Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.Un periodista bizarro y su abogado psicópata viajan a Las Vegas para una serie de aventuras psicodélicas.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 3 nominaciones en total
Brian Le Baron
- Parking Attendant
- (as Brian LeBaron)
Reseñas destacadas
An oddball journalist and his psychopathic lawyer travel to Las Vegas, with a car full of drugs, alcohol and the pursuit of the American Dream.
A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.
A psychedelic trip into the macabre, a chaotic spiral into madness. These terms perfectly describe Hunter S. Thompson's novel describing his drug fueled trip of the west. Depp does a perfect rendition of Thompson and truly is a marvel to watch in this film. In his rendition it is easy to see how Depp has become one of this generations finest actors. This film for the casual viewer may be difficult to follow and or watch, but to me personally is a fantastic film one in which does what it was intended to do, and that is to entertain and to darkly and at times humorously take the viewer on a chaotic ride. With a huge cult following and an eventual prequel that came out; Rum Diaries, this is a wonderful peek into the world of the not so normal and the drug fueled ride that is Hunter S. Thompson's life. The soundtrack is perfect for this film as it follows suit with the chaos that is viewed on the screen. I highly recommend this film to film buffs and lovers of dark comedies.
10smriga
I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.
Where to even start with this? What starts as a fun drug-fueled comedy slowly turns into a claustrophobic nightmare of grotesque imagery and sensory overload. I've never done any hallucinogetic drugs, but I imagine that after a while, the rush Would become a nightmare. This is an ugly movie. It's hard to watch. It's extremely uncfomfortable. And that's the point.
Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded. The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.
But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat. This film was too weird to live, yet too rare too die.
Terry Gilliam said in his own words: "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time." Judging by the critics' reactions, he succeded. The film has an almost perfectly split 50 percent on Rotten Tomatoes, and many critics, including Roger Ebert, were completely appalled by it, and honestly, it's not hard to see why.
But the movie survived. It has stood the test of time. It has risen from the ashes to become stronger than ever before. It is a paradox. A joyful nightmare. A horrifying treat. This film was too weird to live, yet too rare too die.
'Fear and Loathing in Las Vegas' was originally an Article published in two parts in Rolling Stone Magazine. It was written by Hunter S. Thompson. It tells the story of a journalist reporting on the Mint 500 in Las Vegas.
Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.
These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.
Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.
Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.
These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.
Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.
10kosmasp
After I watched this movie for the first time, I thought it was dumbest piece of ... whatnot I had ever seen! But as time passed (merely a few hours) and while I couldn't get that movie out of my head, I realised that Terry G. again made a movie, that nobody else could've done ... at least not like this! Everyone was saying that you couldn't possibly make a movie out of that book ... and nay-sayers will still be convinced that it can't be done. But I've come to terms and really accepted this movie for what it is! A crazy hell of a ride movie, that is just ludicrous! And I love it! Every f**ing minute of it! And how could you write a review without even mentioning the F-word. Try to listen to the commentary by the real Hunter S. Thompson! That's the guy who wrote the book, for those who don't know.
So as this movie is just plain crazy, I don't know how to wrap this up ... maybe I just leave it open ... ;o)
So as this movie is just plain crazy, I don't know how to wrap this up ... maybe I just leave it open ... ;o)
¿Sabías que...?
- CuriosidadesIn the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
- PifiasDr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
- Citas
[watching Dr. Gonzo leave]
Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
- Créditos adicionalesThe Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
- Versiones alternativasThe US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
- ConexionesEdited from Las Vegas (1978)
- Banda sonoraMy Favorite Things
Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II
Published by Williamson Music
Performed by The Lennon Sisters
Courtesy of Ranwood Records/ A Walk Music Group Co.
By arrangement with Warner Special Products
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- How long is Fear and Loathing in Las Vegas?Con tecnología de Alexa
- What are the differences between the theatrical version and the Criterion Collection Director's Cut?
- Is this a sequel to Where the Buffalo Roam?
- How many other movies have been adapted from this authors novels?
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Por i fàstic a Las Vegas
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 18.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 10.680.275 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.338.590 US$
- 24 may 1998
- Recaudación en todo el mundo
- 10.680.275 US$
- Duración1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the streaming release date of Miedo y asco en Las Vegas (1998) in Australia?
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