En 1984, el periodista británico Arthur Stuart investiga la carrera de la superestrella glamorosa de los años setenta Brian Slade, que fue influenciado en sus primeros años por el duro y reb... Leer todoEn 1984, el periodista británico Arthur Stuart investiga la carrera de la superestrella glamorosa de los años setenta Brian Slade, que fue influenciado en sus primeros años por el duro y rebelde cantante estadounidense Curt Wild.En 1984, el periodista británico Arthur Stuart investiga la carrera de la superestrella glamorosa de los años setenta Brian Slade, que fue influenciado en sus primeros años por el duro y rebelde cantante estadounidense Curt Wild.
- Nominado para 1 premio Óscar
- 4 premios y 12 nominaciones en total
- Wilde Housemaid
- (as Maraid McKinley)
‘Snow White’ Stars Test Their Wits
Argumento
¿Sabías que...?
- CuriosidadesJonathan Rhys Meyers and Ewan McGregor sang their own songs in the movie. (Some of Rhys Meyers's songs were overdubbed by Radiohead lead singer Thom Yorke.)
- PifiasDuring the "Death of Glitter" concert, the bassist of The Flaming Creatures takes his hands off the bass for several seconds to reattach the shoulder strap during the song "20th Century Boy", but the bassline of the song continues uninterrupted.
- Citas
Brian Slade: Man is least himself when he talks in his own person... Give him a mask and he'll tell you the truth.
- Créditos adicionalesThe solid background color behind the credits changes several times as they play.
- Banda sonoraNeedle in the Camel's Eye
Written by Brian Eno and Phil Manzanera
Performed by Brian Eno
Courtesy of Caroline Records, Inc.
At the end of the film, when Arthur Stuart sits to have a drink with Curt Wylde (Oh look! A play on Oscar!, Wylde looks up and tells him that, "The true artist creates beautiful things, and puts none of his own life into them". This is one of the several scenes in which Oscar Wilde is referenced subtly, seamlessly and beautifully.
Curt is not simply Iggy Pop. He is Oscar Wilde. He is the true artist of the crowd, because he creates music without using the art as a form of autobiography.
Brian Slade is Dorian Gray. He invests all of his persona into the public, and into his songs, trapping himself in an expectation. The alter-ego Maxwell Demon is eternal youth. It is the embodiment of Slade in a single moment. Unfortunately, he traps himself, and leaves no room for growth. The shooting accomplishes two things. Slade arranging this pseudo-murder is Dorian gray destroying his portrait. At first Dorian was intrigued, even excited by the changes he saw in the painting. Then it began to wear on him. So with Slade/ Demon. The hoax liberates Slade the way death does Gray. Also, This secures Maxwell Demon a place in history. Brian Slade was a pop-star who was too controversial and too personally naked in his work to have any real longevity. The hype would have faded, and if he changed or grew as a person, that would have meant changing everything about his art (as they were so interlocked) and would have led to cries of "sell out". Either way, he would have faded out and been likely forgotten (the way Britney Spears will hopefully do one day). By enacting this faux death, Slade guarantees Maxwell Demon some form of eternal youth, trading in his career to do so (selling his soul).
There's more, as well. Jerry Devine, for instance, is Lord Henry. Mandy is Sybil Vane. They aren't exact, of course, and there are other veins running through them that make them unique, but one can see the influence.
Beautifully done, and a well paid tribute to the genius of Oscar Wilde!
- swinging_rose_hips
- 4 oct 2004
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Glitter Kids
- Localizaciones del rodaje
- Lyceum Theatre, Wellington Street, Covent Garden, Londres, Inglaterra, Reino Unido(Reporting outside at about 6 mins 40 secs in)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.053.788 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 301.787 US$
- 8 nov 1998
- Recaudación en todo el mundo
- 1.054.291 US$
- Duración1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1