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IMDbPro

Miedo y asco en Las Vegas

Título original: Fear and Loathing in Las Vegas
  • 1998
  • 18
  • 1h 58min
PUNTUACIÓN EN IMDb
7,5/10
312 mil
TU PUNTUACIÓN
POPULARIDAD
1855
63
Johnny Depp in Miedo y asco en Las Vegas (1998)
Three Reasons Criterion Collection Trailer for Fear and Loathing in Las Vegas
Reproducir trailer1:26
1 vídeo
99+ imágenes
Aventura urbanaAventurasAventuras en el desiertoComediaComedia de fumetasComedia negraDramaDrama psicológicoViaje por carretera

Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.

  • Dirección
    • Terry Gilliam
  • Guión
    • Hunter S. Thompson
    • Terry Gilliam
    • Tony Grisoni
  • Reparto principal
    • Johnny Depp
    • Benicio Del Toro
    • Tobey Maguire
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,5/10
    312 mil
    TU PUNTUACIÓN
    POPULARIDAD
    1855
    63
    • Dirección
      • Terry Gilliam
    • Guión
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Reparto principal
      • Johnny Depp
      • Benicio Del Toro
      • Tobey Maguire
    • 795Reseñas de usuarios
    • 155Reseñas de críticos
    • 41Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio y 3 nominaciones en total

    Vídeos1

    Fear and Loathing in Las Vegas: Criterion Collection
    Trailer 1:26
    Fear and Loathing in Las Vegas: Criterion Collection

    Imágenes215

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    + 208
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    Reparto principal89

    Editar
    Johnny Depp
    Johnny Depp
    • Raoul Duke
    Benicio Del Toro
    Benicio Del Toro
    • Dr. Gonzo
    Tobey Maguire
    Tobey Maguire
    • Hitchhiker
    Michael Lee Gogin
    • Uniformed Dwarf
    Larry Cedar
    Larry Cedar
    • Car Rental Agent - Los Angeles
    Brian Le Baron
    • Parking Attendant
    • (as Brian LeBaron)
    Katherine Helmond
    Katherine Helmond
    • Desk Clerk at Mint Hotel
    Michael Warwick
    Michael Warwick
    • Bell Boy
    Craig Bierko
    Craig Bierko
    • Lacerda
    Tyde Kierney
    • Reporter
    Mark Harmon
    Mark Harmon
    • Magazine Reporter
    Tim Thomerson
    Tim Thomerson
    • Hoodlum
    Richard Riehle
    Richard Riehle
    • Dune Buggy Driver
    Ransom Gates
    • Dune Buggy Passenger
    Laraine Newman
    Laraine Newman
    • Frog-Eyed Woman
    Frank Romano
    • Dune Buggy Passenger
    Gil Boccaccio
    • Desert Room Doorman
    Gary Bruno
    • Desert Room Doorman
    • Dirección
      • Terry Gilliam
    • Guión
      • Hunter S. Thompson
      • Terry Gilliam
      • Tony Grisoni
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios795

    7,5312K
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    Reseñas destacadas

    7Asentiff2004

    This is bat country

    An oddball journalist and his psychopathic lawyer travel to Las Vegas, with a car full of drugs, alcohol and the pursuit of the American Dream.

    A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.
    8daveisit

    Slippery Mice

    This is far from your everyday movie, and only for those with a deep appreciation for the diversity of film-making, or fans of Hunter S. Thompson. This does not mean those mentioned will enjoy it, although definitely respect the attempt. I personally found it fascinating. To portray a permanently drug induced state to the big screen was done with creativity and subtle humour. You could expect nothing less from director Terry Gilliam who has played such a massive role in the brilliant and original Monty Python works.

    Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.
    bob the moo

    Quite wandering but very funny and very imaginative – a perfect example of Terry Gilliam's work

    The `unflimable' novel by Thompson is brought to the screen. Hunter S. Thompson gets a call to go to Las Vegas to cover a motorcross race. Using the advance money to purchase a load of drugs he sets out on a road trip with his crazed Samoan lawyer. However as their trip continues they encounter all manner of insanity and paranoia in their drug fuelled trip into the American dream…

    Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work – however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.

    Instead it manages to be a drug movie but also be very OTT and very. Gilliam's imagination really made Thompson's trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right – making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don't detract from the film in the way cameos sometimes can (`oh look it's etc').

    The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
    8mahmus

    This film was too weird to live, yet too rare too die.

    Where to even start with this? What starts as a fun drug-fueled comedy slowly turns into a claustrophobic nightmare of grotesque imagery and sensory overload. I've never done any hallucinogetic drugs, but I imagine that after a while, the rush Would become a nightmare. This is an ugly movie. It's hard to watch. It's extremely uncfomfortable. And that's the point.

    Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded. The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.

    But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat. This film was too weird to live, yet too rare too die.
    whole_orange_truck

    Genius + Genius = ...

    'Fear and Loathing in Las Vegas' was originally an Article published in two parts in Rolling Stone Magazine. It was written by Hunter S. Thompson. It tells the story of a journalist reporting on the Mint 500 in Las Vegas.

    Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.

    These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.

    Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      In the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
    • Pifias
      Dr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
    • Citas

      [watching Dr. Gonzo leave]

      Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.

    • Créditos adicionales
      The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
    • Versiones alternativas
      The US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
    • Conexiones
      Edited from Las Vegas (1978)
    • Banda sonora
      My Favorite Things
      Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II

      Published by Williamson Music

      Performed by The Lennon Sisters

      Courtesy of Ranwood Records/ A Walk Music Group Co.

      By arrangement with Warner Special Products

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    Preguntas frecuentes

    • How long is Fear and Loathing in Las Vegas?
      Con tecnología de Alexa
    • What are the differences between the theatrical version and the Criterion Collection Director's Cut?
    • Is this a sequel to Where the Buffalo Roam?
    • How many other movies have been adapted from this authors novels?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de abril de 1999 (España)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Por i fàstic a Las Vegas
    • Localizaciones del rodaje
      • Stardust Hotel & Casino - 3000 Las Vegas Boulevard South, Las Vegas, Nevada, Estados Unidos
    • Empresas productoras
      • Fear and Loathing LLC
      • Rhino Films
      • Shark Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 18.500.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 10.680.275 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 3.338.590 US$
      • 24 may 1998
    • Recaudación en todo el mundo
      • 10.680.275 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 58 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 2.35 : 1

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