore elements.
The prison scenes are particularly notable, depicting the mistreatment of female inmates and the shocking-for the time-inclusion of lesbianism. The German censorship organization, FSK, likely cut several scenes, including water torture and a forceful encounter between Betty and the female warden. Despite these cuts, the film still pushes the boundaries, especially when compared to its contemporaries.
Das Rasthaus der grausamen Puppen is a fascinating snapshot of a changing industry, and its blend of genres and tones keeps viewers on their toes. While it may not be a masterpiece, it's an entertaining and daring ride that will appeal to fans of 1960s European cinema and anyone seeking a unique blend of crime, adventure, and eroticism.
So, if you're in the mood for a wild ride through 1960s German cinema, buckle up and get ready for a Glasgow heist gone wrong!
The film follows Betty Williams and Bob Fishman, a rogue couple attempting to rob a jewelry store in Glasgow. Their plan quickly unravels, leading to the accidental death of a policeman at Bob's hands. He flees, leaving Betty to face the consequences alone. This sets the stage for a tale that blends action, titillating moments, and a glimpse into the harsh realities of prison life for women.
The German film industry was in a state of flux during this period, and this movie sits in an intriguing liminal space between the "older" and "newer" styles. The influence of the Edgar Wallace films is evident, but Das Rasthaus der grausamen Puppen also embraces the emerging trend of "wilder" cinema, flirting with softcore elements.
The prison scenes are particularly notable, depicting the mistreatment of female inmates and the shocking-for the time-inclusion of lesbianism. The German censorship organization, FSK, likely cut several scenes, including water torture and a forceful encounter between Betty and the female warden. Despite these cuts, the film still pushes the boundaries, especially when compared to its contemporaries.
Das Rasthaus der grausamen Puppen is a fascinating snapshot of a changing industry, and its blend of genres and tones keeps viewers on their toes. While it may not be a masterpiece, it's an entertaining and daring ride that will appeal to fans of 1960s European cinema and anyone seeking a unique blend of crime, adventure, and eroticism.
So, if you're in the mood for a wild ride through 1960s German cinema, buckle up and get ready for a Glasgow heist gone wrong!
- MajesticMane
- 19 jun 2024
- Enlace permanente